The track that was not
completely improvised is the album’s sole cover, a rendition of Duke Ellington’s
“Blue Pepper (Far East Of The Blues).” Adam Lane begins this one on bass, and
soon Tim Ford comes in on drums. Then when the sax comes in, it becomes a kind
of sexy, sly, delicious number; the horn could charm snakes or people or any
other object of some interesting desire as it dances over that wonderful groove.
I love Tim Ford’s work on drums. Then “Through Step” has a somewhat eerie,
ominous sound, like traveling down a dark alley in an alien world fraught with
danger. This is partly because of the use of electric bass, but also the
strange sound of the cymbals. Then at the end, the bass drops out for a brief,
odd section of drums and sax. That’s followed by “The March Of The Aggressive
Pedestrian.” First of all, I love this track’s title. It really informs the way
I hear the tune, as the steady drums and bass seem in no way willing to back
down, but will propel themselves forward through any obstacle. Then the
saxophone speaks, and it is part dance, part warning to others to move, here I
come, get out of the way. I totally dig this track. At the end, the track
mellows, so perhaps this person has reached his destination.
We then get “Sweet Sci-Fi
Suite.” On the back of the CD case, it is listed as one track, the sixth track,
but actually the three parts to the “Sweet Sci-Fi Suite” are presented as three
separate tracks. Each is fairly short. As you might guess from the title, it
has a spacey kind of vibe from the start of its first part, “To The Stars.” As
it builds, you get the sense that there is life out there. There is something
bright and optimistic about the sound, right? The second part, “Parallel
Engines Grind,” has a more industrial electronic sound, with things whirring.
There is a hurried sense about it, like something has perhaps gone wrong. The
suite concludes with “Interstellar Dust,” which comes at us like a voice
reaching across the galaxy, the message itself becoming garbled as we try to make sense of it.
“Talking Outside Time” begins
with percussion. Then the horn comes in, as if asking questions, making
inquiries at first. The track is like an odd conversation among the three
instruments, looking for some common ground, trying to make sense of their
surroundings, their circumstances, to get their bearings. And they seem to do
so, as the sound becomes more powerful toward the end. Then “Sunday” has a
mellower sound, the saxophone feeling more relaxed, allowing for pauses,
perhaps even introspection. The drums and bass develop a good, pleasant groove,
and by the end, this track has me feeling good. There is something cheerful and
fun about this one. That’s followed by “Effective Translation,” which
immediately establishes a funky groove. The trio explores that groove, working
on it and within it. This is another fun track. The disc began with “Plugin
Heavy,” and it concludes with “Plugin Light.” This one too develops a strong,
steady groove, and seems a bit looser, the saxophone taking short, delightful
flights above that groove before really going for it.
CD Track List
- Plugin Heavy
- Gather And Go
- Blue Pepper (Far East Of The Blues)
- Through Step
- The March Of The Aggressive Pedestrian
- Sweet Sci-Fi Suite: To The Stars
- Sweet Sci-Fi Suite: Parallel Engines Grind
- Sweet Sci-Fi Suite: Interstellar Dust
- Talking Outside Time
- Sunday
- Effective Translation
- Plugin Light
Nothing But Time is scheduled to be released on CD on October 4,
2019. It was apparently released digitally on August 29, 2019.
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