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Wild Honey Orchestra performing "Do You Believe In Magic" |
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I had been hearing about these
Wild Honey Orchestra shows for several years, where a group of incredibly
talented musicians gather to celebrate the music of a particular band. In 2018,
it was Buffalo Springfield. Last year it was The Kinks. The concerts are
benefits for The Autism Think Tank, with all the musicians donating their time,
so in addition to these shows being good times, they are also for a good cause.
So what’s not to love about these events? I had intended to go the last couple
of years, but one thing or another kept me from attending. When it was
announced that this year’s concert would be a celebration of The Lovin’
Spoonful, I got excited, but was busy and kept putting off purchasing tickets.
Until suddenly it became clear that The Lovin’ Spoonful themselves would be
performing at the gig. How could I miss such a rare treat as a Lovin’ Spoonful
reunion (though they kept calling it a “get together”)? By the time I bought
tickets, the orchestra section was completely sold out. Gone also were all the
tickets for the terrace section, and in fact most of the balcony seats had been
claimed. We ended up in the last row of the center section of the balcony,
directly in front of the lighting booth. But no matter. I was just happy to be
in the room, and figured being in the last row would allow me space to dance
without bothering anyone.
They were a little delayed in
opening the doors for the show, and so a fairly large crowd had gathered on the
sidewalk in front of the venue, most of the people being my age or older. It
was a little after 7:30 p.m. when the doors finally opened, for a show
scheduled to start at 8. A merchandise booth sold T-shirts and posters for the
event. Upstairs were tables with signed records up for auction, helping to
raise even more money for The Autism Think Tank. By the way, if you have
trouble walking or tend to lose your balance, the balcony is not for you. At 8
p.m., it was announced that the show would start in a few minutes because there
had been an accident and they were awaiting the arrival of paramedics. No
further word was given on that, and a few minutes later a video was shown
explaining what The Autism Think Tank is all about.
John Sebastian was the first
musician to take the stage, followed by several others. “So we’ve got to start this at the beginning,” John told the crowd,
and led the musicians in a cool rendition of Mississippi John Hurt’s “Coffee
Blues,” the song that gave The Lovin’ Spoonful their name. Then more musicians
came out for the second song, “Lovin’ You.” Throughout the show, there were so
many changes, with musicians coming and going, that it was damn near impossible
to keep track of who was on the stage at any given moment. Steve Boone and Joe
Butler performed on several songs at the beginning of the show, and then would
return for certain songs. John Sebastian played on the majority of the tunes
performed at the show, which was great. He seemed to be having a blast. Joe
Butler sang lead on “Full Measure,” a song from Hums Of The Lovin’ Spoonful (the album that also contains “Lovin’
You”). It was after that song that Steve and Joe left the stage, and Dennis
Diken (drummer for The Smithereens) then sang lead on “Butchie’s Tune.” That
was followed by “It’s Not Time Now,” sung by Iain Matthews, and “Fishin’ Blues.”
Then John Sebastian talked about getting a gig in Nashville, which led of
course to “Nashville Cats,” featuring some nice work by Dave Pearlman on pedal
steel. Nick Guzman sang “There She Is,” with The Muffs’ Ronnie Barnett and Roy
McDonald on bass and drums respectively.
As you’ve likely gleaned by
now, this was not just a greatest hits type of affair. I knew that going in,
but was still delightfully surprised by some of the song choices. One of those surprises
was “Pow!” I didn’t expect to hear anything from the What’s Up, Tiger Lilly? soundtrack (except “Fishin’ Blues,” which
was also on Do You Believe In Magic).
John Sebastian played harmonica on that one. That was followed by “Darlin’
Companion,” with Bill Mumy on vocals, and Elliot Easton (from The Cars) on
guitar. This song had a false start, as they were still working things out. But
that was certainly part of the charm of the night. Though there had been a
couple of nights of rehearsals, the whole feel of the show was still pretty
loose, which I appreciated. Cindy Lee Berryhill delivered a wonderful rendition
of “Money,” which featured no fewer than three banjo players, as well as a
typewriter. This show was full of highlights, and this song was certainly among
them. Marshall Crenshaw then came out to perform “Rain On The Roof,” another surprise.
It wasn’t a surprise that he performed, but his choice of songs certainly
surprised and delighted me. He was accompanied by a harpist. Thomas Walsh (from
Pugwash) gave us a really good rendition of “Coconut Grove.” Then Mark Eitzel
sang “Didn’t Want To Have To Do It.”
In addition to What’s Up, Tiger Lilly, The Lovin’
Spoonful did the soundtrack for You’re A
Big Boy Now, directed by Francis Ford Coppola. And actually the only song
that I hoped to hear last night which wasn’t played was “Girl, Beautiful Girl,”
from that soundtrack. However, Skylar Gudasz gave us a wonderful take on that
album’s title track, backed by Elliott Easton on guitar and John Sebastian on
guitar. We then were treated to a second song from What’s Up, Tiger Lilly, “Respoken,” performed by Marti Jones and
Don Dixon. David Goodstein sang and played drums on “Warm Baby.” Then Peter
Lewis (of Moby Grape) performed “Other Side Of This Life,” a song written by
Fred Neil and also recorded by Jefferson Airplane. John Sebastian gave us the
story behind the writing of “Summer In The City,” and his brother Mark
Sebastian joined him on guitar, the two of them walking us through the song’s
creation. Joe Butler and Steve Boone also played on that one. It was certainly
another highlight of the first set, and was the song chosen to close the set.
The first set ended at 9:50 p.m., and the audience was told in no uncertain
terms that the set break would be only fifteen minutes. During the break, a
slideshow was shown.
