The album opens with “Scares
Me,” which was written by Earl Matthews, Ava Grace Merchant and Ray Vazira. It starts
off as a cool blues tune, with Ava’s powerful vocal performance drawing us in
immediately. “Yes, it scares me, baby,
when you talk to me that way.” Is she really only seventeen years old?
Then, once it kicks in, this tune has a disco feel, which comes as a delightful
surprise. Plus, there is some good work on sax over that fun rhythm, helping to
make this a totally enjoyable way to kick off the disc. It is followed by “Next
Move,” written by Earl Matthews and Ray Vazira, with Earl on lead on vocals. “Well, work’s been slow lately,” he sings,
which to me seems to be the understatement of the month. Yet this song ends up
being a positive number, with a groovy rhythm. “Well, I’ve gotten this far/And I can go a little more/To try to figure
out my next move.” Yup, that sounds about right. Seems like how we all are approaching
the world these days, right? This track features some nice work on sax,
especially during that lead section, and a good guitar part too.
Grace then sings lead on “Bottles,”
a slower, soulful number that she wrote. I love that moment when the saxophone
rises up to punch a hole in the darkness and lead us all out. It sounds so good.
This song develops into a powerful track. That’s followed by “When I’m
Hungover,” which has a sweet, cheerful vibe, particularly because of that work
on acoustic guitar, and has more of a country sound. Earl is on lead vocals. “But all the whisky in this town/It couldn’t
even start to drown/These lonely voices that I found/Saying I want you back.”
Yet, on those lines, he is joined by Ava on vocals, lessening the sense of
loneliness of the lines. Ah, to be lonely together. That’s followed by “Love On
The Brain,” the album’s only cover, originally included on Robyn Rihanna Fenty’s
2016 release, Anti. On this rendition
by Gravel & Grace, they punch up the song’s 1950s doo-wop vibe, which is wonderful.
Ava sings lead on this track, and I love when her voice and the saxophone rise
together. There is something kind of sexy about this track.
At the beginning of “Sunday
Afternoon,” Earl Matthews sings “Let’s
get together and have a real good time/You bring your friends, and I’ll bring
mine.” Oh, that sounds so good. I wish we could get together. This track
has something of a smooth jazz vibe at the start, and then when it kicks in, it
has the feel of some glorious gospel number, featuring some great lively work
on keys. Oh yes, this certainly is a celebration. You might almost forget that
we’re in the middle of a pandemic while listening to it. I am looking forward
to the time when we can get together, have parties, have jams, have something
to celebrate. This too shall pass, right? That’s followed by “Not About A Boy,”
with Ava on lead vocals. Here she delivers an interesting and compelling vocal
performance, and at one point the band drops out (apart from the bass player) so
that we can focus on her voice. It is a moment of intimacy and vulnerability. That
moment is followed by a delicious lead on saxophone. This song also features
some wonderful bluesy guitar work in the second half of the track. The song’s
title of course reminds me of that Hugh Grant movie About A Boy. It is followed by “Picture Perfect,” another song
whose title reminds me of a movie, this one starring Jennifer Aniston. This song
is another lively number, with a New Orleans flavor. I love that work on keys,
which seems to fly right out of my stereo speakers. And check out these lyrics:
“She’s picture perfect, but practically
insane/Yeah, that little girl, she’s so pretty/Pretty crazy is what I mean.”
Oh yes, I think I dated her too. And is that a cha-cha-cha ending? You bet!
“Pennies” is a song written by
Ava Grace Merchant, and it was chosen as the first single from this album to be
released. This one too has a great energy, especially in Ava’s vocal
performance, with more of a pop vibe and a bit of a 1980s flavor. “I know this song/Used to make you cry/So I kept
the melody/And rewrote all the lines.” The album then concludes with “Wash
My Blues,” written by Earl Matthews and Ray Vazira. This one too has something
of a pop vibe, with some soul flavor and another wonderful lead on sax.
CD Track List
- Scares Me
- Next Move
- Bottles
- When I’m Hungover
- Love On The Brain
- Sunday Afternoon
- Not About A Boy
- Picture Perfect
- Pennies
- Wash My Blues
Bringing The Blues is scheduled to be released on June 19, 2020.
Outstanding!
ReplyDeleteSuch great talent on this CD!
ReplyDeleteEnjoyable record by talented perfomers but it would be nice if there was blues, not classic rock.
ReplyDelete