He opens the album with its title track, “All The Pretty
Girls,” an original number with the accordion featuring prominently. It’s kind
of a playful, delightful song with profound lyrics like “All the pretty girls feed me a sandwich.” And how can you help but
love him when he begins his goofy “Wah
wah” part? That’s followed by
another original tune, “Round And Round We Go,” which Gene wrote with Emily
Turonis. This song has a cheerful, friendly vibe, and includes the happy sound
of whistling. It’s a song that should disarm you and raise your spirits. The
lyrics are delivered with sweetness. “But
let’s not think about the past/Let’s think about this melody/With my arm your
waist/And you holding onto me.”
Gene Turonis delivers an interesting a cover of the old
rock and roll tune “I Like It Like That.” This song was written by Chris Kenner
and Allen Toussaint, and was a hit for The Dave Clark Five back in the sixties.
Gene’s version has a delightful energy, and feels like a party down south. That’s
followed by another cover, “Things Have Gone To Pieces,” a song that was
recorded by George Jones and then later by Merle Haggard. The first line of
this country song certainly is appropriate for a singer/plumber: “The faucet started dripping in the kitchen.”
And maybe that’s the reason he chose to cover it. His version features some
whistling, and a really nice vocal performance, but perhaps what I like most
about this track is Adam Krass’ work on fiddle.
“Let’s Make A Deal – Marriage Proposal” has an early rock
and roll energy, particularly in the work on keys. This is a playful, fun
number. Check out these lines: “A
beautiful woman is a wonderful thing/When your beauty is showing, that makes
the man in me sing/You got it, you got it, you got it/I want it, I want it, I want
it.” Yeah, there is a good deal of humor to this one. It’s followed by a
wonderful rendition of “Going Back To Louisiana,” written by Clarence “Gatemouth”
Brown, this rendition featuring more whistling and more nice work on piano.
Gene shows his sense of humor again in “Been A Fool All My Life,” a
self-deprecating song about the many mistakes he’s made. “I’ve been making stupid moves since I don’t know when/Never learning
from the past, repeating it over again/From my very first used car, to my last
ex-wife/I’ve been a fool all my life.” And he has enough experience in his
voice to make this song really work.
In “I’d Have To Be Crazy,” Gene sings “Oh, I may not be normal, nobody is.” Ah,
I’ve been saying that for years. “Normal” is just someone you don’t know all
that well. The main line, however, is “I’d
have to be crazy, plumb out of my mind, to fall out of love with you.” Yes,
it is a sweet song. It was written and recorded by Steven Fromholz. Willie
Nelson has also covered it. “She Belongs To Someone” is fun from the start,
even before the humorous line “She
belongs to someone and I’m glad it ain’t me.” This song is a delight. One
line that stuck out for me is “She’s
probably listening to Thriller.” The specificity caught me by surprise.
The album’s final cover is a really nice rendition of “I
Always Get Lucky With You,” here shortened to “Always Get Lucky.” This is
another song that was recorded by both George Jones and Merle Haggard. Haggard
wrote it with Freddy Powers, Gary Church and Tex Whitson. The album then ends
with “George Jones, George Jones.” On the CD case, it’s labeled as a bonus
track, but I have never understood how a song could be a bonus track on the
album’s first release. It’s not a bonus track; it’s a track. Well, however you
label it, it’s a really good song, with a bit of a raw and immediate sound, just
vocals and guitar.
CD Track List
- All The Pretty Girls
- Round And Round We Go
- I Like It Like That
- Things Have Gone To Pieces
- Let’s Make A Deal – Marriage Proposal
- Going Back To Louisiana
- Been A Fool All My Life
- I’d Have To Be Crazy
- She Belongs To Someone
- A Breeze Blows Through The Palm Tree
- Diamonds As Big As Potatoes
- Always Get Lucky
- George Jones, George Jones
All The Pretty
Girls is scheduled to be released on May 11, 2018 on Bar/None Records.
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