The album opens with “Secret
Rendezvous,” which comes on strong, a solid rock song written by David Aguilar.
The band, by the way, is David Aguilar on vocals, harmonica, synths, and
guitar; Tim Abbott on vocals, guitar, synths, sitar and harmonica; Gary
Andrijasevich on drums, percussion and vocals; Alec Palao on bass and acoustic
guitar; and Derek See on guitar and vocals. “Secret Rendezvous” is kind of a
fun rock tune. “See me when I’m back in
town/See me when you’re done with that clown.” Things then get more
interesting with “Judgement Day,” also written by David Aguilar. This is a raw,
bluesy, mean tune with some cool, atmospheric work on harmonica. The vocals
have a wonderfully angry and worn sound, singing about how things these days
aren’t going well. “I need a miracle here
today/I feel like I’m going to be swept away.” Ah, yes. Halfway through,
the tune kicks things up a notch, becoming more powerful. Check out these
lines: “Something in America just ain’t
right/I feel like I got to punch someone tonight.” I know the feeling, and
I hope I never run into anyone wearing a “Make America Great Again” cap,
because those Nazis all deserve a severe beating, and I’m not sure I could hold
back. And, man, I am so tired of being so angry. This song itself delivers a
great pounding, a raw, thumping rhythm. It is a fantastic track.
“This Is My Voice,” the disc’s
title track, has something of a classic psychedelic sound, mixed with a bit of
a 1980s new wave vibe, but with lyrics that address our current ugly reality,
with lines like “It’s easier to lie
today/Facts don’t get in the way” and “It’s
easier to hate today/Be invisible and troll away.” And yet there is
optimism to this track, a positive bent that I really appreciate. This one was
written by David Aguilar and Tim Abbott. It ends with percussion. We then get
the album’s first cover, a cool rendition of Frank Zappa’s “Trouble Every Day”
(here listed as “Trouble Everyday”), a song from the first Mothers Of Invention
LP, Freak Out! This song is certainly still pertinent, its
opening lines being “Well, I'm about to
get sick/From watchin' my TV/Checking out the news/Until my eyeballs fail to
see.” Seriously, if you didn’t know, you’d think this was a new song. Well,
some of the lyrics have been updated a bit. Check out the telling changes to
the original lyrics in these lines: “And
all the mass stupidity/That seems to grow more every day/Every time Fox News brays/Because
the color of your skin/Don't appeal to them.” Daryl Hooper joins the band on keys, and Alby Cozzette plays electric guitar on this song.
“Take A Ride” has a Bo Diddley
beat, which always works for me. Of course, I could do without the sound effect
of the engine at the beginning, but no matter, as it’s a fun track. That’s
followed by the album’s second cover, “Talk Talk,” a song by The Music Machine,
and one I don’t recall hearing very many artists cover (other than Alice
Cooper, anyway). I used to listen to the original rendition on one of those Baby
Boomer Classics 1960s compilation cassettes. Chocolate Watchband does a good
job with it, and I particularly like that brief instrumental section toward the
end, with its delicious psychedelic edge. Then “Bed” is one I think a lot of
folks are going to relate to, its first lines being “I’ve gotta get out of this bed/I’ve gotta get out of this bed/I’ve
gotta get out of this bed/But I can’t do it, I can’t do it.” It’s difficult
these days, isn’t it? It’s like we’re exhausted before we even begin. Another
line that stands out each time I listen to this song is “My breath smells like I’m dead.” There is something catchy about
this tune, and something kind of playful, though the snoring sounds at the end
are unnecessary.
“Bombay Pipeline” is a cool,
psychedelic instrumental tune (its title being a nod to that famous rock
instrumental by The Chantays). This one was written by Tim Abbott. That’s
followed a nice rendition of Bob Dylan’s “Desolation Row,” a song I saw the
Grateful Dead perform several times, and then a groovy cover of The Seeds’
“Can’t Seem To Make You Mine.” The album concludes with “‘Til The Daylight
Comes” (which is erroneously printed as “Til’ The Daylight Comes” on the CD
case). This track opens with a bit of
that frightening “Make America Great Again” song from one of Donald Trump’s
twisted ego-driven celebrations of himself. Do you remember this? It was
performed by a full choir at the official Independence Day celebration in 2017,
honoring Trump rather than the nation or any of its ideals. My brain had done
me the favor of temporarily forgetting I’d ever heard it, for it’s not only a terrible
song, but a terrifying one. There is then a sound snippet from Trump, reminding
people that what they are seeing and reading is not what’s really happening. Oh
hell, if only that were true! Anyway, this is a seriously good song. There is
something incredibly appealing about it, in large part because it is hopeful,
which is a wonderful way to conclude the album. The daylight can’t get here
soon enough.
CD Track List
- Secret Rendezvous
- Judgement Day
- This Is My Voice
- Trouble Everyday
- Take A Ride
- Talk Talk
- Bed
- Bombay Pipeline
- Desolation Row
- Can’t Seem To Make You Mine
- ‘Til The Daylight Comes
The release date for This Is My Voice is different depending on the source you turn to. The press release I received lists the date as February 22, 2019. Bandcamp has the date as February 28th. Amazon claims it will be released on CD on April 26, 2019. And Discogs says it was released in 2018. At any rate, this album is or will be available on both CD and vinyl, and it follows the band’s
2015 release, I’m Not Like Everybody Else.
No comments:
Post a Comment