Before forming the trio, Bill Evans had played with Miles Davis on Kind Of Blue, and there are two Miles Davis compositions in this collection (neither of which are from that album), as well as one composition credited to both Davis and Evans (that one was featured on Kind Of Blue). In addition to those, there is one Bill Evans composition and one Scott LaFaro composition, as well as several other covers.
The Very Best Of The Bill Evans Trio opens with "Autumn Leaves," a delightful tune from Portrait In Jazz, the trio's first record. What I love about this group is that the bass and drums aren't just backing the piano. Right away in this collection you can hear they're on equal footing. There is an interesting conversation going on between piano and bass in this song. And then there is a bass solo less than a minute in. There is nothing typical about the way this tune is structured. And it certainly comes in lively after that bass section. There is some truly wonderful work by Bill Evans on this tune. And there is another brief bass solo toward the end.
"Autumn Leaves" was written by Jacques Prevert, Johnny Mercer and Joseph Kosma.
"How Deep Is The Ocean?"
"How Deep Is The Ocean?" is an Irving Berlin song that was originally included on the trio's Explorations. This song is pretty, and it's one that is really led by Bill Evans throughout.
"What Is This Thing Called Love?"
Evans, LaFaro and Motian seem to be having a blast (or at least a gas) on "What Is This Thing Called Love?" and as a result it's a lot of fun to listen to. There are surprises throughout, and great work by all three musicians, each adding a distinct voice. There are moments in Scott LaFaro's bass lead that are actually funny. And Paul Motian adds a brief, but cool drum solo.
Written by Cole Porter, "What Is This Thing Called Love?" is one of my favorites from this release. It was originally included on Portrait In Jazz.
A different version of "Blue In Green" appeared on Kind Of Blue. There is something gorgeous about this song. Though attributed to both Miles Davis and Bill Evans, Neil Tesser in the liner notes to this collection argues that it is much more Bill Evans' piece. Whoever wrote it, it's a great tune.
Two Miles Davis compositions appear in this collection: "Nardis" and "Solar." The first is from Explorations. The second is from Sunday At The Village Vanguard, and it closes out this collection. It's also the longest track on this disc (quite a bit longer than the original Davis version from Walkin') and is a really interesting composition, sounding a little more chaotic than the rest of the tracks at moments. It features more great work by Scott LaFaro on bass.
"Gloria's Step," written by bassist Scott LaFaro (his only composition in this collection) originally appeared on Sunday At The Village Vanguard, a live album recorded on June 25, 1961. As you might surmise, this track features some great work on bass, including an excellent lead section. But there is also a lot of wonderful stuff from Bill Evans and Paul Motian.
"Waltz For Debby"
"Waltz For Debby," the title track from the trio's fourth and final album, was also recorded at that same performance on June 25, 1961. This is the only composition written by Bill Evans to be included in this collection, and it's one of my favorites. This is such a wonderful tune, and it raises my spirits whenever I listen to it.
CD Track List
- Autumn Leaves
- How Deep Is The Ocean?
- What Is This Thing Called Love?
- Blue In Green
- Beautiful Love
- My Foolish Heart
- Gloria's Step
- Waltz For Debby
- My Man's Gone Now