This disc opens with “Call Your
Mama,” which quickly establishes a good, mean groove, preparing us for Tami
Neilson’s regal entrance. Her voice has power, authority and attitude, a voice
to whip us into shape, a voice to make eager masochists of us all. “I don’t got time to give my time of day.”
She is clearly having a good time, and so are we. “Head in the clouds like you’re some kind of king.” That’s followed
by “Hey, Bus Driver!” a fun tune that pops and swings. It’s a song of being a
musician out on the road, and a song of heading home, missing that special
someone. “Fall asleep looking at your
picture/Wake up saying your name/Wringing tears out of my pillow, go, go going
insane.” It’s a fun tune, but things get even better with “Ten Tonne Truck.”
This one has a deliciously raw sound, a back porch sound, but where the porch
is attached to a house of dancing demons. This one too is related to working as
a musician. “Drove with nothin’ but our
clothes and guitars/Right down to Nashville/Gonna be big stars.” Oh man, I
love her delivery here, which is playful and yet also commanding. And that “ha ha ha ha” is great, full of confidence
and somewhat demented. “When the pie gets
bigger, everybody wants a slice/What I been cookin’ since back in ’89.” This
track is a total delight.
“Queenie Queenie” is an interesting
track, with the vocals backed by percussion. It’s an original tune, but it
sounds like some classic childhood rhyme sung on dirt playgrounds, that sense
helped by a couple of kids on backing vocals. It’s actually very cool. This one
is also about being a musician: “Mama’s
gotta hustle, do another show/‘Cause they won’t play a lady-o on country radio.”
That’s followed by “You Were Mine,” which is my personal favorite. This one
features a wonderful groove. And I love the way she belts out the lyrics, like
some kind of voodoo sorceress, the power of the universe in her fingers. There
is also some delicious percussion backing her as she gets wild, a sound that is
classic and fucking fantastic. Oh yes, I love it when she is completely
unleashed. She can take us all through concrete walls if she so desires. Brett
Adams (who played on Tami Neilson’s Sassafrass!) is on lead guitar on this track.
On “16 Miles Of Chain,” Tami
Neilson shows us that she rules over a twisted country realm. This is another
of the disc’s strongest and most exciting tracks. What a cool sound the
musicians create for this one. I particularly like that steady percussion. “Come on down from the roof, my dear, see
what I have found/Into that chest that I love best, I pushed that black heart
down.” This one was written by Tami Neilson and Delaney Davidson. Then “Tell
Me That You Love Me” is lighter fare, a fast-moving and fun tune in which she
demands “Tell me that you’ll kiss me and you’ll
do it real slow.” Hey, who is anyone to deny this woman? Who would dare?
Delaney Davidson provides some vocals on this track, making it a wild sort of
duet.
Tami Neilson then turns to a
sweeter number with “Any Fool With A Heart,” a genuine love song. “I tried to flirt, lipstick and skirts/But I
don’t know the art.” Ah, it is crazy, but after all those earlier tracks,
here she actually sounds somewhat vulnerable (it must be a trick). There is
something endearing and beautiful about this song. Then she gives us a touch of
gospel with “Sister Mavis.” “Make me
moan, make me cry/Stand up and testify/Send for Sister Mavis, send for Sister
Mavis.” The disc concludes with a lovely lullaby titled “Sleep,” the only
track not written or co-written by Tami Neilson. It was composed by Delaney
Davison, and is sweet and pretty. “Sleep,
baby, sleep/Sleep away the heartache.”
CD Track List
- Call Your Mama
- Hey, Bus Driver!
- Ten Tonne Truck
- Queenie, Queenie
- You Were Mine
- 16 Miles Of Chain
- Tell Me That You Love Me
- Any Fool With A Heart
- Sister Mavis
- Sleep
Chickaboom! was released on February 14, 2020, a Valentine’s Day
gift to the world. It is available on both CD and vinyl.
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