I’m With You opens with a cool rendition of “Route 66,” one of
Bobby Troup’s most famous compositions. It has been covered by a tremendous
amount of artists with a wide range of styles. This rendition has a wonderful
vocal performance by Mark Winkler, with some interesting phrasing (I really
like the way he delivers the lines “Oklahoma
City looks mighty pretty,” for example). There is also a seriously good
instrumental section featuring some excellent work on guitar. That’s followed
by a smooth, somewhat cheerful version of “Please Belong To Me.” The way Mark
sings it, with an optimistic sound, you feel he will certainly find that right
someone. The piano helps to drive the track, and there are also some excellent
touches on bass. Then halfway through, we are treated to a delicious lead on
saxophone by Ricky Woodard.
“Triskaidekaphobia” is a
delight. This rendition is appropriately playful, particularly in Mark’s vocal
approach. He is clearly having a great time with this one, and as a result it
is a fun track. This track also features a wonderful bass line, and even
includes some finger snaps. So there. People
have a lot of fears and phobias, some of them quite strange, including
triskaidekaphobia, the fear of the number 13. I think it absurd when hotels and
other buildings skip floor 13. All that means is that the fourteenth floor is
actually floor 13. Interestingly, this disc has but twelve tracks. Hmm…
“I’m With You,” the disc’s title
track, is another fun one. Mark Winkler delivers a lively rendition. I particularly
dig the drums on this one. And Jamieson Trotter adds some great stuff on organ.
Trotter also arranged this one. “Who
needs the Cadillacs/The mink coats, the income tax/But, baby, I’m with you.”
“I’m With You” was written by Bobby Troup and Johnny Mercer. Mark Winkler then
changes gears with “It Happened Once Before,” a slower, romantic number, Mark
Winkler’s passionate vocals supported just by piano. That’s Jon Mayer on piano
on this track. “If I were only sure/You’d
love me more and more/Not less and less/The way it happened once before.” “Their
Hearts Were Full Of Spring” is a pretty number, here Mark’s voice being
supported just by guitar. Anthony Wilson plays guitar on this one.
“Hungry Man” is another playful
number, featuring an energetic vocal delivery, with Mark Winkler belting out
some of the lines. Like “Route 66,” it mentions different cities of this
country, but this time each place is mentioned in relation to the specific food
you can get there. There is some wonderful work on keys. This is one of the
tracks from Mark Winkler’s earlier Bobby Troup tribute album, and the band is
made up of Jon Mayer on piano, Kevin Axt on bass, Roy McCurdy on drums, and Bob
Sheppard on saxophone. Mark ends this track with the line “Feed me, baby, feed me,” reminding me of the musical version of The Little Shop Of Horrors. As you might
guess from the title of “Snootie Little Cutie,” this one is also playful. It features
Ann Patterson on flute, plus some great stuff on drums. We then return to food
with “Lemon Twist.” Mark delivers another enjoyable vocal performance on this
track, and Joe Bagg joins him organ. Mark Ferber plays drums on this one. The
disc concludes with another version of “Hungry Man,” this one with different
lyrics written by Mark Winkler, this set of lyrics related to Halloween, which
is without question the best holiday. So you can add this fun track to your
holiday play list. Here is a taste of the lyrics: “I got this call from my friend Frankie/Yes, Frankenstein, he sure is cranky/His cafe is gonna close/They say he’s serving toes/I’m not so
hungry, man.” It ends with Mark singing, “Don’t feed me,
baby, don’t feed me,” which doesn’t remind me of Little Shop Of Horrors at all.
CD Track List
- Route 66
- Please Belong To Me
- Triskaidekaphobia
- I’m With You
- It Happened Once Before
- Three Bears
- Their Hearts Were Full Of Spring
- Hungry Man
- In No Time
- Snootie Little Cutie
- Lemon Twist
- Hungry Man (Halloween Version)
I’m With You was released on August 9, 2019 on Cafe Pacific Records.
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