Disc One: 11-30-73 First Set
The first disc opens with
the beautiful “Morning Dew.” When I saw the Grateful Dead, this excellent song
was always placed near the end of the second set. But here the band kicks off
the show with it. (Read the liner notes included in this set for interesting
information on the start of this concert.) And as you’d expect, there is some
good jamming on this tune. After “Morning Dew,” Bob Weir says, “We’re making
adjustments, as you can see,” and mentions that Donna Jean Godchaux wouldn’t be
at these shows. She was pregnant at the time. And the band launches into the
fun “Mexicali Blues.”
After a nice “Dire Wolf,”
the disc skips to “Black-Throated Wind,” so we’re missing “Beat It On Down The
Line” and “Brown-Eyed Women.” Interestingly, Phil comes in a bit late at the
beginning of “Don’t Ease Me In.” And there is some cool stage banter after that
song. “Big River” is placed next on the disc, though “El Paso” and “They Love
Each Other” followed “Don’t Ease Me In” at the show. Because “Loser” is also
cut, the disc then gives us “They Love Each Other,” to keep the
Jerry-Bob-Jerry-Bob order of material. And it’s a really good version of “They
Love Each Other,” with that great loose groove and that wonderful extra section
they did in those days. (That extra bridge makes the 1973 versions of this song
my favorites.)
The band then wraps up
the first set with “Playing In The Band.” It’s somewhat odd to hear a “Playing”
from the mid-1970s without Donna Jean’s vocals, but this track is definitely
the highlight of the first disc, with plenty of great jamming. They explore
without getting messy. It’s not a spacy “Playing,” but it is an exciting one,
with lots of energy and passion.
Disc Two: 11-30-73 Second Set
The second disc contains
most of the second set from November 30, apart from the first four songs. As
the disc is only approximately sixty-six minutes, I can’t help but wonder why
at least one more song wasn’t included, such as “Jack Straw,” which immediately
preceded “Here Comes Sunshine.” But what is included is excellent, focusing
mainly on material from Wake Of The Flood,
including an excellent and interesting version of “Here Comes Sunshine”
(probably one of the best versions of this tune I’ve heard). It’s followed by
the entire “Weather Report Suite,” also from Wake Of The Flood. I love how it begins so sweetly, so delicately,
and builds from there. It then slides right into “Dark Star Jam,” a very loose
jam, which gives way to “Eyes Of The World,” one of my absolute favorites, and
one of the songs that make 1973 my favorite year for Dead tapes. “Eyes Of The
World” was always great, always welcome, but in this first year (the band
debuted it in February of 1973), it sounded just perfect. I love the groove of
this song. It always makes me happy. And at nearly twenty minutes, this version
has a lot of great jamming, including that fantastic bridge they only included
in these early renditions. This is the highlight of the second disc for me.
They then wrap up the show with “Sugar Magnolia.”
Disc Three: 12-2-73 First and Second Sets
The third disc begins
with goofy stage banter before the band gets things underway with “Cold Rain
And Snow.” This dis contains some of the first set from December 2, plus the
beginning of the second set. Just a couple of beats open this fun version of
“Beat It On Down The Line.” A couple of tunes are then skipped, and the disc
goes right to a sweet rendition of “Brown-Eyed Women.” And it’s followed by
some playful stage banter and interactions with the audience, and a little bit
of both “The Merry-Go-Round Broke Down” and “Beer Barrel Polka.” After a good
version of “Jack Straw” and an excellent “Ramble On Rose,” we go to the end of
the first set, with “Weather Report Suite.”
The second set opens with
“Wharf Rat,” and you can hear the understandably excited crowd. This is an
excellent, heartfelt version of one of the band’s best songs. Jerry’s vocal
performance here makes it a highlight for me. And it moves easily into
“Mississippi Half-Step Uptown Toodeloo.”
Disc Four: 12-2-73 Second Set
The fourth disc contains
most of the rest of the second set from December 2, 1973. There’s just one song
missing – “Sugar Magnolia.” This disc opens with “Playing In The Band,” which
starts as a seriously fun version (listen to some of what Bill is doing on
drums), and then just a few minutes in turns to a good jam. The band gets out
there, but it’s also kind of intense, especially toward the end just before it
goes into “Mind Left Body Jam,” or as it’s titled on this release, “Jam.” And
that’s when things get really interesting. This jam provides the spaciest
material on this four-disc set, and it’s fantastic – at some moments beautiful,
at some moments pained. It’s nine minutes in when it gets to the familiar “Your Mind Has
Left Your Body” theme (that’s probably when the second track should have actually
begun), and it sounds so sweet. It leads to “He’s Gone,” which had a different
tone at that time, due to Pigpen’s death earlier that year. It’s absolutely
beautiful and moving, one of my favorite tracks. And then suddenly the band
bursts into “Truckin.’” The groovy jam has a bit of “Nobody’s Fault But Mine,”
and slides gently into one of my favorite songs, “Stella Blue.” And this is a
truly gorgeous rendition. The band ended this third show the way the first show
began, with “Morning Dew.” And this is one of the best versions I’ve heard.
This whole fourth disc is excellent, the band at its best.
CD Track List
- Morning Dew
- Mexicali Blues
- Dire Wolf
- Black-Throated Wind
- Don’t Ease Me In
- Big River
- They Love Each Other
- Playing In The Band
Disc Two
- Here Comes Sunshine
- Weather Report Suite >
- Dark Star Jam >
- Eyes Of The World
- Sugar Magnolia
Disc Three
- Cold Rain And Snow
- Beat It On Down The Line
- Brown-Eyed Women
- Jack Straw
- Ramble On Rose
- Weather Report Suite
- Wharf Rat>
- Mississippi Half-Step Uptown Toodeloo
Disc Four
- Playing In The Band >
- Jam>
- He’s Gone>
- Truckin' >
- Stella Blue
- Morning Dew
This re-issue of Dick’s Picks Volume Fourteen is
scheduled to be released on December 2, 2014 through Real Gone Music.
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