The CD opens with “When I’m Sixty-Four,” a cool version
with something of a swing to it, some good work on drums by Deszon Claiborne,
and some nice work on horns, particularly during the instrumental section (that’s
Melecio Magdaluyo on saxophone). Daria gives a somewhat playful vocal
performance here, which is quite fitting. She follows that with “Strawberry
Fields Forever,” which as I mentioned has a nod to George Harrison at the
beginning. That’s Joseph Cohen on sitar. It begins well, but then Daria takes
it in a direction that doesn’t quite work for me. It just doesn’t feel right to
my ears, though I do like Jonathan Alford’s work on piano.
Daria gives “Come Together” a Brazilian rhythm, which
comes as a bit of a surprise, but I did get into it; it just took a moment to
adjust, to discard any expectations I had. And I really dig the bass and guitar
work here. “Can’t Buy Me Love” is the earliest song Daria covers on this album,
one of two songs from 1964 (the other being “If I Fell”). And it’s one of the
most successful, in my opinion. This arrangement works really well, and Daria
seems to be having a great time here, even delivering some playful scat. And I
love the way the bass and piano work together in the cool instrumental section,
along with wonderful stuff on drums. This is one of my favorite tracks. Another
big surprise is Daria’s rendition of “Helter Skelter.” I wouldn’t have expected
this to work as well as it does. The energy is obviously very different from that
in the original rendition, but this version so damn cool and catchy and
wonderful. It has a funky edge and is a whole lot of fun. I love this track.
I’ve heard a lot of versions of “Blackbird” over the years,
some beautiful, some not so beautiful. Daria does something interesting with
it. She is at first accompanied only by bass, and her delivery is quite pretty –
at times almost delicate. She then takes the song in a completely different
direction, making it a medley, sliding into Ralph Towner’s “Icarus,” an
instrumental tune to which Daria adds some vocals (though no lyrics). This
section becomes a full band song, with a Latin rhythm. Daria then goes into
“Bye Bye Blackbird,” written by Ray Henderson and Mort Dixon. And though “Bye
Bye Blackbird” is not a Beatles song, there is a Beatles connection. Ringo
Starr recorded it for his 1970 album Sentimental
Journey, and more recently Paul McCartney included a version of it on Kisses On The Bottom (what a cheeky title). Daria then returns
to “Blackbird” at the end. I do kind of wish she had kept going with just the
vocals and bass, because I really like that, and the rest, though interesting,
feels unnecessary, particularly as it breaks the pattern of Beatles songs.
Interestingly, Daria breaks that pattern again, and
concludes this CD with an original song, “She’s Going Home.” The title of
course makes us think of “She’s Leaving Home,” from Sgt. Pepper’s Lonely Hearts Club Band. And we think this is perhaps
the same girl, quite a bit later, returning home. Interestingly, as the song
starts, the girl is in the process of leaving, just as she is in “She’s Leaving
Home,” and we don’t immediately know where she is or where she’s going. “She
turned to look for one last time/Then headed for the door/Left the key by the
telephone/Doesn’t live here anymore.” Apparently things didn’t work out too
well for her out there. The feel of the song seems to hold the promise of a
haven at home. But who knows?
CD Track List
- When I’m Sixty-Four
- Strawberry Fields Forever
- Come Together
- Fixing A Hole
- Can’t Buy Me Love
- Bird Medley: Blackbird, Icarus, Bye Bye Blackbird
- The Fool On The Hill
- If I Fell
- Julia
- Helter Skelter
- She’s Going Home
Strawberry Fields Forever: Songs By The Beatles is
scheduled to be released on April 15, 2016 on OA2 Records.
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