Tony Monaco opens with a cover
of Phish’s “Cars Trucks Buses,” an instrumental track from Billy Breathes. That tune was written by Phish’s keyboardist, Page
McConnell, so it is perhaps a perfect fit for Tony Monaco. And, yeah, this
version has plenty of delicious work on organ. The group does jam on it,
turning in a version significantly longer than Phish’s studio rendition, more
in line with the length of live versions. I dig Derek DiCenzo’s work on guitar.
And toward the end, there is a cool drum section. Tony Monaco then switches
gears with a sweet rendition of trumpeter Lee Morgan’s “Ceora” (the original
version featuring Herbie Hancock on piano). Things then get groovy and funky
with “Root Down,” a delicious composition by Jimmy Smith (it was the title
track to a 1972 live album). This track features some cool work on both guitar
and keys, over that great groove. It’s a fun track from beginning to end, and
is one of my personal favorites. There is a playful ending.
Asako Monaco (Tony’s wife)
joins him on piano for “Never Let Me Go,” adding to the beautiful romantic feel
of this one. This is the first track of the album to feature vocals. It was
written by Jay Livingston and Ray Evans, and has been recorded by folks like Nat
King Cole and Dinah Washington. Tony Monaco turns in a really good vocal
performance here. He then goes in yet another direction with “Non Ti Scordare
Di Me,” which also features vocals. I love this one especially once it reaches
the main section. I dig that timeless European sound, and Tony Monaco plays
accordion on this track. That’s followed by the album’s sole original number,
“Awa Athar,” which has a seriously cool vibe right from the start. It develops
a good groove, and I like that guitar work. This, for me, is another of the
disc’s highlights. Tony Monaco then goes in a totally different direction with
a cover of Floyd Cramer’s “Last Date.” Yes, this album is even a little bit
country, with Monaco’s organ taking on the sound of pedal steel.
Then we get the track that got
me interested in this disc, the Grateful Dead’s “Truckin’” (a song from my
favorite album, American Beauty). This
instrumental rendition begins on drums, and quickly establishes a nice groove. Tony
Monaco delivers the vocal line on organ, and, yes, it’s difficult to keep the
lyrics from running through my head as I listen. Tony Monaco gets good and
loose on the organ here (I think Brent Mydland would smile if he were listening).
Then we get some good stuff on guitar, Derek DiCenzo delivering a different
take on the guitar part than I’ve heard in other versions. Tony concludes the
album with a song by Leon Russell, one of the great musicians we lost in that
most foul year 2016. “A Song For You” is one of Leon Russell’s most beloved
compositions. It was the lead track on his self-titled debut solo album. Tony
Monaco delivers a pretty, heartfelt rendition on piano and vocals, with the
band coming in a couple of minutes into the song. I am really fond of this
rendition. “I love you in a place where
there's no space or time/I love you for my life, you are a friend of mine/And
when my life is over, remember we were together/Now we’re alone and I’m singing
this song for you.”
CD Track List
- Cars Trucks Buses
- Ceora
- Root Down
- Never Let Me Go
- Quando Quando Quando
- Non Ti Scordare Di Me
- Awa Athar
- Last Date
- Truckin’
- Triste
- A Song For You
The Definition Of Insanity was released on January 18, 2019 on
Chicken Coup Records. By the way, for me the definition of “insanity” is
believing a single word that Donald Trump utters. Would someone please just put
an end to the insanity and horror of this administration?
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