The album opens with “Earth
Calls,” a short piece that has a dark, sort of mysterious sound. Its title
makes me think it works the same way as church bells, calling us to some
ceremony, but an earthly one, not necessarily a spiritual or ethereal one. It
is like an ancient primal force summoning us. That is followed by “Voices
Welcome,” which has a somewhat busier, lighter vibe, perhaps like the people
answering the call of the first song, getting ready, coming together,
assembling, setting things in motion, a certain joy to their work. “Hartundi”
then begins with a steady rhythm, and again we might think of a ceremony, a
pulse running beneath us and through us, uniting us. “Loomfixer” does have the
sense of some work being done, and while it’s being done, others are moving
about, perhaps at a quicker pace, perhaps helping, perhaps simply passing by.
And then suddenly there are more voices, and things are beginning to really
fall into place, moving more quickly. Until – bam – everything stops. Is the
work complete? No, something has happened, because we are back at the start
again, having to accomplish the same task. The effect is almost comical. One
time when I was listening to this track, that moment when we seem to be back at
the beginning made me laugh out loud. The track then, nearly halfway through, begins
to move in new directions, and gets exciting. This is one of my personal
favorites.
“Nemophilist” begins with the
sounds of birds chirping, then eases in. Is humanity rising up from nature, or
slowly invading it? Or both? The birds continue to chirp over the drums, so perhaps
we are not so destructive as we might seem, for the birds are not disturbed by
our presence, and in fact go on chirping after the beat is gone. That’s
followed by “Shorn,” a short, but interesting piece that contains a wonderful
contrast between lighter sounds and that deep thump. It’s like the energy is
all in the lighter sounds, but the control is in that much deeper sound, which
also has the final word here. “Sounds After Life” has a somewhat tentative feel
at first, like taking hesitant steps into a new world. Then a corner is turned,
and something surprises us, keeps us in place until it passes, and we return to
our pace. “Air Above” immediately establishes a steady rhythm, with a repeated
theme playing above it. There is something kind of tense about this track,
however, with that relentless steady beat.
“Currents” then begins with
rolls on the snare, but coming from different places, as if answering each
other, or each answering a more important call, maybe in preparation for
something big. Then a couple of minutes into the track, we get this delightful
and cheerful rhythm, a groove you can move to, helping to make this another of
the disc’s highlights. That’s followed by “Beyond The Slanting Surfaces,”
another exciting piece, a heartbeat at its center, with an entire world seeming
to move around it, a people engaged in a slow dance. And that repeated theme
feels almost theatrical or cinematic, announcing some other presence. It seems
an entire tale is being told here. The disc then concludes with “The Churning
Void,” which feels like several voices, each with the same message, the same
experience, the same situation, with no escape, until the end, when it eases
out, fades out.
CD Track List
- Earth Calls
- Voices Welcome
- Hartundi
- Loomfixer
- Nemophilist
- Shorn
- Sounds After Life
- Air Above
- Currents
- Beyond The Slanting Surfaces
- The Churning Void
Tessellated Resonance is scheduled to be released on August 5, 2020.
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