The first disc, at nearly 79
minutes, contains most of the first set. Yeah, this was a nice long show. The
disc opens with some tuning and stage banter from Bob, Jerry and Phil, who
address the radio audience. Jerry tells them they’ll hear the music faster than
the folks inside the venue. They then get things off to a great start with “Truckin’,”
which features a good jam. Bob then mentions that the monitors have cut out,
and they don’t know what to do. “Hey,
anybody out there?” They refer to Bob’s yellow dog story. As annoying as I’m
sure it was to have their monitors cut out, from my perspective all these years
later, it’s a good thing, because we get plenty of stage banter, something we
didn’t get much of in the later days. And the radio station doesn’t interrupt
it or cut away, which is wonderful. Eventually, they get things working and go
into “Brown-Eyed Women.” But then the feed to the radio station becomes
problematic, and the song cuts out a few times at the beginning, for just a
second each time, and a few more times at the end, and again between songs.
Bob introduces “Beat It On Down
The Line” as “the drummer’s choice.”
And they begin it with sixteen beats (“Sweet
sixteen”), many more than usual. This is a seriously energetic and fun
rendition. And after it, Bob announces that the monitors have cut out again.
Those technical difficulties lead the band to play “Hide Away,” an instrumental
tune written by Freddie King. This was the first time the band ever played it,
and actually they would play it only one other time, eighteen years later, when
once again they were suffering technical troubles. It’s a good, full version
here – reason enough to own this three-disc set. Technical troubles may be at an end, and the
band goes into “Sugaree,” with some interesting vocal phrasing by Jerry. He’s
clearly having a good time, and the results are good for us. “Sugaree” is
followed by “Jack Straw” and a rockin’ “Tennessee Jed.” There is a station
identification after “Tennessee Jed.” It takes a moment to get “Cumberland
Blues” underway, but it ends up being an absolutely excellent rendition. More
stage banter and tuning follow before the band goes into “El Paso.” Bob’s
vocals seem a bit low in the mix, but it’s otherwise a good version. It’s
followed by a high-energy rendition of “Big Railroad Blues.” The first disc
then concludes with a passionate “Comes A Time.”
The second disc begins with the
final couple of tunes from the first set – “Mexicali Blues” and “One More
Saturday Night.” There is a station identification between those two songs, and
just before they begin “One More Saturday Night,” Bob says, “Oh boy, are you ever gonna love this one.”
The second set opens with “Ramble
On Rose.” There is a sound problem at the start, but it seems like it’s the
radio feed rather than something from the stage. That’s followed by a sweet
rendition of “Me And Bobby McGee.” Someone then calls out a request for “Jack
Straw.” The response: “We already did it.”
What they choose next is “Loser.” It’s a seriously good version, and is
followed by “Sugar Magnolia.” Bob forgets some of the lyrics, but it’s still a
fun version and should get you dancing around your home or car or wherever you
listen to this disc. It feels like a set closer, but the second set is really
just getting going. What follows is the big juicy section of the show,
beginning with “Dark Star.” It’s mellow at the start, the band is in no hurry,
just exploring, see where it takes them, nothing to prove. And as you might
expect, that leads to a damn good version. There are hints of “The Other One,”
and then a drum solo leads into that song. And what a delicious rendition! The
band does only the first verse, then gets into some spacey territory before
emerging cleanly into “Me And My Uncle.” And then the moment they finish “Me
And My Uncle,” they are right back into “The Other One,” and back into a good
spacey jam before pounding into the second verse. After “The Other One,” the
band stops to fix a broken string, and there is a longer radio station
identification. Then, after a bit of tuning, the second disc comes to a close.
The third disc contains the
rest of the second set and the encore. It begins with an energetic “Deal,”
followed by a pretty rendition of “Brokedown Palace” and then “Playing In The
Band.” This is one of the best versions of “Playing In The Band” from 1971. The
song was still fairly new, and most versions from this time lacked those
wonderful long jams you’d get later on. But this one has a good bit of jamming.
There is another radio station identification after that song. During more
technical troubles, Bob does his “dead
air” joke, and Jerry asks, “Get it?”
They engage the audience in some jokes. The band then gets things going again
with a rockin’ rendition of “Casey Jones.” The second set concludes with “Not
Fade Away” into “Goin’ Down The Road Feeling Bad” back into “Not Fade Away.”
The band is on fire here, particularly during “Goin’ Down The Road Feeling Bad.”
Some of the crowd noise is cut before the encore. The encore is “Johnny B.
Goode” and a wonderful “Uncle John’s Band.”
CD Track List
Disc One
- Intro
- Truckin’
- Brown-Eyed Women
- Beat It On Down The Line
- Hide Away
- Sugaree
- Jack Straw
- Tennessee Jed
- Cumberland Blues
- El Paso
- Big Railroad Blues
- Comes A Time
Disc Two
- Mexicali Blues
- One More Saturday Night
- Ramble On Rose
- Me And Bobby McGee
- Loser
- Sugar Magnolia
- Dark Star >
- Drums >
- The Other One >
- Me And My Uncle >
- The Other One
- Deal
- Brokedown Palace
- Playing In The Band
- Casey Jones
- Not Fade Away >
- Goin’ Down The Road Feeling Bad >
- Not Fade Away
- Johnny B. Goode
- Uncle John’s Band
Harding Theater 1971 was released on February 12, 2016 through Left
Field Media.
I was at this show as well as the night before. I swear I head some stage banter that doesn't show up on the albums, maybe because they mentioned other acts (Thunderclap Newman and Poco). Did anyone else hear these references?
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