Disc One
The first disc contains the
complete original album, which opens with an original number titled “‘Til The
Seas Run Dry,” a delicious old-time jazz tune. It takes about three seconds
before this album has me smiling and tapping my toes, and that is saying
something, particularly during these times of anxiety and frustration. This
track features some wonderful stuff by Keith Ganz on six-string banjo and by Brian
Horton on clarinet. There is even a woodblock solo by Kobie Watkins. And these
lyrics are anything but ambiguous: “Get
away, get away/I’m never gonna take you back/Not ‘til the clocks run backwards/And
the seas run dry/You treated me like a fool.” But it is that instrumental
section toward the end that really makes this track something special. It made
me grin like a happily demented goof. And then those shouts of “Yeah” echoe exactly what I was shouting
myself. That is followed by “Polly Put The Kettle On,” a great old folk tune,
delivered with joy and integrity. I love Ben Hunter’s work on fiddle. Ben
Hunter and Joe Seamons provide backing vocals. “Tell me, baby, what you think/Let me go and get myself another drink.”
We then get a delightful rendition of “But They Got It Fixed Right On,” this
track featuring some nice harmony vocals by Pura Fe Crescioni. The line “And she asked him to fix her jelly roll”
is a good example of where this track is coming from. It’s a fun and totally
silly number. There is even a bit of scat toward the end. What more could you
ask for?
Dom Flemons’ rendition of Frank
Loesser’s “Have I Stayed Away Too Long?” has a cheerful, pleasant vibe, and
includes some good work on guitar. But what makes me love this track are those
little touches on saxophone that are scattered throughout and then that
delicious lead in the second half of the track. That’s Brian Horton on tenor
sax. Then we get a bluesy instrumental number titled “Georgia Drumbeat,”
featuring some great stuff by Guy Davis on harmonica. I love the way that instrument
interacts with the soprano saxophone in the second half of the track, and all
over a good rhythm. That’s followed by “I Can’t Do It Anymore,” a cool original
song that mixes blues, country and rock and roll. “Smoked my stuff, drove off in my car/Broke my banjo so I got to play my
guitar.” And I love the way Dom delivers that “Whoa, whoa” which follows those lines. These lines likewise stand
out: “So I’m going down, down to the bar/Hands
in my pockets so they don’t make it to your jaw.” This track also features
some excellent work on guitar. Then the instrumental track “Sonoran Church
Two-Step” features Ben Hunter on fiddle and Dom Flemons on banjo. What could
make us happier?
“Too Long (I’ve Been Gone)” is a
sweeter, mellower and pretty folk tune, written by Dom Flemons. The first lines
of this one are “Don’t need no cup of
coffee in the morning/I can get up fine, I can get up fine.” I need to play
those lines for my girlfriend. This is one of my favorite tracks. “Four winds blow the breeze, wipe my tears
away/They say, you’re fine, you’re fine/And when the world seems so far
away/I’ve got nothing left except my mind/Too long, too long I’ve been gone.”
That’s followed by “Marching Up To Prospect Hill,” a fun instrumental tune
(well, mostly instrumental). This one features Guy Davis on harmonica, and Dom
Flemons on rhythm bones. There is also a whole lot of energy. Just pull out
your back porch and join in. Then “It’s A Good Thing” made me laugh out loud,
especially on the lines “I had a woman by
the name was May/First man home got her every day.” It’s a playful and
totally enjoyable song about having more than one woman. That’s followed by “Grotto
Beat,” an odd little number with some good percussion. Guy Davis does a bit of
narration at the beginning: “Ladies and
gentlemen, you’ve never seen marching like this/Dom Flemons is marching
backwards up the mountain/That is the world famous grotto beat.” Dom
Flemons plays wooden cane fife, and Ben Hunter and Joe Seamons provide backing
vocals. Ben Hunter also plays the bass drum. “If you won’t come down, can’t you bring us up?”
I love Brian Horton’s work on
tenor saxophone on “Hot Chicken.” That lead is followed by a great lead by
Keith Ganz on electric guitar that has a delicious classic sound. “Old man laid
his fiddle down/Wine glass in his hand/Screaming times have gotten so damn hard/That
I can no longer dance.” Oh god, may they never get that bad. That’s followed by
“San Francisco Baby,” another totally enjoyable song, with a groovy bass line by
Ron Brendle. This track has a playful sense about it. The scat ought to get you
smiling, if there is any smile left in you. The original album concludes with
another fun song, “My Money Runs Out,” one which reminds me a bit of The Lovin’
Spoonful’s recording of “Fishin’ Blues.” Dom Flemons is on banjo, and Guy Davis
is on guitar. “I ain’t out of my class/I
don’t care if I never wake up.”
