The CD opens with “Suitcase
War,” a really interesting tune. It is progressive rock, but with the lead
instrument being electric violin. Sure, it does get a bit heavy at times, with
some great work on bass, but also has a lighter spirit at moments, which I
appreciate. And toward the end it becomes playful in its sound, and actually
kind of groovy. It is that section that I especially enjoy. That’s followed by “Connect
Four,” which begins with a more electronic sound. The title of course makes me
think of that game we played as children (I was thinking of this game anyway
because the other day at work there appeared as a piece of set dressing a giant
version of the game, coming up to my waist). The sound of this song is at first
much more serious than something you’d connect with a children’s game, a sound
that sort of catches you in a whirl, for a just a moment reminding me of slot
machines at Las Vegas, as you might take them in from the distance of the
entrance to the casino. And it does return to that intense realm toward the
end, but in the middle there is a kind of joyful excitement.
“‘G’ As In Gears” is the track
with the spoken word section. “He goes
to sleep and dreams of work. He rises in the morning to go to work. He takes
his frugal lunch to work. He comes home again to throw himself down on a miserable
apology for a bed so that he can get that little rest that he may be able to go
to work again.” That’s from a speech given by Samuel Gompers, the first
president of the American Federation of Labor. Near the beginning, the tune
itself sounds like work in a factory, though with a bit of a fun rather than just
drudgery. But it breaks through to other levels, while still having a sort of
clockwork thing about it. This one really creates a vivid atmosphere. The song
begins where it ends, much like the day of a working person.
The album then takes us on a
journey to Morocco with “Sandstorm,” one of my favorite tracks. I love the
percussion which opens the track and which in some ways dominates the tune. It
has a really fun ending too, which reminds me of the discotheque in Cairo where
I once spent a bit of time. Things get a bit darker with “Slippery Slope,” a
somewhat haunting and intriguing track that features Marcello Rosa on cello. “Satellites”
seems to venture into ELO territory for a moment (around the 2:15 mark), then
relaxes into a pretty violin solo, which soon gains a drum beat beneath it. It’s
interesting how many little changes this tune goes through, never settling into
one thing for very long.
“Die Grauen Herren” is an odd
tune which also goes through several changes, at one point suddenly presenting
a strange carnival laugh, like we’re about to be taken on a slightly dangerous
ride. Marcello Rosa joins the band on cello again for this track. “Le temps qui
fait ta rose” is a mellower, more thoughtful journey inward. The CD then
concludes with “Insert Coin,” which has a more playful electronic sound,
including video game sounds. Hey, does it remind you a bit of Grieg’s “In The
Hall Of The Mountain King” at one point? Maybe it’s just me.
CD Track List
- Suitcase War
- Connect Four
- ‘G’ As In Gears
- Sandstorm
- Slippery Slope
- Satellites
- Die Grauen Herren
- Le temps qui fait ta rose
- Insert Coin
The Sun Is New Each Day was released on June 8, 2015, and is
available for free on the band’s website. How about that?
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