Friday, December 20, 2019

Harry Nilsson: “Losst And Founnd” (2019) CD Review

Harry Nilsson left the world way too soon. The incredibly talented singer and songwriter was only fifty-two years old when he died of heart failure. He had been working on a new album, and now – at long last – we get to hear it. Losst And Founnd features mostly original music, written or co-written by Harry Nilsson. And for Nilsson fans (and, really, the only people who aren’t Nilsson fans are people who somehow haven’t heard his music yet, or – more likely – have heard it, but didn’t realize who it was they were hearing), this album is a total treat. It was produced by Mark Hudson, who includes in the liner notes a letter to Harry. In that letter, he writes, regarding the album, “I promised you we would finish it and get it out there one day and that day has finally come!” By the way, the musicians on this album include Harry’s son Kiefo on bass.

The album opens with its title track, “Lost And Found,” a good rock song with a full and vibrant sound, including a horn section. At times, the sound is in danger of overpowering his vocals, but never quite does. The song’s opening lines are “One for the government, two for the president/Standing outside right next to his monument.” But the following lyrics, when applied to the album itself, feel exactly right: “Lost and found/What a miracle/Lost and found/What a joy.” Indeed! This one was written by Harry Nilsson, Mark Hudson and Steve Dudas. That’s followed by “Woman Oh Woman,” a quirky, delightful song, precisely the sort of thing I expect and want from Harry Nilsson. Check out these lines, which begin this one: “If you knew true devotion/You’d jump into the ocean/And drown.” This track features Van Dyke Parks prominently on accordion.

“U.C.L.A.” is another quirky number that had me smiling with its opening lines, “There’s no new Hampshires left/I’ll bet the boardwalk’s next/There’s no new York/There’s no more cork/To send the bottle west.” Harry Nilsson’s friendship with John Lennon is well documented, and it is known that the Beatles were big fans of his work. Early on, Harry Nilsson covered “You Can’t Do That,” and in that song included references to a lot of other Beatles songs. He does something similar in part of “U.C.L.A.,” the lyrics containing quite a few Beatles references – to “Penny Lane,” “Yesterday,” “Something” and to Ringo Starr (and his drum beat for “Come Together”). I love this song and its play with words, and that little reaction to the line “There’s nothing left to fight” made me laugh out loud. Then we get the first cover of the album, the classic “Hi-Heel Sneakers,” and because of that line in the previous song, the line “In case some fool might want to fight” stands out in this rendition. Here the song is coupled with “Rescue Boy,” written by Harry Nilsson and Mark Hudson. This song has basically the same music, as well as a play on that line, here “In case some fool might want you to write.” It’s an interesting and humorous track, and I dig that harmonica. That’s followed by “Lullaby.” As its title promises, this song is a lullaby, and it has a sweet tone. This song takes us in its arms and reassures us, “There’s no one in your closet/Your toys are all asleep/And we love you.” We can all use a bit of reassurance these days, eh? “Lullaby” ends with these lines: “I’ll watch you when you’re sleeping/I’ll see you in a dream/I’ll wake you in the morning/And I love you.”

Things then a little rowdier, a little wilder with “Animal Farm.” I love those horns, plus, that whistling. Have you been thinking of George Orwell lately? Of course you have. That’s followed by perhaps the most surprising track on the album, a cover of Yoko Ono’s “Listen, The Snow Is Falling,” a song from John Lennon and Yoko Ono’s Wedding Album. Harry gives it a different groove. Klaus Voorman plays bass on this track, another cool Beatles connection (he was a member of the Plastic Ono Band). While “U.C.L.A.” contained several Beatles references, “Try” sounds a whole lot like “All You Need Is Love,” and he actually quotes that song’s title at one point: “You don’t need a big balloon/All you gotta do is try, try try/With a little help, you can get by/All you need is love and you can fly.” This song has an undeniably positive vibe. Harry then takes the title of the next track, “Love Is The Answer,” from the lyrics of John Lennon’s “Mind Games” (Andie MacDowell’s character in Four Weddings And A Funeral quotes that line). This is a pretty song, one you could just drift away on. There is something kind of magical about it, it seems to have wings.

