The album opens with a gorgeous
traditional number, “Wandering Boy,” the first lines delivered a cappella. This
track features a strong and moving vocal performance, with some new lyrics
added at the end. That’s followed by “No Summer,” the album’s title track, which
begins with a kind of sweet and sad folk sound. But what is striking is Amelia’s
stunning vocal performance. There is something raw and open about it, yet it
also seems to come to us from a deep and shared past. “Spent the whole year staring at the ring on your finger/Looking for
summer in the slight of a glance/I’ll take you round to the side of the bar/And
show you there is no summer here.” “Our Lady’s” is another intriguing track,
with traditional sounds and a haunting vibe. It tells the story of Our Lady’s
Hospital, an asylum, no longer in use, and is from the perspective of the
asylum itself. A sort of if-these-walls-could-talk scenario of a different
color, and the track features some seriously haunting work on fiddle. The music
gets right into you, and it takes its time with you, that instrumental section
building in power, without hurry, the track being more than nine minutes. “There is something cold/A blank wall can
destroy you/It made everyone so quiet/And I dream of crumbling/So strongly my
pipes burst.” The ending is surprising, the way her voice becomes so naked,
so bare. “There is joy there.” Then
when she begins the next track, “Fallen,” with the lines “Fallen, you have fallen/To the ground,” perhaps we are still
thinking of that building, in a state of disrepair. It is hard to shake that
asylum from our thoughts. But this song has quite a different feel, and
features a spirited vocal performance.
Amelia Baker delivers a good
rendition of “The Cuckoo,” a song that I believe I first heard on a Big Brother
& The Holding Company album. This rendition moves more slowly, and features
some oddly compelling guitar work. That’s followed by “Old Enough,” a song with
vivid imagery and a powerful vocal performance. “I am golden in the evening/We are bolder in the morning/And the long
grass, it is grown over the steps of the door.” It ends with some beautiful
a cappella vocal work. Amelia Baker then plays fiddle on “Queen Of The Earth,
Child Of The Skies,” an instrumental piece that is based on the Irish song “The
Blackbird.” That is followed by “The Doorway,” a short instrumental track that
sounds like a storm moving through, winds whistling and howling and shaking
chimes. The album concludes with “From Behind The Curtain,” in which she
describes the town where she is living. Interestingly the asylum is mentioned
here as well: “There are three corners
that encompass it all/The asylum, the pub, and the Catholic church.” The song
is a letter, and at first it seems that we are its recipients. But then we get
some startling details of the person she is writing to, the person we have
already aligned ourselves with, so the information comes as a jolt. “I know your father shot himself and you were
not told.” The song grows in power from there. “The hills are not on fire tonight, but the sky is/After the lavender
ends/From behind the curtain.”
CD Track List
- Wandering Boy
- No Summer
- Our Lady’s
- Fallen
- The Cuckoo
- Old Enough
- Queen Of The Earth, Child Of The Skies
- The Doorway
- From Behind The Curtain
No Summer is scheduled to be released on July 24, 2020 on Free Dirt Records.
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