The album opens with “The
Windmills Of Your Mind,” a song from The
Thomas Crown Affair, winning the Oscar for Best Original Song. This
rendition by Tierney Sutton Band is strangely haunting at the beginning, with
that steady work on snare and Tierney’s absolutely gorgeous vocals, and those
wonderful touches on piano. Then, when it comes in, that bass has power. This
is an unusual and gripping rendition, one of the best I’ve heard, an excellent
start to the disc. That’s followed by a gentle and yet intriguing rendition of “Moon
River,” from Breakfast At Tiffany’s.
Again, the bass plays a prominent part here. That song is coupled with “Calling
You,” a song from Bagdad Café (a film
which I still haven’t seen). It has been covered by several artists since the
late 1980s. This song has its own distinct power, particularly in the vocal approach,
and the transition from “Moon River” to “Calling You” is seamless. Then, toward
the end, Tierney Sutton returns to “Moon River.”
The bass races along at the
beginning of “On A Clear Day (You Can See Forever),” and when the song kicks
in, it is the piano that is the star of this breezy, delicious rendition. That
instrumental section with the piano leading the way is wonderful. That’s
followed by “What Are You Doing For The Rest Of Your Life?” from The Happy Ending. Somehow I’ve missed
this film, though I’ve heard the song before. After being drawn into Tierney
Sutton Band’s version of the song, I looked up the movie, and it sounds like
something I should check out. Anyway, this track features a beautiful vocal
performance, supported by some nice work on piano. “All I ever will recall of my life/Is all of my life with you.” Then
“I’ve Got No Strings” opens with percussion, and features Serge Merlaud on
guitar.
Probably the biggest surprise
for me is Tierney Sutton Band’s take on “If I Only Had A Brain.” This band
delivers a totally fun version, with a great, catchy groove, establishing a
cool vibe straight away, with finger snaps and even a bit of scat. I absolutely
love their take on this song, giving me a whole new appreciation for it. I
didn’t expect this track to be a stand-out, but it turns out to be my favorite,
and it just gets cooler and cooler as it goes. I love the bass! And actually
there are two bass players on this track, Kevin Axt on electric bass and Trey
Henry on acoustic bass. This song often gets stuck in my head, and I hope from
now on that when it does, it is this version that my brain decides to play. That’s
followed by “The Sound Of Silence,” with Tierney Sutton Band giving us an
unusual take on this song too, beginning with a full sound before than paring
things down. While “The Sound Of Silence” was featured in The Graduate and appears on its soundtrack, it wasn’t written for
that movie, and in fact was on two Simon And Garfunkel records prior to that
film’s release.
As I mentioned earlier, what
aroused my interest in this release was the inclusion of two songs from Grease. And as this album is a celebration
of music from films and not the theatre, the two songs the Tierney Sutton Band
chose are ones that were in the film but not in the original play. The first is
the beautiful “Hopelessly Devoted To You,” this version having something of a
late-night vibe, in part because of the work on percussion. There is a nice
instrumental section, led by piano. I really like this rendition, though perhaps
because of its late-night vibe, the line “But
now there’s nowhere to hide since you pushed my life aside” lacks some of
the power of the original. That’s followed by the second of the numbers from Grease, “You’re The One That I Want.” In
the film, it is a duet. Here, Tierney Sutton handles the vocals on her own, one
of the aspects that give this rendition a different vibe from the original.
This version also features some cool work on percussion. Interestingly, it’s
followed by a song that is presented as a duet, “How Do You Keep The Music
Playing?” from Best Friends, with
male vocals provided by Alan Bergman. Originally it was James Ingram and Patti
Austin, with James singing the song’s opening lines. Interestingly, this
rendition begins with Tierney delivering lines from partway through the original
version, and she delivers them
a cappella. The song has a pretty, delicate feel, particularly when the piano
comes in.
The Tierney Sutton Band
delivers a wonderful, pretty rendition of “It Might Be You,” from Tootsie, featuring more good work from guitarist Serge Merlaud. The album then concludes with
its most recent song, one co-written by Christian Jacob and Tierney Sutton,
“Arrow,” from the film Sully. This is
a song I hadn’t heard before, from a film I haven’t seen (after suffering
through Changeling, Gran Torino and American Sniper, I decided to take a break from Clint Eastwood-directed
movies). The soundtrack to that film was composed by Christian Jacob, The
Tierney Sutton Band and Clint Eastwood. “Arrow” is gentle, pretty and loving, featuring
some nice work on piano.
CD Track List
- The Windmills Of Your Mind
- Moon River/Calling You
- On A Clear Day (You Can See Forever)
- What Are You Doing The Rest Of Your Life?
- I’ve Got No Strings
- If I Only Had A Brain
- The Sound Of Silence
- Goodbye For Now
- Diamonds Are A Girl’s Best Friend
- Hopelessly Devoted To You
- You’re The One That I Want
- How Do You Keep The Music Playing?
- Ev’ry Now And Then
- It Might Be You
- Arrow
ScreenPlay is scheduled to be released on May 17, 2019 on BFM Jazz.
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