“Yo Dodger Blue” is kind of an odd track. It’s a straightforward number designed to be played at Dodgers baseball games. It is simple, fun, and it rocks, but does seem a bit beneath Harry Nilsson’s talents. Though Harry was a fan of the team, the song was probably not meant to be taken too seriously. Right? Still, it works for what it is, although I could do without the crowd noise. The album then concludes with a cover of Jimmy Webb’s “What Does A Woman See In A Man.” This song was fairly new at the time of this recording, having been included on Jimmy Webb’s 1993 LP Suspending Disbelief. It seems like a song that Harry could have written himself. The music and the vocal delivery are sweet and tender, and the lyrics are hilarious. Here is a taste: “He drives a gas hog like Attila the Hun/And woe to the luckless pedestrian/While she prefers bikes and bird-watching hikes/And sailing and riding equestrian.” On this track, Harry’s voice is supported by piano and strings (and that is Jimmy Webb himself on piano). Check out these lines: “Doesn’t she know that she’s unique/Doesn’t she see that he’s just a freak of nature/Overbearing, insecure, wanting love but so unsure.”

CD Track List
  1. Lost And Found
  2. Woman Oh Woman
  3. U.C.L.A.
  4. Hi-Heel Sneakers/Rescue Boy Medley
  5. Lullaby
  6. Animal Farm
  7. Listen, The Snow Is Falling
  8. Try
  9. Love Is The Answer
  10. Yo Dodger Blue
  11. What Does A Woman See In A Man 
Losst And Founnd was released on November 22, 2019 through Omnivore Recordings, and is available on both CD and vinyl.

Wednesday, December 18, 2019

Hamilton Loomis: “This Season” (2019) CD Review

Hamilton Loomis has been dishing out bluesy soulful rock music for twenty-five years, and now – because it is the law – he is releasing his first Christmas album. Titled This Season, it is a good mix of originals and covers, including a couple of traditional numbers. Hamilton plays guitar, bass, keys and harmonica on this release. Backing him are Mike Meade on bass and Brannon McLeod on drums. The album is dedicated to Hamilton’s son, Bo Jordan Loomis.
                                                                               
The disc kicks off with its title track, “This Season,” a delightfully funky holiday song with a message of uniting and healing, perfect for us in these dark and divided times. “Bring us hope/Bring us light/Because we need it tonight/Show some love/Show the way/On this Christmas day.” Ah, yes. As much as I appreciate the song’s message and theme, it is that bass line that really grabs me. This is an original song, written by Hamilton Loomis, inspired by his son, who was diagnosed with hyperinsulinism. Hamilton follows that with a cover of “Lay Around And Love On You,” here shortened to “Lay Around And Love,” written by Bobby David and David Gillon, and originally recorded by Ray Charles. Okay, first let’s get clear that grammatically it should be “Lie Around And Love.” That aside, this is an enjoyable song. It is not a Christmas song, but Hamilton changes the song’s first line from “It’s Monday morning, 6 a.m.” to “Well, it’s Christmas morning, 6 a.m.”  The second line – “Time for me to go to work again” – is not changed, making me wonder what his job is, that he has to work on Christmas. It’s a little weird, changing this song to a holiday song. What I really like about this rendition is that harmonica.

“Everything I Wanted” is a nice, soulful tune, written by Hamilton Loomis. It is a song about reuniting with his love at Christmas after separating last year. “There’s just one thing on my list this year/My baby at my door/I got everything I wanted this Christmas/I got everything I need/My baby changed her mind.” There is a cool lead on guitar in the second half of the track. That’s followed by another original tune, “Another South TX Christmas,” a fun country rock number that includes nods to several Christmas songs. In fact, it starts off with a bit of “Joy To The World,” and then has a “Frosty The Snowman” tease. “I don’t need no long johns/Don’t need no thermal hat/Northern folks, they got their winter coats/And I got my baseball cap.” Oh yes, those lines work for those of us in Los Angeles too. “You can keep your white Christmas/We’re all working up a sweat.” This track ends with a bit of “We Wish You A Merry Christmas.”

