They open the album with a wonderful rendition of Jimmie
Rodgers’ “Mule Skinner Blues” (here simply titled “Mule Skinner”). They give it
a cool rhythm and their own spin, singing, “I
like to work/I’m working all the fucking time/I can carve my initials/On a mule’s
behind.” But it is the instrumental section that follows those lines that makes
me so goddamn happy, and gets me moving. This is a fairly short version, just
over two minutes, but it’s really good. That’s followed by “Two White Horses,”
a traditional song that has been often done as a blues tune. This rendition by
Holly Golightly And The Brokeoffs is more lively and playful (like in the way
they use percussion on the “church bell”
line).
They then go to a more recent song, the Bad Livers’ “Horses
In The Mines,” a slower, bluesy number. This song was the title track to the
Bad Livers’ 1994 album (I was hosting a folk and acoustic radio program at that
time, and I remember we played this album a lot). That’s followed by Paul
Siebel’s “Pinto Pony,” originally included on his 1971 record Jack-Knife Gypsy. I like what Holly
Golightly And The Brokeoffs do with this song, particularly in the instrumental
section. I dig that guitar. And they playfully add their own impression of the “shootout in the cantina,” which made me
laugh. They also deliver a good rendition of Belton Sutherland’s “Kill The Old
Grey Mule,” which is sometimes titled “Old Grey Mule” and here is titled “Kill
Grey Mule.”
One of my favorite tracks is their version of “I Ride An
Old Paint,” perhaps the most famous of the songs chosen for this album. It’s
been covered by folks like Woody Guthrie, Pete Seeger, Johnny Cash, Ramblin’ Jack
Elliott, and Linda Ronstadt. This rendition by Holly Golightly And The
Brokeoffs is more lively than most versions, with a wonderful raw edge. It’s
more fun than other versions I’ve heard, and is just a total delight. It’s
followed by another fun number, “Jinny Mule.” While this rendition is not quite
as delicious as the version by Big Maybelle, it is still a highlight and
features one of my favorite vocal performances of the album. Another well-known
tune chosen for this release is “Stewball,” a song that’s been covered by Joan
Baez and Peter, Paul & Mary, among others. This version is quite a bit
different from most other versions, with some prominent percussion. I really
like the way they approach it. The album finishes up with “Mule Train,” a tune
which has been done by folks like Frankie Lane and Bing Crosby and Tennessee
Ernie Ford, and the song that gives the album its title. And as you might
expect by now, this version by Holly Golightly And The Brokeoffs stands apart
from all earlier renditions, and is seriously cool. It’s actually a bit slower,
meaner than a lot of other versions I’ve heard.
CD Track List
- Mule Skinner
- Two White Horses
- Horses In The Mines
- Pinto Pony
- Black Horse Blues
- Kill Grey Mule
- Carpet Of Horses
- I Ride An Old Paint
- Jinny Mule
- Stewball
- Strawberry Roan
- Mule Train
Clippety Clop
is scheduled to be released on May 4, 2018 on Transdreamer Records.
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