I love the way this album
begins, with just the bass providing a cool introduction. Then, after a few
moments, the familiar sounds of “Day Tripper” emerge, and soon the rest of the
band joins in for a cool rendition of the Beatles tune, with a bit of swing to
the rhythm, and some really nice work on saxophone. Gary Brumburgh is clearly
enjoying himself, and his vocal work has a fun, excited feel, with even a bit
of scat. Just before the end, the song
returns to the vocals backed by bass, and then the track ends gently, with a
final note on piano. That ending works well, as the following song, “I’ll Close
My Eyes,” begins quietly on piano. I like when an album has a flow like that,
when the entire album is in mind as a band records individual tracks. It’s not
long before this song picks up a bit, with Larry Koonse’s work on guitar. I
really like Gary’s delivery, particularly on these lines: “I’ll lock my heart/To any other caress/I’ll never say yes/To a new
love affair/Don’t you know, don’t you know that I’ll close my eyes/To
everything that’s gay/If you’re not there/To share each lovely day.” And
this track features some good work on piano.
“Dig/Sweet Georgia Brown”
immediately announces itself as a fun track with that great drumming, and then
those backing vocals shouting “Dig
Georgia Brown.” The track is a combination of Miles Davis’ “Dig” and “Sweet
Georgia Brown,” two compositions having a lot in common. As you might expect,
this one cooks, and it features more fantastic work on piano. “Moonlight,” the
CD’s title track, was written by John Williams, with lyrics by Alan and Marilyn
Bergman, and was recorded by Sting for the 1995 remake of Sabrina. The song was nominated for several awards, but I never
cared all that much for it. Still, there are things I like about this
rendition, particularly Bob Sheppard’s work on sax. Interestingly, Gary follows
that with another Sting song, this one written by Sting, “Heavy Cloud No Rain”
from Ten Summoner’s Tales. It’s a
really good version, in part because Paulette McWilliams provides backing
vocals on this track.
Gary Brumburgh’s rendition of
“My World Is Empty Without You” is quite a bit different from that by The
Supremes (and the other versions I’ve heard). It begins with serious and sad
tones, Gary at first accompanied only by Jamieson Trotter on piano and some
light touches on percussion by Conor Malloy. From there, it does pick up, and
it features some really nice work by Gabe Davis on bass. One of my favorite
tracks is Kenny Rankin’s “Haven’t We Met.” This excellent rendition is
delivered as a duet with Gail Pettis. I mentioned earlier that Gary Brumburgh quoted
Shakespeare in the liner notes. Well, this song has a direct reference to Romeo And Juliet: “And I know that’s just how it happened/When Romeo met Juliet/Somewhere
I read that Juliet said/‘Pardon me, haven’t we met?’” In Kenny Rankin’s
original version it is Romeo that says “Pardon
me, haven’t we met?” Perhaps in this version it is switched to Juliet
because Gail Pettis sings that line. Because then at the end the lines are
repeated, except this time it is Romeo delivering the line, and Gary sings it. This
track features some damn good drumming toward the end. The album then concludes
with a mellow tune, a passionate rendition of Irving Berlin’s “What’ll I Do.”
CD Track List
- Day Tripper
- I’ll Close My Eyes
- Dig/Sweet Georgia Brown
- Wichita Lineman
- Moonlight
- Heavy Cloud No Rain
- Eggplant
- My World Is Empty Without You
- Just A Little Lovin’ (Early In The Mornin’)
- Haven’t We Met
- What’ll I Do
Moonlight was released on June 1, 2018 on Café Pacific Records.
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