Disc 1
The first disc oddly begins with
a bit of whistling, and a quick “Hello, hi ya” before the band launches into
“China Cat Sunflower.” I love versions of “China Cat” from this time, because I
really like that Tom Constanten keyboard part. He’d leave the band shortly
after this show, actually. “China Cat” is fairly short, and it moves easily
into “I Know You Rider.” From there, they go straight into “Black Peter,” a
song that would be included on Workingman’s
Dead. This is an excellent rendition, featuring lots of great peaks and
valleys, and it’s interesting to hear Tom Constanten’s keyboard part on this
song (though it’s mostly fairly low in the mix). And check out that guitar part
at the end.
Jerry Garcia breaks a string,
and Bob Weir tells a story about a dog while he changes it. It’s a silly joke,
of course, but it’s such a treat to hear extended stage banter like that. He
also jokes about the drummers. “There’s
no arguing with a drummer either.” The band then goes into “Hard To Handle,”
and we get the first Pigpen lead vocal of the show. It’s not all that long, but
still has a bit of jamming, and of course some great vocals from Pigpen.
There is a bit of stage banter
after “Mama Tried,” with the band saying they can’t hear the monitors. They
then go into “Casey Jones,” another tune that would go on Workingman’s Dead. Sadly, “Take
my advice” is the last we hear of this version, for the master reels are
missing most of the song. The band then plays “Dire Wolf,” which is also on Workingman’s Dead. At the beginning,
they riff on The Coasters’ “Seachin’” (with Jerry joking, “This is 1970, Jack, not ‘56”). It’s a good version, and from there
the band goes to a fun rendition of “Good Lovin’” with Pigpen on lead vocals.
This track includes a short drum solo, and I love when the guitar comes in over
it, leading to the first big jam of the show. Not the last, of course, as the
band follows “Good Lovin’” with “That’s It For The Other One,” usually labeled
“Cryptical Envelopment” into “The Other One” back into “Cryptical Envelopment.”
There is a drum solo before “The Other One.” (As a side note, I’ve always
wondered why “Cryptical Envelopment” is correctly labeled as “Cryptical
Envelopment,” while “The Faster We Go, The Rounder We Get” is always labeled as
“The Other One.”) This goes right into “Dark Star,” so we hear just the
beginning of “Dark Star” at the end of this CD, so as not to miss a note. It
fades out after that intro.
Disc 2
You know if a Grateful Dead
disc has only three tracks there is going to be a whole lot of jamming. Such is
the case with the second disc. Three tracks, but sixty-two minutes of music. It
begins with “Dark Star” (and yes, the last few seconds of disc one are repeated
here, so that we get the transition from “The Other One”). And this is one of
those interesting renditions that begins in a rather mellow way, with that cool
hand percussion. The first verse begins within five minutes, and after it there
are some odd and intriguing sparse moments. And that’s when things get Weird.
This one goes in all sorts of interesting directions, and would certainly be a
good version to listen to while tripping. And then around the
seventeen-minute mark, they start the second verse. I love the way they sing
the “nightfall of diamonds” line.
The band then slides easily
into “St. Stephen.” It’s a short version, without the “St. Stephen will remain” verse, as the band suddenly goes into “Turn
On Your Lovelight.” And this is one hell of a jam. Thirty-eight minutes, the
length of an album! So you know that means some great vocal play from Pigpen.
(And wait, who is that playing with him?) “Get
your hands out of your pockets, fellahs!” Check out that great bluesy
guitar around the sixteen-minute mark. And at one point Pigpen says he’s got
the “Walkin’ Blues.” The whole thing builds to an energetic climax.
Disc 3
The third disc contains approximately
an hour of music from the following night, January 24, 1970. The disc begins
with a goofy bit of stage banter before the band kicks off with “Cumberland
Blues.” They follow that with “Cold Rain And Snow.” “I married me a wife, she’s been trouble all my life.” After “Me And
My Uncle,” Jerry announces that Bob broke a string. The band then goes into “I’m
A King Bee,” and that’s when the set starts to get really good. It features
some cool work on harmonica. This version has a great, mean, slow groove, and
is one of the disc’s highlights. They follow that with a good rendition of “Mason’s
Children,” a song that the Dead played only in 1969 and 1970. The line that
made me laugh the first several times I heard this song (on tapes back in the
1980s) is “He’d hardly aged a day.” (He
died on Monday, and they dug him up on Tuesday.)
The third disc also contains a really
good rendition of “Black Peter.” Yeah, they played it both nights. As they did “Good
Lovin’” which follows it. The sound gets weird at one point in this version of “Good
Lovin’.” This version is shorter than that of the previous night, as it oddly
fades out, but still contains some good jamming. (I searched for other recordings of this one, and it seems they all cut off at that point.) A sweet “We Bid You Goodnight”
and an average “Dancing In The Street” round off the disc.
CD Track List
Disc 1
- China Cat Sunflower >
- I Know You Rider >
- Black Peter
- The Yellow Dog Story
- Hard To Handle
- Mama Tried
- Casey Jones
- Dire Wolf
- Good Lovin’
- That’s It For The Other One
Disc 2
- Dark Star >
- St. Stephen >
- Turn On Your Lovelight
Disc 3
- Cumberland Blues
- Cold Rain And Snow
- Me And My Uncle
- I’m A King Bee
- Mason’s Children
- Black Peter
- Good Lovin’
- Feedback >
- And We Bid You Goodnight
- Dancing In The Street
Dave’s Picks Volume 19 is now available. My copy arrived on August
1st, if I recall correctly. This set is limited to 16,500.
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