Things then turn more bluesy with “Underneath The Tree,” also written by Hamilton Loomis. This is a song about excitement over Christmas and the presents under the tree. Here Hamilton sings “I’ve been patiently waiting/I’ve been waiting all year long/Maybe they got me something special/I’ll take a peek when no one’s home.” But don’t worry, it’s not a song about greed; or at least he’s quick to make us believe that by singing “I don’t need much to be happy/It’s all about the little things in life/I’ve always been so easy to please/A little loving always gets me by.” Okay, sure, but the main thrust of this song is the eagerness to know what presents he’s getting. And who can fault him? This track becomes a nice little jam toward the end.

Hamilton Loomis then turns to a traditional Christmas song, “God Rest Ye Merry Gentlemen,” but delivers a rendition that is anything but traditional and tired. This is a seriously cool version, an instrumental rendition with a strong beat. This one too turns into a good jam, with some wonderful work on guitar. I like what he has done with this song. He follows that with a cover of “Christmas Tears,” a soulful bluesy number written by Sonny Thompson and Robert Charles Wilson and recorded by Freddie King (back when he was still Freddy King). Hamilton Loomis does an excellent job with it, putting a bit of pain and longing in his voice as he delivers lines like “Well, it seems like you’ve been gone/For a hundred years or more” and “I need you, baby/To hold me tight/I need you, darling/On this lonely Christmas night.” It is a really good vocal performance. He then gets things rocking with “Run Rudolph Run,” a song originally recorded by the father of rock ‘n’ roll himself, Chuck Berry. This version by Hamilton Loomis certainly rocks and is a lot of fun, a track to play to keep your holiday party cooking.

The disc’s final original tune, “Love Again Christmas,” caught me by surprise, its opening lines being “Yesterday is dead and gone/No more sorrow, no more pain.” It’s about someone returning to his life on Christmas and teaching him how to love again. I love the style of this song, particularly the work on guitar. It features a good bass line too. This is one of my favorite tracks, with a strong vocal performance and a cool jam at the end. The album then concludes with a traditional number, “O Holy Night.” This time Hamilton Loomis sticks fairly close to what we might expect from a version of this song, particularly in its tone, and the results are pretty.

CD Track List
  1. This Season
  2. Lay Around And Love
  3. Everything I Wanted
  4. Another South TX Christmas
  5. Underneath The Tree
  6. God Rest Ye Merry Gentlemen
  7. Christmas Tears
  8. Run Rudolph Run
  9. Love Again Christmas
  10. O Holy Night
This Season was released on November 29, 2019 on Ham-Bone Records.

Tuesday, December 17, 2019

Send I A Lion: A Nighthawk Reggae Joint (2019) CD Review

Our country seems more divided than ever before, and the line is clear. There are racists and imbeciles on one side, and everyone else on the other. The problem is the racists are in power, and are brazenly flaunting their disregard for the laws. Things look dire for democracy, and a portion of the country’s citizens seem to not care at all. To keep from going completely mad from anger, we turn to music to raise our spirits, to give us hope, to unite us, and also to make us dance. And what better genre of music for that is there than reggae? Send A Lion: A Nighthawk Reggae Joint is a compilation of great music from the Nighthawk Records label, featuring artists like Culture, Gladiators, Ethiopian & His All Stars, and Winston Jarrett And The Righteous Flames. This collection includes liner notes by Leroy Jodie Pierson, with thoughts and memories about these artists and the recordings. There is also one previously unreleased track by The Mighty Diamonds.

The collection opens with Culture’s “Calling Rastafari,” the song that was also the lead track from Culture’s The Nighthawk Recordings, which was released earlier this year. It is a delightful and positive song, with a groove that should bring a smile to your face. And, hey, maybe all significant change begins with a smile rather than a scowl. By the way, this is the song that gives this disc its title. This collection also features Culture’s “Dem A Payaka,” a positive-sounding song that was also included on The Nighthawk Recordings. “Give the youth a try.” I love this song.