Disc Two
The second disc contains the EP
What Got Over, which was originally
released on vinyl as part of Record Store Day in April of 2015, and several
previously unreleased bonus tracks. It begins with the nine tracks of the EP. I
know, it seems like nine tracks would make it an LP, but a few of these songs
are quite short. The first one, “Big Head Joe’s March,” is only a little over a
minute in length. It’s a cool instrumental tune, a march, as its title
indicates, with Dom Flemons on bass drum and Guy Davis on snare. That’s
followed by a great version of “Milwaukee Blues,” with that delicious old-time
feel and sound, some nice work by Dom Flemons on banjo. Then we veer into the
blues with “Clock On The Wall,” an original song that opens with some great
wailing on harmonica by Dom. This one has some interesting lyrics too: “I got you some flowers/Lit them on fire
twice/I cried out ‘Oh lord’/You threw ‘em in a bucket of ice.” And those
lines about cutting his meat make me laugh. That’s followed by a wonderful
rendition of “Keep On Truckin’” that features some fun work on banjo.
The EP contains alternate
versions of a few songs from the album, starting with “Hot Chicken.” This one
is an acoustic rendition and features a lead on harmonica halfway through. And
is that a little nod to “In The Mood” in the guitar work just before that? That’s
followed by an alternate version of “Have I Stayed Away Too Long?” This version
features Ben Hunter on fiddle. Then “Going Backward Up The Mountain” seems to
be a variation of the first disc’s “Grotto Beat,” with Dom Flemons again on
wooden cane fife. That beat is in control here. And we get an alternate version
of “‘Til The Seas Run Dry,” which is lively and fantastic, having a great
energy to the vocal performance. There is also more good work by Ben Hunter on
fiddle. The EP concludes with its title track, “What Got Over,” a short
original song with a great beat.
The rest of the tracks on the
second disc were previously unreleased. “Wingtips,” the first of these tracks,
is a short percussion piece continuing the beat from “What Got Over.” That’s
followed by an instrumental rendition of “Going Backward Up The Mountain,” with
Dom Flemons playing wooden cane fife, and then “Sugar Dance.” These tracks are
all about the percussion, all about rhythm. An instrumental version of “Grotto
Beat” is mostly percussion as well, but also includes more nice work on wooden
cane fife. “The Songster Arrives” is also all about the beat, and is another
short track. By the way, the title of this track, and of this two-disc set,
relates to Dom Flemons referring to himself as The American Songster, and he
explains the term and its origins in the set’s liner notes. On “Georgia
Drumbeat,” the beat is prominent as well, but there is also some really nice
work on guitar.
Dom Flemons delivers an instrumental
rendition of the blues song “Clock On The Wall,” which is cool. I love that
harmonica, and those playful touches on guitar, which stand out even more. That
one section toward the end feels a bit empty without the vocals, but other than
that, this track totally works. These bonus tracks also include instrumental
renditions of “Hot Chicken,” “Too Long (I’ve Been Gone)” and “What Got Over.” I
particularly like “Too Long (I’ve Been Gone),” that guitar sounding so sweet
and pretty, this track having a comforting, relaxing vibe. Those are followed
by “The Grand Manifesto,” an unusual instrumental tune, mixing bluegrass and
blues sounds. The second disc then concludes with “Blue Butterfly,” a pretty
guitar instrumental track.
CD Track List
Disc One
- ‘Til The Seas Run Dry
- Polly Put The Kettle On
- But They Got It Fixed Right On
- Have I Stayed Away Too Long?
- Georgia Drumbeat
- I Can’t Do It Anymore
- Sonoran Church Two-Step
- Too Long (I’ve Been Gone)
- Marching Up Prospect Hill
- It’s A Good Thing
- Grotto Beat
- Hot Chicken
- San Francisco Baby
- My Money Runs Out
Disc Two
- Big Head Joe’s March
- Milwaukee Blues
- Clock On The Wall
- Keep On Truckin’
- Hot Chicken (Alternate Version)
- Have I Stayed Away Too Long? (Alternate Version)
- Going Backward Up The Mountain
- ‘Til The Seas Run Dry (Alternate Version)
- What Got Over
- Wingtips
- Going Backward Up The Mountain
- Sugar Dance
- Grotto Beat (Instrumental)
- The Songster Arrives
- Georgia Drumbeat (Instrumental)
- Clock On The Wall (Instrumental)
- Hot Chicken (Instrumental)
- Too Long (I’ve Been Gone) (Instrumental)
- What Got Over (Instrumental)
- The Grand Manifesto
- Blue Butterfly
Prospect Hill: The American Songster Omnibus was released on
February 28, 2020 through Omnivore Records.
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