The album opens with “Get Out,”
a playful tune about being a stranger when traveling, and not liking strangers
when at home. The chorus has a country swing feel, which I totally dig. “They say, ‘Get out, I don't like
strangers/You don't look like me, you don't talk like me/You don't come from
where I'm from/Ain't no doubt, your life's in danger/Get on out the same way
you got here, and go back where you belong.’” Yes, it’s that old message
about treating folks the way you yourself want to be treated, but delivered
with humor, particularly in relation to the use of guns. “So,
from here on out when some funny-looking stranger comes to town/I'll resist the
urge to shoot him, and turn my frown upside down/Of course, it's all for
selfish reasons that I'll be acting so nice and sweet/So as when I travel
someplace else those folks won’t shoot at me.” And, well, it seems we need
to be reminded of this lesson again. This song gets in one last laugh at the end.
“You Don’t Walk Alone” has
something of a classic sound, and is one of my favorites. This song offers a
shoulder to lean on, but no solutions, and often that’s what people need – just
to know they’re not alone. Check out these lines: “When you come out of the shadows/And when you weather the storm/You may
have lost a few battles/But you're in good fighting form/Maybe you tested your
courage/Maybe you sank like a stone/As long as I'm breathing/You don't walk
alone.” And I really like that lead
guitar section, over the simplest drum beat. This song works so well, and each
time I listen to this disc, I appreciate this song even more. “You may feel like no one out there cares at
all/But this is me saying I do.” “You Don’t Walk Alone” is followed by
“It’s Our Last Night To Get Drunk,” a playful but honest song with bluegrass
elements and an Irish folk feel (and I’m not saying that just because it’s
about drinking, so quit stereotyping). It opens with this line: “It’s our last night to get drunk, our last
night to get drunk, our last night to get drunk ‘til tomorrow.” Here Sven
is joined by Lowell Bailey on mandolin and Ichabod Gunn on accordion. This is
the only track to feature any musicians other than Sven, and there is a nice
instrumental section with the mandolin taking a prominent role. This track also
features an excellent vocal performance, and some wonderful lyrics. “But I make no excuse for the shape that I'm
in/I may one day give out, but I’ll never give in.”
We don’t always fall for the
right person, but most of us don’t get it quite as wrong as the fellow in “She
May Be Fat But She’s Definitely Crazy,” an absolutely delightful song with a
fast-paced bluegrass chorus. “Well, she may be fat but she's definitely
crazy/She's a big old, batshit, wild and wacky lady/You can't hold her down,
you can't fill her up/No matter what you've got, she can't get enough/She's got
a real mean tooth and a deep sweet streak/She's got a sunny disposition once or
twice a week/She's a whole lotta trouble, and the trouble is she’s mine.” I
love this tune, with some delicious work on banjo. And check out that
guitar-playing at the end! If you’re looking for a fun tune, you should
definitely check out this song. That’s followed by “What A Day To Be Alive,”
which features more good work on banjo and some sweet vibes. This one has both
folk and pop elements. Here is a taste of the lyrics: “I often wonder how the people 'round me seem to know exactly where to
turn/I've got no answers, only questions, the more I know the more I know I
have to learn/Some days my doubts command the upper hand and leave me laying
helpless in a hole/Some days it's all too clear: my doubts and fears are mainly
what support my self-control.” Have I mentioned how good this album’s
lyrics are? “I went to bed last night not
feeling right, my mind consumed with worries of the day/The more desperate I am
for sleep, the more the chances of its coming slip away.”
Another of this disc’s
highlights is “I’m Getting Old,” with these opening lines: “I'm getting old, and that's okay/In spite of
my objections, I keep waking up each day/One day I won't, and that's okay
too/At least I will have spent a couple of sunny days with you.” It has a
great folk feel at the start, and then it takes a surprising turn early on, turning
serious with a spoken word section, and that section ends up being the main
part of the track. “And we're pointing
our fingers, we're boiling with rage/But don't the Chinese deserve a living
wage?/They're building us exactly what we require/The affordable garbage that
we so desire/And we'll use it twice and then throw it away/It'll end up in the
ocean, or just trucked away to be buried somewhere/Out of sight and out of
mind/Gotta make some more room, so that we can keep buying.” At the end, it
returns to that opening folk vibe, and boy, it certainly has a different feel
this second time around, following as it does that spoken word section – an
interesting effect. “What If All You Are Is…?” seems to perfectly capture and
reflect the current state of humanity. It would be depressing if it weren’t
delivered with bluegrass flair. The album then concludes with “The Trouble With
Earth Is The Humans,” another song about the sad state of humanity. “What do you do when you wake up each day and
you don't like the person you are/And you don't like your family, and you don't
like your friends/And you're bored with your house and your car/And you're sick
of your country, but you hate all the others.” Like “I’m Getting Old,” this
one also has a spoken word section offering a different perspective. “And what a ludicrous joke it is to
obsessively engage in the pursuit and maintenance of such mundane trivia when
we are such fleeting participants in a such a wildly enormous cosmos.”
CD Track List
- Get Out
- You Don’t Walk Alone
- It’s Our Last Night To Get Drunk
- Better Off Alone
- She May Be Fat But She’s Definitely Crazy
- What A Day To Be Alive
- GDM (Goddammit Margarete)
- I’m Getting Old
- Of Weddings
- I Don’t Like You
- What If All You Are Is…?
- The Trouble With Earth Is The Humans
People Never Seem To Amaze Me was released on May 24, 2017.
It's Sven, of course it's fucking good!
ReplyDeleteIt's Sven, of course it's fucking good!
ReplyDelete