The album opens with “Twelve String Mile,” a song that
was previously included on his When
Negroes Walked The Earth album (on that release it was titled “12 String Mile”). The
lines that stood out for me the first time I listened to this disc are, “I’m alive/Be dead soon.” This version
has quite a different feel from the earlier rendition. And man, I totally dig
that horn, the way it comes in so casually, hanging about like another character,
another voice, sometimes quiet, sometimes with plenty to say, and over this cool
laid-back yet insistent groove. That’s Ron Miles on cornet. Jerry Douglas also
joins Otis Taylor on this track, playing koa wood lap guitar. Otis Taylor
follows that with “Walk On Water,” which had also been previously included on
another album, Truth Is Not Fiction.
And like the first track, this version is markedly different from its earlier
form. I strongly prefer this new rendition, which opens with acoustic guitar,
sounding like a western about to explode, like a lone man traveling to meet his
fate. The song kicks in to become something else entirely. These songs seem to
have deceptively simple lyrics; the words, repeated, take on another meaning,
another life, like some kind of chant or prayer. Ron Miles again joins Otis on cornet.
“Banjo Bam Bam” works the same way, with the repetition of
certain phrases acting almost like a mantra, like trying to maintain a hold on
reality by repeating what he knows, what’s happening to him. Again, an
impending, uncertain death is in the air, but this song has folk elements. Otis
Taylor plays banjo on this track, and Anne Harris joins on violin. And then the
song surprisingly ends with a kind of fun bit of play. That’s followed by “Hands
On Your Stomach,” which has a heavier blues-rock groove, something that could
get out of hand, but is held in check by Otis, kept back behind his vocals – a
storm contained, held back by a prayer. This song was previously included on
Otis Taylor’s Respect The Dead.
Things get lighter, more playful with “Jump Jelly Belly,”
with the horn returning, dancing and singing, sometimes with a puckish vibe, while
Otis’ vocals at times are almost like a rhythm or percussion instrument, along
with that steady, relentless groove. The song’s title, though referring to a
specific soldier in World War II, reminds me of a book from my childhood. (Does
anyone else remember reading Jelly Belly?)
This song was also originally included on Respect
The Dead. That’s followed by “Tripping On This,” which opens with a
traditional, familiar blues groove. Yeah, this is a blues album, but at this
point I wasn’t expecting to hear that regular blues thing. But Otis Taylor
turns it, making it almost a meditation on the theme (and with electric banjo),
and I become nearly mesmerized by it, by the song. And so the sudden ending is
jarring, like an unexpected (and perhaps unwanted) release.
The CD concludes with “Jump To Mexico,” one of my
favorite tracks due in part to a moving vocal performance by Otis Taylor. And
as with the album’s opening track, Jerry Douglass plays koa wood lap guitar on
this song. “Jumped out a second story
window/But I could not break my fall.”
CD Track List
- Twelve String Mile
- Walk On Water
- Banjo Bam Bam
- Hands On Your Stomach
- Jump Jelly Belly
- Tripping On This
- D To E Blues
- Jump Out Of Line
- Just Want To Live With You
- Roll Down The Hill
- Jump To Mexico
Fantasizing About
Being Black was released on February 17, 2017.
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