Gladiators’ “Bongo Red” has more of a solemn aspect, but of course still with a groove to keep you moving. The percussion is prominent, and is what I tend to latch onto. And I dig that work on keys. “So I take a walk from 6th Street/Trying to prove something/Going to the bottom of 8th Street/From corner to corner you can hear/Yes, the youths dem a shout.” Ethiopian & Gladiators together give us “I’m Ready,” an effective song with some nice stuff on horns. “Yes, I’m ready/I know my culture/Yes, I know/I know who I am.” This collection also includes the wonderfully uplifting “Bless Our Soul” from Gladiators. Ah, those horns sound so good. I wish this music could somehow be pumped into the Senate chamber and work its magic on the ghouls and scoundrels that nest there. “Bless Our Soul” is from Serious Thing, Gladiators’ 1984 LP, which was re-issued last year. We also get “Serious Thing,” the title track from that album, and “Streets Of Gold” from Symbol Of Reality, which was also re-issued last year. “Is there any difference between black and white?/Oh no.”

“Weeping Eyes,” from Justin Hinds And The Dominoes, has an uplifting and comforting vibe, with a friendly, gentle and beautiful vocal performance. “Walk with the wise/Then you shall be wiser/Walk with the proud/Then you shall be scornful/Walk with the meek/You shall inherit this earth/Wipe your weeping eyes/Consider your ways.” I love those sweet backing vocals too. This song is also known as “Wipe Your Weeping Eyes,” which is  how it was listed on the single. This disc also includes Justin Hinds’ “Want More.” “You give ‘em this, you give ‘em that/Give them every little thing that their hearts desire/They want more.” And what song is more perfect and needed these days than Justin Hinds And The Dominoes’ “Travel With Love”? Here is a taste of the lyrics: “Most of these men are so hard to understand/Everywhere I go, I’ve got to travel with love.”

The Mighty Diamonds’ “4000 Years” is another effective and powerful song, and lines like “Poor can stand no more/They can take it no longer/Poor can stand no more/Now the wicked get stronger” certainly stand out. Still, there is an optimistic bent to this track that I appreciate. “The youths of tomorrow/They won't be like them shadow/The youths of tomorrow/They won't beg, steal or borrow.” Really, all this music seems to have an inherent optimism, something it seems we all need. The album’s final track – its previously unreleased track – is a different version of this song. It was recorded at a hotel, performed on a guitar with only four strings and a telephone directory as the only percussion instrument. It’s a treat to have this very cool recording.

Junior Byles’ “Thanks And Praise” has such a cheerful and positive sound, both to the music and the vocals, that it becomes a highlight of this collection for me. The Wailing Souls’ “Harbor Shark” is a song I don’t recall hearing before. But who knows? My memory has some gaps. I’m surprised its title hasn’t been used for one of those numerous low-budget shark movies that I love so much. I mean, hell, we have Swamp Shark, Snow Shark, Ice Sharks, Avalanche Sharks, Sand Sharks, Ozark Sharks, Mississippi River Sharks, Dam Sharks, House Shark and Trailer Park Shark, so it seems that Harbor Shark would have been made already. Well, I bet we’ll have a Harbor Shark in the next few months, once those filmmakers become aware of that oversight.

From Ethiopian & His All Stars, we get the totally enjoyable and wonderful “Train To Skaville,” from The Return Of Jack Sparrow, released a couple of years ago. The song is, however, quite a bit older, and was included on The Ethiopians’ 1968 LP, Engine 54, and also released as a single.  It is a fun song guaranteed to lift your spirits and loosen your body. There isn’t a whole lot going on here, but what this song delivers might be just what you’re looking for. Goodbye, stress; hello, dance floor.  Also included on this disc is Ethiopian & His All Stars’ “Straight On Rastafari,” which feels like a call to rise from our seats and take to the streets to dance and spread some good cheer. The Morwells are represented on this disc by “Young Lover,” an appealing and sweet love song. “Young lover/My sweet, sweet young lover/Please come on home with me tonight/And everything will be all right.”

