Four Foot Shack, the new CD from Les Claypool’s Duo De Twang, is
one of the most fun CDs I have heard in a while. It’s full of great, raw, mean
vibes, mixing country with a punk energy, and all with a certain sense of humor.
There is a great mix of original
material with some well-chosen covers. Some of the tracks are songs that Les
Claypool had also recorded with Primus, such as “Wynona’s Big Brown Beaver,”
“Amos Moses” and “Jerry Was A Race Car Driver.” Others, like “Buzzards Of Green
Hill” and “D’s Diner,” were recorded by Les Claypool’s Frog Brigade. Because
this is Les Claypool, you can expect some great prominent bass lines. Songs
like “Boonville Stomp” had me dancing like a maniac around my apartment. This
album also features the best version of “Stayin’ Alive” I’ve ever heard. It’s
fucking fantastic. I also absolutely love their rendition of “Battle Of New
Orleans” which is another of the CD’s highlights, with lots of nice vocal work
(and of course that famous theme from “Dixie”).
Les Claypool’s Duo De
Twang is Les Claypool on vocals and bass, and Bryan Kehoe on guitar and backing
vocals. Wylie Woods joins them on mandolin and backing vocals on a few tracks.
Primus Song, “Wynona’s Big Brown Beaver”
Four Foot Shack opens with its title track, a very short, but cool
tune. Though it does sound like he’s singing from deep inside a large metal vat
or something. The album truly gets going with the second track, “Wynona’s Big
Brown Beaver.” It comes on with a great, raw power, those first notes on the
bass like a great slap, waking me up and putting a big fucking smile on my
face. There is also some seriously cool work on guitar on this track. The vocals
come fast, delivered almost as if over a truck’s CB radio. This is some
kick-ass back porch brew, and it’s that wonderful country element in the second
half of the tune that really makes me love it. This is one of the tunes that
Les Claypool recorded with Primus, the original version appearing on Tales From The Punchbowl.
“Amos Moses” and “Red State Girl”
Some of the greatest
story-songs take place in Louisiana, and “Amos Moses” is a hell of a fun tune,
whose story includes hunting alligators. This is one of the CD’s covers,
written by Jerry Reed Hubbard, but these guys totally own the song. Hell, I
believe these guys were there. I believe it all. For some reason, the way Les
Claypool sings “his pretty wife Hannah”
makes me laugh each time.
“Red State Girl” cracked
me up too, with lyrics like “She got tits
made out of recycled bottles/Her hair flipped up in a curl/She wants to grow up
to be Sarah Palin/She’s a self-proclaimed bona fide red-state girl” and “He’s a poor man trapped in a poor man’s body.”
I love that bass line. There is a false ending of sorts, followed by a little
vocal play that is so damn funny and totally delightful.
“The Bridge Came Tumblin’ Down”
I totally dig that
country rhythm on “The Bridge Came Tumblin’ Down,” played in a great heavy way
with a thumping joyful power. This is one of my favorite tracks. It’s another
that tells a great story, this one a true story about a bridge going up and
coming down. “When the bridge came
tumbling down/And nineteen men were drowned in June of 1958/In old Vancouver
town.” There is a very cool instrumental section. “The Bridge Came Tumblin’
Down” was written by Tom Connors.
The Bee Gees’ “Stayin’ Alive”
One of the highlights of Four Foot Shack is their completely
wonderful cover of “Stayin’ Alive.” The first time I listened to this album,
this track caught me by surprise, and delighted me so much I listened to it like
five or six times before continuing on to the next song. This is absolutely my
favorite cover ever of this song. It’s silly, and completely fucking awesome.
The addition of the cowboy-type vocals on “Ah,
ha, ha, ha, stayin’ alive” making it sound more like “How, how, how, how, we’re stayin’ alive” is just one of the many
delightful touches on this track. Also, this is one of the tracks that feature
Wylie Woods on mandolin and backing vocals. Anyone with ears should check out
this tune. Honestly, even if the rest of the album were total horseshit, it
would still be worth owning for this track.
“Pipeline”
Of course, the rest of
the album is also really good. There’s a cool cover of “Pipeline.” This one is
more of a straightforward cover, with the exception of the absolutely fantastic
vocal line – the “la la la” part, which made me think that Jim’s Big Ego should
open for these guys on tour. You’ll know what I mean when you hear it. Listen
to this song, then listen to Jim’s Big Ego’s “She’s Dead.”
“Hendershot”
“Hendershot” is another
favorite of mine. The vocals are what really make this one such a great track.
There is a really good sense of humor in the delivery. There is also some nice
work on guitar. This is a tune that Les Claypool recorded earlier with Les
Claypool And The Holy Mackerel, and released on Highball With The Devil.
“Jerry Was A Race Car Driver”
Four Foot Shack concludes with “Jerry Was A Race Car Driver,” the song
racing along just as its title character does. This is a song that Les Claypool
recorded with Primus, the original version appearing on Sailing The Seas Of Cheese. It’s the perfect ending to this
excellent CD.
CD Track List
- Four Foot Shack
- Wynona’s Big Brown Beaver
- Amos Moses
- Red State Girl
- The Bridge Came Tumblin’ Down
- Boonville Stomp
- Stayin’ Alive
- Rumble Of The Diesel
- Pipeline
- Buzzards Of Green Hill
- Hendershot
- Man In The Box
- D’s Diner
- Battle Of New Orleans
- Jerry Was A Race Car Driver
Four Foot Shack is scheduled to be released on February 4, 2014 on
ATO Records.
(Note: I also posted this review on Pop Culture Beast.)
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