Twenty minutes later, it was
announced that the set break was over, though many people had still not managed
to get back from the bathrooms. Hey, it was an older crowd, you understand.
Some folks need a little more time. Anyway, starting off the second set was
another surprise. John Sebastian joked about sometimes being out of fashion,
and talked about at one point being in need of a job. It was then he was called
to write a theme song for a television program. And, yes, John sang “Welcome
Back,” the theme to Welcome Back, Kotter
(a show I absolutely loved as a child). This song came as a surprise because it’s
from John’s solo career, and is not a Lovin’ Spoonful song. It was such a
treat. John was supported by several backing vocalists. That was followed by
another track from the You’re A Big Boy
Now soundtrack, “Lonely (Amy’s Theme).” John told a funny anecdote about
the writing of this tune, and then played harmonica on this instrumental number.
The entire orchestra backed him, and, yes, it was another of the show’s
highlights. Then John Sebastian left the stage, and The Three O’ Clock
performed “She Is Still A Mystery.”
My personal favorite Lovin’
Spoonful song is “Darling Be Home Soon.” It is a beautiful song, and I often
tear up a bit when I hear it. Last night
Rob Laufer, the musical director of the show, performed it. He delayed the
start of the song while waiting for Elliot Easton to join him on stage, but
eventually gave up and began playing it. Elliott Easton finally did join him
after the first verse. It was an excellent rendition, complete with horns and a
string section. Afterward, Elliott explained that he’d been downstairs doing an
interview about The Lovin’ Spoonful. That was followed by “Six O’ Clock” and
then “Never Going Back.” John Sebastian played autoharp on “You Baby,” which
was sung by the glorious Claudia Lennear. Steve Stanley sang “Younger Girl,”
and then we got another song from John Sebastian’s solo career, “Stories We
Could Tell,” with John on vocals and guitar, and joined by Carla Olson, also on
vocals and guitar. That was followed by “Younger Generation,” sung by Kathy
McCarty backed by two guitarists. Another of the show’s highlights was Dead
Rock West’s absolutely beautiful rendition of “How Have You Been,” a song from
John Sebastian’s 1970 solo album. Micky Dolenz then delivered an excellent
version of “Daydream,” his voice sounding as good as ever. That song is a
perfect choice for Micky. Alex Jules did the whistling.
Perhaps the most powerful and
exciting moment of the second set came when Dave Alvin and John Sebastian
jammed on that great blues instrumental, “Night Owl Blues,” along with Steve
Boone on bass. Before launching into the tune, Dave Alvin told the story of his
first rock concert, the lineup of which included The Lovin’ Spoonful. Someone in
the audience gleefully shouted out, “I was there!” Anyway, this tune was just
fucking great. John Sebastian is a fantastic harmonica player, a fact I
sometimes forget, and he and Dave were ripping into this tune. Then Peter Case
came onto the stage to perform a couple of songs, “Blues In The Bottle” and “4
Eyes,” keeping the energy high. Before “Blues In The Bottle,” Peter asked the
crowd, “Are there any questions or
anything so far?” There weren’t. Carnie Wilson and Rob Bonfiglio performed “Did
You Ever Have To Make Up Your Mind?” They were joined by John Sebastian and
Steve Boone. Carnie Wilson, for anyone who might not know, is the daughter of
Brian Wilson of The Beach Boys, and the Wild Honey Orchestra actually takes its
name from a Beach Boys song. Then Susan Cowsill sang “You Didn’t Have To Be So
Nice,” which was followed by John Sebastian playing “Jug Band Music,” a totally
fun song. The entire group of musicians then filled the stage for “Do You
Believe In Magic,” the set’s closing number. John Sebastian played autoharp on
this one. The second set ended precisely at midnight.
But the show was not over. John
Sebastian, Steve Boone and Joe Butler decided to remain on the stage and do one
last number together. First, of course, John told a story about opening for The
Supremes. The song they chose to do was “Daydream,” with John doing the
whistling. They were not backed by any members of the Wild Honey Orchestra, but
performed as The Lovin’ Spoonful. It was the perfect ending to a magical night.
The show concluded at 12:07 a.m.
Set List
Set I
- Coffee Blues
- Lovin’ You
- Full Measure
- Butchie’s Tune
- It’s Not Time Now
- Fishin’ Blues
- Nashville Cats
- There She Is
- Pow!
- Darlin’ Companion
- Money
- Rain On The Roof
- Coconut Grove
- Didn’t Want To Have To Do It
- You’re A Big Boy Now
- Respoken
- Warm Baby
- Other Side Of This Life
- Summer In The City
Set II
- Welcome Back
- Lonely (Amy’s Theme)
- She Is Still A Mystery
- Darling Be Home Soon
- Six O’ Clock
- Never Going Back
- You Baby
- Younger Girl
- Stories We Could Tell
- Younger Generation
- How Have You Been
- Daydream
- Night Owl Blues
- Blues In The Bottle
- 4 Eyes
- Did You Ever Have To Make Up
Your Mind?
- You Didn’t Have To Be So Nice
- Jug Band Music
- Do You Believe In Magic
Encore
- Daydream
Alex Theatre is located at 216
N. Brand, in Glendale, California.
It was the best wild honey gig ever. EPIC.
ReplyDeleteThese events just keep getting better and better. "Night Owl Blues" was one of the greatest musical performances I can remember seeing that focused on two players. And Darian and Three O' Clock doing "She Is Still a Mystery" with orchestral accompaniment. Wow!
ReplyDeleteA great review -- thanks!
ReplyDelete