The album opens with “I Know,
But Tell Me Again,” a tune with a cheerful, delicious groove and feel, and a
certain amount of funk. It is approximately two minutes into this track that we
get a drum and percussion solo. It’s brief, but good, just a taste of what he
does, for this album doesn’t really contain any extended soloing from Gadd.
This is one of the tracks to feature Duke Gadd on percussion. “I Know, But Tell
Me Again” was written by Jimmy Johnson and Steve Gadd. That’s followed by
“Auckland By Numbers,” a sly, mellower number that kind of sneaks in, slinking
around the room and catching you in its spell. There is a cool vibe to this
one, and it features some seriously good work on guitar. I guess that shouldn’t
be any surprise, since it was composed by guitarist Michael Landau. I also like
the work on horn, which feels like a voice rising from the mist.
On “Where’s Earth?” a great,
funky groove is established immediately. This is another of the tracks to
feature Duke Gadd, this time on acoustic guitar. He also co-wrote the track
with Kevin Hays and Michael Landau. This one takes us on an interesting journey
outward, all the while that fantastic groove continues beneath, keeping us
somewhat grounded. That groove helps answer the song title’s question, a
question many of us may be asking ourselves these days. Or maybe what we ask is,
Where is the Earth that we knew? This track features some good work on keys.
Then “Foameopathy” eases in with a strange but soothing introduction, relaxing
us. So it comes as something of a surprise when the tune takes a turn, the band
creating another great groove, featuring some excellent work by Steve on drums.
The horn and keys at times work somewhat in contrast to that groove. Then, a couple of minutes into the track, everything
seems to come together, and the track takes on a rather bright sound. Soon we
are back to that groove, and Steve’s work on drums is really the focus. His
playing makes this one of my personal favorite tracks, but there is also some
excellent work on guitar. As this track reaches its conclusion, it returns us
to the beginning. This one was written by Steve Gadd, Walt Fowler and Larry
Goldings. That’s followed by “Skulk,” a track composed by Larry Goldings and
Steve Gadd. “Skulk” is a word I don’t hear all that often, which is a shame,
for it’s a great word. It usually makes me think of that scene from Four Weddings And A Funeral, when Andie
MacDowell says she could skulk around a bit if skulking were required. Anyway,
this one has kind of a fun vibe and a catchy rhythm, and features more good work
on guitar. But for me it is that keyboard part that is really the delight here.
And I like that section just before the end when everything slows a bit. Then
“Norma’s Girl” is a mellower number. It has a romantic side, and also an
introspective side, and features some pretty work by Walt Fowler. “Norma’s
Girl” was written by Jimmy Johnson.
“Rat Race” is another fun,
funky, playful number, this one written by Michael Landau and Duke Gadd. Duke
Gadd plays percussion on this one. That bass line stands out for me, but
everything is working really well. People talk about getting stuck in the rat
race, but I wouldn’t mind being caught in this groove, just remaining in it for
quite a while. There are so many delightful touches, moments that make you
smile, if not laugh outright. That’s followed by “One Point Five,” the disc’s
final track to feature the work of Duke Gadd on percussion. There is something
catchy about this track’s groove as well, with something of a Latin feel, and
then just as you’re getting caught in it, the tune goes in a different
direction, and ends up getting even better. This track features some nice work
on keys, and a cool drums and percussion section. The track fades out on that
wonderful percussion section. The group then delivers a good rendition of “Temporary
Fault,” the album’s only cover, written by Allan Holdsworth, and originally
included on his 1982 LP I.O.U. They
then relax into a classic, soulful groove with “Spring Song,” this one written
by Kevin Hays, and also featuring him on vocals. It is the album’s only track
to include vocals, and it opens with these lines: “In our life and time there will be sorrow/No reason or rhyme as the
days come and go.” Well, that sounds just about right. Yet this track makes me feel good. That guitar
lead is one of my favorite parts, but this entire track is wonderful. “We all want to win, but winning’s not the
answer.” The album then concludes with “Timpanogos,” a tune with a sweet
vibe, and containing some surprising moments. This one was composed by Walt
Fowler, and it gives each musician a chance to shine.
CD Track List
- I Know, But Tell Me Again
- Auckland By Numbers
- Where’s Earth?
- Foameopathy
- Skulk
- Norma’s Girl
- Rat Race
- One Point Five
- Temporary Fault
- Spring Song
- Timpanogos
Steve Gadd Band was released on February 5, 2018.
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