They kick off the CD with
“Conservation,” written by Bobby Watson (who himself was a member of a
saxophone quartet, The 29th Street Saxophone Quartet). And what a joyful way to
start the album. Seriously, there were at least two moments when I laughed
aloud out of sheer joy while listening to this track. This is a playful,
delicious rendition. The group follows that with Dizzy Gillespie’s “A Night In
Tunisia.” This is a good rendition, and it’s interesting how the different
saxophones work together here, with the baritone sax working as the bass. Both
Diron Holloway and Jason Hainsworth take leads on this track. But most of my
favorites on this disc are the more playful, lighter numbers, like “Won’t You
Come Home, Bill Bailey,” which is a total delight. That is followed by a cool
rendition of Thelonious Monk’s “‘Round Midnight.”
I’ve said it many times, but
you can never go wrong with Gershwin. Oddly, I think the first time I actually
heard the name Gershwin was when I was a child watching WKRP In Cincinnati. In one episode, Mrs. Carlson asks Johnny Fever
to play some Gershwin. Johnny replies, “On the air?” So I was of course
immediately curious as to who this Gershwin person might be. Turns out it was
two people, but you know that. (If you’re curious, Johnny Fever plays “Someone
To Watch Over Me” in that episode.) Anyway, here The New Vision Sax Ensemble does
Bill Holcombe’s arrangement of “Selections From Porgy And Bess,” which begins
with a bit of “Catfish Row” and also includes a wonderful, beautiful rendition
of “Summertime.” Interestingly, this group also does Bill Holcombe’s
arrangement of Scott Joplin’s music for saxophone quartet, titled “Scott Joplin
Portrait.” My first taste of Scott Joplin came with a cassette of the
soundtrack for The Sting, and touches
of much of that music are contained in this track. I was shocked at just how
great this track is. Don’t get me wrong, I love Scott Joplin, but I wasn’t
thinking a rendition without piano would work quite this well. But these guys
do a tremendous job with the material, and this ended up being my favorite
track.
It’s funny. I had just been
talking with my girlfriend about “My Favorite Things.” She was in the middle of
watching The Sound Of Music, a movie
I’ve never been able to sit through, and I told her how I just really don’t
like much of the music I’ve heard from that film, and picked “My Favorite Things”
as a prime example. I just can’t stand that song, but mainly because of the
lyrics, which I think are among the worst ever written. I told her the only
versions of the song I like are instrumental jazz renditions, and there
certainly are plenty of those to choose from. Moments later, I popped in this
CD for the first time, and of course it contains yet another rendition of this
song. But hey, no lyrics, so it’s enjoyable (though it’s still difficult for me
to keep those lines out of my head when listening to an instrumental version).
They follow that with another
song from a musical, this time from West
Side Story, a film I did manage to get through, but mainly because of my
love of Shakespeare. From this musical, they selected “I Feel Pretty,” which is
a goofy, playful choice, to be sure. But it’s kind of delightful. These guys
are clearly having fun with it, and I found myself smiling while listening to
this rendition. They end the album with a moving rendition of “Amazing Grace.”
Maybe I’m mad, but at a few moments the saxophones sound very much like
bagpipes to me. This track is another of the disc’s highlights.
CD Track List
- Conservation
- A Night In Tunisia
- Won’t You Come Home, Bill Bailey
- ‘Round Midnight
- Selections From Porgy And Bess
- My Favorite Things
- I Feel Pretty
- Scott Joplin Portrait
- Amazing Grace
Musical Journey Through Time is scheduled to be released on June
12, 2017.
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