The first nine tracks were recorded on March 1, 1998. The
musicians backing him on this session are Andrew Williams on guitar and backing
vocals, Greg Leisz on guitar, Sandy Chila on drums, Don Heffington on
percussion, and Tony Marsico on bass. The first track includes a brief
introduction by Howard Larman, calling the band Peter Case And Friends. And
then Peter Case gets things going with “Spell Of Wheels,” the lead track from
his then brand new release Full Service
No Waiting. This song tells the story of five young small-time criminals
who make a getaway through the snow, ending up in a different location, but the
same place. Here is a taste of the lyrics: “We
get to Minnesota, spend the winter in monochrome/Fall in with small time
criminals just like the ones at home/Watchin’ through the windows for what the
night reveals/And waitin’ for the spring to come/Beneath the spell of wheels.” Sometimes when I listen to this song, I
wonder who it is that the character is singing to; after all, there is the line “I’m on my way back home to you,” sung
when he thinks they are all about to die. “Spell Of Wheels” was written by
Peter Case and Joshua Case. Peter Case plays harmonica on this track.
Peter introduces the next song, “On The Way Downtown,”
the song used as this release’s title track, “This is about a visit back to the town where I grew up.” “On The
Way Downtown” is also from Full Service
No Waiting. In fact, all nine songs from this first radio show are from
that album, and the first five are performed in album order. “On The Way Downtown”
was also written by Peter Case and Joshua Case, and is one of my favorite
tracks. This one really moves me. “I had
a fight with the woman that had my kids/Couldn’t get along with anyone, what if
I did/I’m going back to the corner where we used to meet/When our dreams were young
and the nights were sweet.” Wow, this recording is reminding me what a
strong album Full Service No Waiting
is. Check out these lyrics from “Green Blanket (Part 1)”: “It’s too late tonight/For a miracle cure/And if this rain keeps on falling/It’ll
wash me away/Down through the gutter/And out to the bay/Where the red and the
gold/And the silver fish play/That’s someplace where no one will find me.”
Then “Honey Child” is a lot of fun, sounding like a celebration at a cool
road-side tavern out away from the city somewhere. At the end, Peter,
apparently not satisfied, asks, “Howard,
can we do that one again, man?”
He introduces “Crooked Mile,” saying, “I guess I’m going to play it alone.” To
the other musicians he then says, “If any
of you guys feel like jumping in, go ahead. I feel kinda weird with all these
guys just sitting around looking at me while I play.” I love his guitar
work on this song. This is a powerful, strong rendition. The guys can’t help but
applaud him at the end of it. Peter Case ends this first session with “Until
The Next Time,” a song whose beauty somehow always catches me by surprise. “Until the next time/The race starts close to
the finish line/And down in my heart/I know this could be the start of
something.”
The other nine tracks are from July 30, 2000. As with the
earlier session, here Peter Case is promoting a studio release, this time Flying Saucer Blues. However, this time
not all of the songs are from that new release. Joining him for this session is
David Perales on violin and backing vocals. There is no introduction this time,
and Peter Case starts with “Something Happens,” identifying it as a song from Flying Saucer Blues. This is a beautiful
and sweet song. “Each time I hold you in
my arms/I’m set free from all harms/I seem to know what to do/Something happens
when I’m with you.” Oh yes, that’s an incredible feeling, isn’t it? May we
all experience that in the coming year.
Peter Case follows that with a cover of Mississippi John
Hurt’s “Pay Day,” a song not included on Flying
Saucer Blues. Actually, I don’t think it’s on any of his studio releases.
(It was, however, included on the compilation, A Tribute To Mississippi John Hurt: Live At The Cambridge Arts Theatre.)
Peter jokes a bit at the beginning, asking David if he wants to play a John
Hurt song, then immediately adding, “Sure
you do.” And it’s a damn good rendition. Peter then returns to material
from Flying Saucer Blues, playing “Blue
Distance” and “Walking Home Late.” Between those two songs, there is an
introduction, a station identification of sorts: “Live from Studio A, our guests are Peter Case and David Perales.”
Then Peter Case tells us a bit about “Walking Home Late” before they start the
song. “Today at noon I thought I’d
disintegrate/But it’s cooling off now, and I’m walking home late.”
Peter dips into his earlier work with “Icewater,” a blues
song from his self-titled debut album. This is a delicious and
fun version, with Peter playing harmonica. David’s work on violin is absolutely
wonderful here, helping to make this track one of the CD’s highlights. They
then play “Beyond The Blues,” a song from Six-Pack
Of Love, and a perfect choice to follow a blues tune. This one was written
by Peter Case, Tom Russell and Bob Neuwirth. “We hit the fork in the road/Where we all have to choose/Between the
darkness and life beyond the blues.” Peter follows that with two more songs
from Flying Saucer Blues – “Coulda
Woulda Shoulda” and “Paradise Etc.” – before wrapping things up with a cover of
Charlie Poole’s “Leaving Home.” I love this line from “Paradise Etc.” (another of my favorite tracks): “The apocalypse is over and I still owe rent.”
Seems rather fitting these days, doesn’t it?
CD Track List
- Spell Of Wheels
- On The Way Downtown
- Let Me Fall
- Green Blanket (Part 1)
- Honey Child
- Crooked Mile
- Still Playin’
- See Through Eyes
- Until The Next Time
- Something Happens
- Pay Day
- Blue Distance
- Walking Home Late
- Icewater
- Beyond The Blues
- Coulda Shoulda Woulda
- Paradise Etc.
- Leaving Home
On The Way
Downtown: Recorded Live On Folkscene was released on October 27, 2017
through Omnivore Recordings.
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