Old School
opens with “Kid’s Jump,” an instrumental track with a great, classic rock and
roll, rhythm and blues sound, driven by the guitar. I absolutely love this kind
of music, and I honestly don’t see how it’s possible to dislike it. This is an
original composition by Kid Ramos, and it’s a great start to the album. More
classic, timeless sounds follow with a wonderful cover of bluesman Magic Sam’s “All
Your Love.” Kid Ramos’ son Johnny joins him on this track, performing lead
vocal duties. Does he sound a bit young to be singing the blues? Maybe, but he
does a good job, and keep in mind that Magic Sam was pretty young when he wrote
and recorded it. This is Johnny Ramos’ first appearance on an album. Kid Ramos
delivers some delicious work on guitar here. The long fade-out is a bit odd;
this song feels like it should have a more solid, definitive ending (though,
again, the original recording had a fade-out too). Johnny Ramos also sings on a
cover of “Anna (Go To Him),” a song written and originally recorded by Arthur Alexander,
but more famously done by The Beatles. Bob Welsh provides some nice work on
piano.
Johnny Tucker joins Kid Ramos on vocals for “Tell Me What
Ya Want (And I’ll Give Ya What Ya Need),” a song they wrote together. That
gloriously rough voice is effective, and this song has a kind of fun vibe. “I’ll give you what you want, tell me what
you need/I’m here to love you, and I’m here to please.” Oh yes. Plus, this track features some good,
expressive work on guitar, and I totally dig what Bob Welsh does on organ. That’s
followed by another original tune, a very cool instrumental track titled “Mashed
Potatoes And Chili.” Listening to this music, I can feel my blues slip away.
Kid Ramos then takes us back to the early days of rock and roll with a cover of
Buddy Holly’s “Heartbeat.” This time Kid Ramos provides the vocals. Kid Ramos
also sings on the cover of “Mona Lisa.” Johnny Tucker joins Kid Ramos again for
“You Never Call My Name,” another song they wrote together, and a track which
features no other musicians – just vocals and guitar. I am seriously digging
this track, the raw and immediate sound of it. Kid Ramos also covers Wes
Montgomery’s “Bumpin’,” here titled “Wes Side (Bumpin’),” a wonderful bluesy,
moody instrumental piece.
Kid Ramos gives us some good gospel vibes with “Jesus Come
By Here” (often titled “Jesus, Won’t You Come By Here”). This is an uplifting,
cheerful rendition, sung by Johnny Tucker. That’s followed by “I Can’t Wait
Baby,” an original tune, written by Johnny Tucker and Kid Ramos, with Johnny
Tucker again on vocals. This is a good blues song with some haunting, effective
work on organ by Bob Welsh. “I can’t
wait, baby/’Til you come running back to me/I can’t wait, baby/Until you come
crawling back to me.” This is a seriously enjoyable vocal performance, and I
love that pause after “crawling.”
Then Jon Atkinson joins Kid Ramos on vocals for “Weight On My Shoulders,” a
song that he also wrote, and one of my personal favorites. It has such a great classic
sound and does exactly what I want the blues to do; that is, it makes me feel a
whole lot better. For the album’s final number, a cover of T-Bone Walker’s “High
Society,” Kim Wilson provides the vocals. I love when Kim Wilson (probably best
known for his work with The Fabulous Thunderbirds) shows up on album. A year
and a half ago, he sang and played harmonica on Thornetta Davis’ fantastic Honest Woman album. This
time he is teaming up with a former Fabulous Thunderbirds member for a really
good rendition of a great tune. Danny Michel plays rhythm guitar on this track.
“Yes, I got a society woman/She gets the
best of everything/You know, she’s living her life in luxury/While she keeps me
in the strings.”
CD Track List
- Kid’s Jump
- All Your Love
- Tell Me What Ya Want (And I’ll Give Ya What Ya Need)
- Mashed Potatoes And Chili
- Heartbeat
- You Never Call My Name
- Anna (Go To Him)
- Wes Side (Bumpin’)
- Mona Lisa
- Jesus Come By Here
- I Can’t Wait Baby
- Weight On My Shoulders
- High Society
Old School was
released on March 16, 2018 on Rip Cat Records.
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