This album opens with a cool
and playful rendition of “Route 66,” the delicious bass line playing nearly as
prominent a role as the vocals. There is even a bass solo halfway through. Plus,
there is some really nice work on guitar. However, the coolness of the track
comes mainly from the drum beat and those touches on keys. And the playfulness
is mostly in Lyn Stanley’s vocal approach. Just listen to the way she delivers
lines like “Just take my way, it’s the
highway that’s the best” and “It
winds from Chicago to L.A.” (the way she holds onto the word “winds”). We are off to a great start. Lyn
Stanley follows that with a version of Bruce Springsteen’s “Pink Cadillac” that
swings and grooves. She is clearly having a lot of fun with this sexy song. The
track shakes and moves well, and features some delicious stuff on keys. Of
course, whenever a woman tackles this song, it becomes a lesbian song, which
adds to the fun of it. She then gives an intimate and at times breathy delivery
on “Lover Man,” a song written for Billie Holiday. This rendition features a
sort of intoxicating, sexy instrumental section.
Lyn Stanley gave us a good
rendition of “Blue Moon” on London Calling: A Toast To Julie London, her previous release. Now
she delivers another excellent version, with a cool, somewhat relaxed late-night
vibe. Yeah, it feels like it is last call and we’re spying that special someone
we’ll be taking home. A nice slow dance, and then to bed. She also gives us an
unusual, interesting take on Chuck Berry’s “You Never Can Tell” (a song that is
sometimes listed as “C’est La Vie”). There is something really hip about this
rendition, particularly in the guitar work. There is also some really nice
stuff on keys and on percussion, the track having a strong pulse. That’s
followed by “Goody Goody,” another song that was included on London Calling: A Toast To Julie London.
Again she is having a fun time with it, as are the musicians backing her. I
particularly like the bass line. One of the best and most stirring vocal
performances of this album is on “Love Letters.” That track also features a
wonderful lead on piano.
On London Calling, Lyn Stanley presented a version of “Bye Bye
Blackbird” that featured her vocals supported by just bass. Now on this album
she delivers another cool rendition, this one beginning with bass (and later including
a good bass solo), but soon adding drums and piano and guitar. Lyn’s vocal
approach includes delightfully playful readings of certain lines, such as “Here I go, singing low” and “Sugar’s sweet, so is he.” I love the
gorgeous and intimate vocal performance she delivers on “Body And Soul.” This
track also features a soulful lead on bass, supported by some percussion. Lyn Stanley
then wraps up the album with a Cole Porter tune, “In The Still Of The Night.” This
version cooks along, pushed forward by some groovy work on drums and bass. Her
voice, in contrast, has a relaxed quality at times, creating an interesting
effect. And I love that lead on guitar.
CD Track List
- Route 66
- Pink Cadillac
- Lover Man
- Blue Moon
- Let There Be You
- You Never Can Tell
- Goody Goody
- Love Letters
- Bye Bye Blackbird
- I’ve Got You Under My Skin
- Body And Soul
- In The Still Of The Night
Favorite Takes: London With A Twist: Live At Bernie’s was released
on June 30, 2019.
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