The album opens with an
instrumental piece titled “Overture For The Fire Keepers,” featuring some
absolutely beautiful work on strings. After a few moments, it feels like the
music to some fantastic film, and I expect to be introduced to some intriguing
characters and landscapes, to be told a tale. That is followed by “Three Years,”
which has a somewhat desolate feel as it begins. Soon some prominent work on
drums feels like a strong pulse, and we are no longer alone. And when the
strings come in, I am ready to be swept up in whatever direction this music may
take me. This track also includes some
really good lyrics. Here is a taste: “Three
years and what do I have to show/Where do I have to go/To be heard/Three years,
we haven’t got a lot to show.” The line that really stands out for me is “I’m an ocean of compromise.” The music
builds wonderfully to become a glorious pop song, and then suddenly, just before
the end, drops us back into a more melancholy frame of mind.
“The Damage” eases in, then
takes on a good rhythm. And check out these lines: “I don’t know what lies you’ve told/But the sorrow that you bought and
sold/Fell across the starting line and into this kiss/Take this damage off my
chest/I will not toil where I might rest/Show me where to begin and take me
there.” This track also features horns. It seems that each of these tracks holds
surprises; there is nothing routine about these songs. Rather, there seems to
be a natural and exciting progression that is decided by the music itself. This
is one of the tracks to feature some great guests on backing vocals, including
Jenn Grant, Jessie Brown and Kim Harris (Kim Harris also sings on that Norma
MacDonald album, and her own 2014 release, Only The Mighty, shows how talented a vocalist she is). Then odd
electronic sounds begin “Deep In The Earth,” like a computer trying to
communicate with us. Gabrielle Papillon’s vocals work in contrast to that sense
as those electronic sounds fade in the background. Her voice is soothing and
beautiful, and then on certain lines it feels she is speaking to us plainly,
such as “I got into it once, more than
once/Deep in the dirt, deep in the earth” and “I’ve come to claim this wasted spark/To hold it up with its aching heart.”
Jenn Grant, Jessie Brown and Kim Harris provide backing vocals on this track
too.
This entire album is excellent,
but if I were forced to choose a favorite track, it would be “Hold On, I Will,”
a stunningly beautiful song, Gabrielle’s vocals supported mainly by piano. “Hold on, I’ve got tools for mending/Oh god,
I will.” There is something so true about this song, her voice speaking for
all of us in a way, as she sings “And I will
break before the ending” and “All of us
pretending.” And we are all going to need mending before this is done. This
track also features some gorgeous work on strings. I love that cello. It is a
surprise when those backing vocals come in, like a small choir, “We can make it/I won’t break/I can take it.”
Oh yes, oh yes, oh yes. Alana Yorke and Ian Bent provide backing vocals on this
track, and Ian is also on piano. That’s followed by “When The Heart Attacks,”
another intriguing song, in part because of its use of percussion, which plays
a strong part in the song’s sound. Corey LeRue is on synth, and provides drum
samples on this track. “Give me a song
about human devotion/With words that color the soul with emotion/And blistering
love.” This one ends with some pretty work on strings.
“Keep The Fire,” the album’s
title track, eases in gently, then suddenly kicks in with a tremendous force. “This is bad/I know it’s bad/There’s no way
to keep the fire on/I know it’s bad/They don’t make things like they used to.”
I love the drums on this powerful track, as well as the use of backing vocals. Jenn Grant, Jessie Brown and Kim Harris
provide the backing vocals. That’s followed by “Heart Beat,” another beautiful
song. That work on piano has a magical, innocent feel, like a return to some
memory of childhood, or what we think childhood might have been. That element
remains in the song, but fades somewhat into the background as the track goes
on. Then at the end, that piano part continues after everything else has gone.
In “Some Rise Up,” Gabrielle Papillon sings, “Some ride off when trouble rounds the corner/And some rise up,” lines
that stand out in these troubling and uncertain times. “I can lead us, but I can’t carry all the weight.”
“What To Keep” is yet another
beautiful song, a highlight of the album in part because of its excellent
lyrics, in part because of that moving vocal performance, and in part because
of the strings. Check out these lines, which open the song: “We hold every breath/Feed the ghost of what’s
left/Rock the beast back to sleep/Heed the fire at our feet/So we’ll know what
to keep.” The album concludes with another striking song, “No Paradise,”
which begins with a haunting instrumental section. “We know that we can’t stay here/That if we bend, we break.” As it
kicks in, Gabrielle repeats, “This is no
paradise.” It seems a dangerous landscape that is created – or illuminated
– here. The track ends with strings, at first seeming a natural sound, until
you realize you’re also hearing some crackling, as if from an old record. And
then it is like the whole thing is just shut down suddenly. It is an interesting
way to end the song and the album.
CD Track List
- Overture For The Fire Keeper
- Three Years
- The Damage
- Deep In The Earth
- Hold On, I Will
- When The Heart Attacks
- Keep The Fire
- Heart Beat
- Some Rise Up
- What To Keep
- No Paradise
Keep The Fire was released on October 13, 2017.
No comments:
Post a Comment