The film begins with an excited
concert crowd moments before the band takes the stage. But before we hear a
note, the documentary takes us back to the beginning. The film is divided into
chapters, each marked by a Roman numeral, much like the band’s albums, and goes
in chronological order, each year appearing briefly on screen to keep us aware
of just when each event happened. The band members themselves, through a series
of recent interviews, tell their story. Not everyone from the band’s history,
however, is interviewed. Of the band’s original lineup, there are interviews
with Robert Lamm, Lee Loughnane, Walt Parazaider, Danny Seraphine and Jimmy
Pankow. Conspicuously absent from the movie is Peter Cetera, who declined to be
interviewed. The film is actually produced by the band, so perhaps that has
something to do with it. It’s a shame, whatever the reason, because obviously
Peter played a huge role in the band’s history and success.
It’s interesting that – like
many bands – Chicago began as a cover band. Lee Loughnane mentions that the
band got fired once for playing an original song. And actor Joe Mantegna tells
an anecdote about his band being asked to play because Chicago Transit
Authority was going to be fired. Jimmy Pankow provides this colorful
description of the band’s early days: “Our
first gig was at the club GiGi, an upholstered sewer on the south side of
Chicago. The only people in the audience were my parents.” Of course, the
band would soon find success, after moving to Los Angeles. There are plenty of
interesting anecdotes from this time, like how they all lived in one house, and
about the band touring with Big Brother And The Holding Company. Walt
Parazaider tells the story of meeting Jimi Hendrix, and the way Hendrix
complimented the band: “The horns are
like one set of lungs, and your guitar player is better than me.” One thing
that is not mentioned, oddly, is the band’s name changing from Chicago Transit
Authority to simply Chicago (actually, they don’t really talk much about the
name at all, how they came to be called Chicago Transit Authority in the first
place).
They do talk about their
success, about certain songs such as “Does Anybody Really Know What Time It Is”
(which apparently was the first thing they ever recorded together), “Ballet For
A Girl In Buchannon” (which is one of the chapter titles for the film) and “25
Or 6 To 4,” including that song title’s meaning. It “indicates the time in the morning, twenty-five minutes to 4 a.m.” And
though Peter Cetera did not take part in the making of this documentary, he is
of course discussed. It’s interesting that when he began writing songs like “If
You Leave Me Now,” not everyone in the band appreciated it, and Terry Kath did
not want to do ballads, but rather wanted to continue doing more jazzy
material. Nor did everyone in the band appreciate Peter Cetera becoming the
face of the band during those days when music videos became so popular. By the
way, David Foster, who co-wrote material with Peter Cetera, is also
interviewed, and he comes across as rather full of himself, pointing out his
Grammy trophies. At least he admits, “I
think I gave them a lot of success, but I think I softened their sound past the
point of where I should have.”
The anecdotes about their chartered
plane being flown by military pilots are pretty wild, and all the material
about Caribou Ranch is particularly fascinating. It was a recording studio that
was far enough away from any town that the authorities did not interfere at
all, and so things got pretty crazy there. And of course the film does get into
the changes in the band’s lineup, and includes interviews with more recent
members like Chris Pinnick (who replaced Donnie Dacus who replaced Terry Kath
after Terry’s death), Jason Scheff, and Tris Imboden. There are also some
snippets of old interviews with band members, as well as some good footage of
the band performing. But the film really rushes through the nineties and more
recent years, just basically mentioning album releases and further additions to
the band. I would have liked more information about this time period. It does,
however, spend a bit of time on the band’s long-overdue induction into the Rock
And Roll Hall Of Fame. The film feels like a celebration of the band, which
might not be surprising considering it was produced by the band. But this is a
band that deserves a celebration, and the film has an optimistic and positive
tone which I appreciate.
Now More Than Ever: The History Of Chicago was directed by Peter
Pardini, and was released on DVD on October 13, 2017 through MVD Visual. The
DVD contains no special features.
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