The album opens with one of its
covers, “Seven Day Fool,” a song written by Billy Davis and originally recorded
by Etta James. This rendition by Mindi Abair And The Boneshakers is a bluesy
rock number, coming straight at you, without any nonsense, but with some
surprises. Those synth strings sounds, for example, are an interesting element.
Then toward the end, suddenly the saxophone shouts out, which is wonderful. And
there is a bit with hand claps that seriously reminds me of a moment from “Born
To Hand-Jive” in Grease. Yeah, it’s a
fun track. Then “No Good Deed Goes Unpunished” begins with a solid beat, and
has a delicious rock feel almost immediately. Mindi sings about music making
the world all right, but that a life in music brings the troubles of men who
are less than faithful and friends who use you. But, oh, check out that guitar.
And then that sax! These guys seem to be able to handle the troubles. “I’m just trying to make a difference, so get
out of my way.”
The group’s cover of “You
Better Run” comes thumping in with a mean groove, with the saxophone adding
excellent little thoughts. Actually, the more I listen to it, the more I think
it’s those touches on saxophone at the beginning that establish this rendition
as something special. At any rate, it’s a really cool take on the song, which
was originally done by The Young Rascals, and later covered by Pat Benatar. Mindi Abair And The Boneshakers then slow
things down a bit with “Sweetest Lies,” Mindi singing “I believe what you say/When you look at me that way.” Ah, but is
she really vulnerable? The vocal performance here is sometimes sweet, sometimes
raw, sometimes powerful. “Is it wrong, is
it right/That I let you make me cry/I can’t leave, I know why/Because you tell
me the sweetest lies.”
Mindi Abair’s version of “Good
Day For The Blues” has a party beat, with a bit of a New Orleans vibe, and
features nice stuff on keys. It seems that every day in these dark times is
a good day for the blues. Or, at least, every day during this horror show we do
have the blues, good day for it or not. Then there is a good lead on saxophone
halfway through this track, and we get a kind funky little jam, which I
appreciate. That’s followed by “Mess I’m In,” which has a nice groove. “I should straighten up around here/Don’t
know where to begin.” Oh man, I can relate to those lines. Yeah, it’s not
just a figurative mess, but a literal one. “Where
did this all begin/Everything’s under my skin/When will it ever end/This mess
I’m in.”
“Bad News” is blues with a
cool, sly vibe, and Mindi Abair’s vocal delivery has a sexy intimacy. And that
horn sounds just perfect, creating a vivid atmosphere. Nick Lane plays trombone
on this one. This is a delicious track, one of my favorites. “The bad news has arrived/It’s closing time.”
That’s followed by “Movin’ On,” which has a heavier rock sound. Then “Who’s
Gonna Save My Soul?” is a gorgeous, soulful, and moving song. “I gave every breath to you/Saved none for me.”
This one features more excellent work on saxophone. The album concludes with a
cover of Ike & Tina Turner’s “Baby, Get It On,” a rock and roll song with a
good amount of energy. Third Richardson joins Mindi on lead vocals on this duet,
and Lee Thornberg is on trumpet and trombone, and Paulie Cerra plays tenor
saxophone.
CD Track List
- Seven Day Fool
- No Good Deed Goes Unpunished
- You Better Run
- Sweetest Lies
- Good Day For The Blues
- Mess I’m In
- Bad News
- Movin’ On
- Who’s Gonna Save My Soul?
- Baby, Get It On
No Good Deed is scheduled to be released on June 28, 2019 on Pretty
Good For A Girl Records.
No comments:
Post a Comment