The album opens with “Little
Pictures,” a seriously enjoyable tune featuring some wonderful work on keys,
plus a delicious rhythm at its base. Taylor Martin’s vocal delivery has
something of a Dr. John rough and cool quality here. “Me, I love to keep my eyes closed/I love it when you close yours too/One
so that they think you’re sleeping/While the other one’s looking, baby, right
at you.” Toward the end, this track also features some good stuff on guitar.
While there is a bit of a bluesy vibe to this song, the following track, “Here
Comes The Flood,” has more of a country pop feel. “You’d better run for cover/No better cover than your man/Baby, if I’m
him, let me help you to understand.” Amanda Anne Platt provides some
backing vocals on this track.
“Eden Colorado” has a
wonderful, kind of quiet folk vibe, and features some really good lyrics, with
lines like “I make her laugh one time/To
leave her memory behind” and “I’m
looking for a dream somewhere deep inside of me” standing out. But probably
my favorite line is “But out there on these
highways every sign it reads do not worry about me.” I also love the guitar
work on this track. This is a hopeful song, and is one of my personal favorite
tracks. That’s followed by one of the
album’s three covers, Neil Young’s “Music Arcade,” a song from Broken Arrow. Taylor Martin’s rendition
has a more cheerful and lively country sound, and features some nice work by
Lyndsay Pruett on fiddle. Amanda Anne Platt joins him again on vocals. The
fiddle is what makes “Second Sight” so beautiful. Interestingly, this love song
also makes use of the image of the two having their eyes closed: “It’s all right, close your eyes/I’m going to
close mine too.” A line that stood out for me the first time I listened to
this song was “Help me remember when I
first saw you again,” with that little pause before “again.”
Debrissa McKinney joins Taylor
Martin on vocals on “Hollywood,” which is more of a pop tune with something of
a 1970s vibe and some nice stuff on bass. Then Phil Alley joins Taylor Martin
on telecaster for “Our Memories,” a song with a relaxed, pretty sound and more sweet
work on fiddle. This track also has some nice harmonizing with Amanda Anne
Platt. “This old house of earth and wood/Stood
longer than we could/It always seemed too big for me/The perfect size for our
memories.” That’s followed by the second of the album’s covers, Merle
Haggard’s “Kern River.” The sweet nostalgic sound of the pedal steel fits this
song so well. And, yes, this track also features some wonderful work on fiddle.
Then “Milk And Honey” has a beautiful folk sound, with Aaron Ramsey on mandolin.
“We’ll close our eyes and disappear.”
I also like these lines, which end the song: “I was born a dreamer/You were born a dream.” The final cover is Bob
Dylan’s “Sign On The Window,” a song from New
Morning. The album then concludes with its title track, “Song Dogs,” which
begins with some nice stuff on piano. This track too has its own beauty, aided
by pedal steel and by what is probably Taylor Martin’s best vocal performance
on the disc. “Though all the lines we’ve
drawn are gone, and still we make it back.”
CD Track List
- Little Pictures
- Here Comes The Flood
- Eden Colorado
- Music Arcade
- Second Sight
- Hollywood
- Our Memories
- Kern River
- Milk And Honey
- Sign On The Window
- Song Dogs
Song Dogs was released on November 16, 2018 on Little King Records.
By the way, the notes on the back of the CD case are basically impossible to
read. I know I’m getting older, but holy moly, you’d have to have some kind of
superhero vision to make out the print there below the track list.
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