The album opens with an
original song, “Am I Still Your Demon?” That is probably my favorite song title
so far this year, and it’s an excellent song, featuring beautiful harmonies and
a sweet folk sound. Then the horns come as a delightful surprise, adding
another layer to the sound. That’s J. Walter Hawkes on trombone. The song is
addressed to an ex-boyfriend. “When years
have passed/And it’s too late/I know you so well/You’ll blame it all on fate.”
That’s followed by “I Never Will Marry,” a traditional song that has been
covered by Linda Ronstadt and Joan Baez, among others, with variations on the
lyrics. This rendition by The Nine Seas is gorgeous, their voices rises
gloriously and mournfully above that soft strumming on acoustic guitar. There
is something angelic about their harmonies, voices coming to you from above, but
gently, perhaps to help, perhaps to lead you to the beyond. “She plunged her fair body/In the water so deep/Closed
her pretty blue eyes/Forever to sleep.” Yes, there is death here, but it is
like a drifting away. And when death comes, I hope it comes with voices and
sounds like these. Jim White plays banjo, and Glenn Patscha plays piano on this
track. The Nine Seas then turn to folk gospel with a cover of “Trials,
Troubles, Tribulations,” a song written by Estil C. Ball. Again, they deliver a
beautiful rendition. I love the work on banjo and percussion, both by Jim
White.
They then return to original
material with “Go To Sleep,” written by Liz Tormes. This one has a friendly,
almost magical, folk sound, and sounds like a sort of lullaby, a song offering
advice. “Don’t let the years pass you by.”
Yet it comes from a serious and darker place, a place of death and ghosts. But
it ultimately has a comforting and uplifting vibe, almost like some playful
sprites have joined them to guide us all on. That’s followed by “I Really Want
You,” a song written by Fiona McBain and Jeff Riedel, a gorgeously sad song, a
sort of ethereal waltz that oddly reminds me just a bit of “He Needs Me,” that
beautiful song from Popeye (which was
also used in Punch-Drunk Love). “So tell me that this heart is mendable/That
the love can be dependable/I really want you.”
The Nine Seas deliver an
unusual and engaging rendition of Charlie Rich’s “Midnight Blues,” slowing it
down a bit and giving it an interesting and kind of haunting sound, part blues
and part folk. “I just can’t help but feel a little insane/Every time I hear you call
my name/Been blaming you for all the bad things I’ve done/Still, I must admit every
once in a while it was fun.” It is a truly interesting track, and something
about it keeps me on edge, though their voices have a soothing quality. Oliver de
la Celle adds some nice work on electric guitar. That’s followed by a
traditional song, “Down In The Willow Garden.” This one has a beautifully
simple sound, so that the focus is squarely on their voices. It is kind of
eerie hearing these gorgeous voices singing of committing murder. Glenn Patscha
plays pump organ on this track, and Tony Leone is on drums. Fiona McBain plays
piano on “Where He Rests,” a beautiful and moving song she also composed. It is
a song of the tragedy of September 11th, 2001. There are some heartbreaking
lines in this song, such as “Some said
goodbye/I know that he would have tried” and “But never again will he whisper my name/No, never again can I call him
to save me.”
They then offer a cover of “Midnight,”
a song written by Boudleaux Bryant and Chet Atkins, and recorded by Red Foley.
This is the second song on the album with “Midnight” in its title, a time that
conjures the darkest and loneliest thoughts. This song certainly creates a
sense of loneliness, even desolation, though it has also a sweet quality here.
One thing I love about this album is its combination of bright and dark sounds
and moods. “Midnight/What a lonely time
to weep/I ought to know/Midnight/I should have been fast asleep/Hours ago/Still,
I’m crying/I’m crying ‘cause I miss you so.” That’s followed by a cover of “Sea
Of Heartbreak,” a song written by Hal David and Paul Hampton, and recorded by
Don Gibson. They put their own spin on this famous song, by having their voices
accompanied by just percussion, including hand claps. This gives it something of
a playful quality, and seems to urge us to sing along on the chorus.
The album then concludes with
different renditions of two earlier tracks – “Trials, Troubles, Tribulations”
and “Midnight Blues.” Both tracks feature just guitar and their vocals. In this
rendition of “Trials, Troubles, Tribulations,” the gospel element seems
stronger. But that might be because it reminds me of a singer/guitarist who
used to perform at the church I went to when I was growing up. Both Liz and
Fiona play acoustic guitar on this track. Then on “Midnight Blues,” Fiona plays
electric guitar. Both tracks are wonderful, but I especially like this
rendition of “Midnight Blues.”
CD Track List
- Am I Still Your Demon?
- I Never Will Marry
- Trials, Troubles, Tribulations
- Go To Sleep
- I Really Want You
- Midnight Blues
- Down In The Willow Garden
- Where He Rests
- Midnight
- Sea Of Heartbreak
- Trials, Troubles, Tribulations
- Midnight Blues
Dream Of Me is scheduled to be released on April 3, 2020.
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