Side A
After a brief introduction (“Ladies and gentlemen, and the rest of you…”)
and a goofy sound effect of a car skidding to a crash, The Cars kick off their
set with “Good Times Roll,” a fitting opening. How many songs have titles that
are variations of “Let The Good Times Roll”? I’m not sure, but I can think of
half a dozen off the top of my head. After that song, they thank the crowd,
then launch into “Bye Bye Love,” and here the energy gets really crackling.
This was always one of my favorites, and here they deliver a great rendition,
with some excellent work on guitar. I was fortunate enough to see Cars’ lead
guitarist Elliot Easton play with the Wild Honey Orchestra just a few weeks
ago, a treat for me as for one reason or another I never did see The Cars in
concert. Then we hear “Hey, it’s good to
be back home,” which must be from Benjamin Orr. Though The Cars were a
Boston band, I think only drummer David Robinson was actually born in
Massachusetts (he also played with Jonathan Richman). Benjamin Orr, who died in
2000, was from Ohio. And the band goes into “Night Spots,” which also has an
electric energy. This is a song that would end up on their second record, Candy-O. After that, someone in the
audience shouts out a request for “Just What I Needed,” to which the band
responds, “You’re just what we needed.”
But they don’t play that song right then. Instead, they go into “I’m In Touch
With Your World,” a kind of quirky number that I dig. And that’s how the first
side ends.
Side B
“So you’ve heard of us, eh?” they say to the crowd at the beginning
of the second side. And they play “My Best Friend’s Girl.” The moment they
start it, the audience responds. This song had been released as a single, as
well as being included on that first album. It would later be included on that Greatest Hits album in 1985. It’s such a
fun song. The band slides right into “Moving In Stereo,” which is my personal
favorite Cars song. We all remember that scene from Fast Times At Ridgemont High, with Phoebe Cates getting out of the
pool. A cool scene, and a cool song. From there, the band goes straight into “All
Mixed Up,” a segue which works really well. “All Mixed Up” follows “Moving In
Stereo” on the band’s first album as well. That’s followed by “Take What You
Want,” a song not on the original debut album, but included as a bonus track on
a later re-issue. I love the jamming on this one.
Side C
The third side gets off to a
thumping and delicious start with “Don’t Cha Stop.” This is one you want to
dance around to, or at least it’s one that I dance around to. They follow it
with another fun rock song, “You’re All I’ve Got Tonight.” After that, the band
thanks the audience: “Thank you up here
and back there. Can’t see you all there. Are you back there?” Well, the
moment they start the next song, “Just What I Needed,” I’m sure they’re aware
of everyone in the place, up front and in the back, for the crowd is clearly
excited to hear the band’s hit single. And the band delivers a fun rendition,
certainly a highlight of this release. And apparently it was the set closer.
But soon the band is back for a two-song encore. “Hotel Queenie” is up first,
and is another song that was not included on that first album, but was included
as a bonus track in an expanded re-issue. This is a wild, fast-paced rock song,
with a punk energy, another highlight of this record. There is a slight pause
before the band delivers the final song, a cover of the classic Eddie Cochran rock
‘n’ roll tune “Somethin’ Else,” a song that includes the lines “That car’s fine lookin’ man/It’s something
else.” By the way, the fourth side is designed to look like a Cars tire
tread across the vinyl.
Record Track List
Side A
- Intro/Good Times Roll
- Bye Bye Love
- Night Spots
- I’m In Touch With Your World
- My Best Friend’s Girl
- Moving In Stereo
- All Mixed Up
- Take What You Want
- Don’t Cha Stop
- You’re All I’ve Got Tonight
- Just What I Needed
- Hotel Queenie
- Somethin’ Else
Live At The Agora, 1978 was released on vinyl on April 22, 2017.
According to the Record Store Day website, it was a limited run of 4,000
copies, but a sticker on the album’s plastic wrap says “Strictly limited to
5,000 copies.” So, who knows? By the way, the packaging is not a gatefold. The
two records are in individual inner sleeves tucked into the same outer sleeve.
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