And he has a great group of musicians backing him, including Carl Byron on organ and piano, and John McDuffie
on electric guitar and pedal steel guitar. You can hear Carl Byron on Anne McCue’s excellent
new album. And, as I’ve mentioned before, John McDuffie’s presence always gets
me interested in a project. You can actually hear both of those musicians on last
year’s Steven Casper & Cowboy Angst CD, Endless Sky. In addition to them, the album features Jason Chesney
on bass, Zander Schloss (from The Circle Jerks) on bass, Shawn Nourse (from I See Hawks In L.A.) on drums, and Lynn Coulter on drums. John McDuffie engineered, mixed
and mastered this release, while Mason Summit produced it. I’m impressed by Mason's
work here, and so am a bit shocked, perhaps even a little annoyed, to learn that he’s
only eighteen. Imagine all the good things still to come from this
singer/songwriter/musician.
Mason Summit kicks off his the
CD with “Two Friends,” a fairly straight-forward pop rock tune about
friendship. Here is taste of the lyrics: “Two
friends sit down again/No awkward conversation, just friends/And the stubborn
rock in his shoe/Feeling new and said/If
you’ll lower your expectations/I’ll drop my affectations/We’ll commence
negotiations.” It’s a decent song, but for me things start to get much more
interesting with the second track, “Kaleidoscope,” a quirky little tune played on
classical guitar, with the addition of flute in the second part of the song.
(That’s James King, of Fitz And The Tantrums, on flute.)
Even better is “In A Lonely
Place,” a strong, emotionally charged track. Mason Summit creates a vivid
portrait of an area and its denizens, and he really sells it on the vocals.
When he sings the title line, “In a
lonely place,” you can hear the desperation. “Down on the corner making a deal/To try and fight that urge to feel/In
a lonely place.” And he places the listener in the city, singing, “You shouldn’t believe her this time.” This
track features John McDuffie on both lap steel and pedal steel, and is
one of the best songs on this CD.
“Puddle” is the only instrumental
track on the album. It’s a kind of mellow track which Mason Summit performs
solo, playing electric guitar, acoustic guitar and bass. “Later” is a very
short, but kind of pretty track. It has vocals, but no lyrics.
“Right Mind” has something of
an early rock flavor to it, both in the music and in the vocal approach (listen
to the way he sings “I wanted you so
bad/Tried so hard to hold on”). Plus, it benefits from the addition of James
King on saxophone. Jason Chesney plays bass. I really like these lines: “I’m at your beck and call/You are a wrecking
ball.” Another of my favorites is “Village
Dogs,” which has a cool groove and vibe. “On
the roof everything is all right/It’s warm now, but it’s so cold at night/I can
see out to the lake/I can see past my mistake.” This one features John
McDuffie on electric guitar.
CD Track List
- Two Friends
- Kaleidoscope
- In A Lonely Place
- Puddle
- Pretty Penny
- Cute One
- Flake
- Right Mind
- Later
- Village Dogs
- Interloper
- My Blank Canvas
Loud Music & Soft Drinks was released on November 11, 2014 on
French Dip Records.
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