There is something really catchy and fun about the vocal line to “Babylon Broke Dung Me House” by Winston Jarrett And The Righteous Flames, and the horns add to the song’s celebratory air, though the lyrics are about some serious troubles. This song is from the 1989 album Jonestown, which was re-issued last year. Also from Winston Jarrett And The Righteous Flames, we are treated to the bouncy and bright “Bad Boy,” another track from Jonestown. “Move On Oppressor,” by Ronnie Davis And Idren, is one of my favorite tracks from this compilation. It comes from Come Straight, another LP that was re-issued last year. And lines like “Every time we learn the game, you change the rules” certainly stand out, and seem to apply to our current political situation. From what I’ve been reading, the Republicans have simply ditched the entire set of rules (but will certainly try to apply them to Democrats once they regain power).

CD Track List
  1. Calling Rastafari – Culture
  2. Bongo Red – Gladiators
  3. Weeping Eyes – Justin Hinds And The Dominoes
  4. I’m Ready – Ethiopian & Gladiators
  5. 4000 Years – The Mighty Diamonds
  6. Thanks And Praise – Junior Byles
  7. Bless Our Soul – Gladiators
  8. Harbor Shark – Wailing Souls
  9. Want More – Justin Hinds
  10. Train To Skaville – Ethiopian & His All Stars
  11. Young Lover – Morwells
  12. Serious Thing – Gladiators
  13. Babylon Broke Dung Me House – Winston Jarrett And The Righteous Flames
  14. Move On Oppressor – Ronnie Davis And Idren
  15. Dem A Payaka – Culture
  16. Straight On Rastafari – Ethiopian & His All Stars
  17. Streets Of Gold – Gladiators
  18. Bad Boy – Winston Jarrett And The Righteous Flames
  19. Travel With Love – Justin Hinds And The Dominoes
  20. 4000 Years (Audition) – The Mighty Diamonds
Send I A Lion: A Nighthawk Reggae Joint was released on November 15, 2019 through Omnivore Recordings, and is available on both CD and vinyl.

Monday, December 16, 2019

Adriana And The Wildflowers at Republic Of Pie, 12-16-19: Photos

This month Adriana And The Wildflowers are doing a residency at Republic Of Pie in North Hollywood, playing every Monday night. Tonight was my first time seeing the group, and I fell for them immediately. This was partly due to the presence of cello, an instrument I adore, and partly because of the songwriting. But mainly it was because of Adriana’s voice. Her voice is absolutely beautiful and clear, and there is something adorable about her delivery. Listen to a song or two and see if you don’t fall in love with her voice.

The group focused on original material tonight, including a couple of songs from The Girl With Sunflower Eyes EP – “Other People” and “50’s” (the latter having a 1950s vibe, which is cool). They are currently working on their debut full-length album, to be titled Where The Pine Trees Grow, and they played the title track, a pretty song. They also played a couple of Joni Mitchell songs – “Big Yellow Taxi” and “Both Sides Now.” “Both Sides Now” is a song that gets to me every time, and I have to concentrate to hold back the tears. Adriana And The Wildflowers gave us a gorgeous and interesting rendition. They wrapped up their set with a song titled “Underwater Cave,” with Adriana saying it was about having a dream that you do nothing about. That spoke to me. I am looking forward to seeing these guys again next Monday.

Here are a few photos from the show:


Republic Of Pie is located at 11118 Magnolia Blvd. in North Hollywood, California.

Brief Notes On New Jazz Releases

There is a whole lot of excellent music out there, for which I am thankful. Here are some brief notes on a few new jazz releases you might want to check out.

Frank Colón: “Latin Lounge” – Much of this music is beautiful, even sexy at times. Its sexiness was the first thing my girlfriend remarked about it, as we listened to the opening track, “Emerald Coast.” Of course, part of that is the exotic vibe of the music. These tracks feature some delicious rhythms. Frank Colón is a percussionist, so it should be no surprise that the rhythms figure prominently. There is also plenty of great work on guitar, particularly on a tune like “Spanish Heart.” Then, on “Wishful Thinking,” a bit of funk is added to the rhythm. This album features all original music, composed by Frank Colón. Scheduled to be released on January 1, 2020.


Tom Culver: “Duke’s Place” – This album by vocalist Tom Culver is a joyous tribute to Duke Ellington, featuring a fantastic group of musicians that includes Rich Eames on piano, Josh Nelson on piano, Ricky Woodard on saxophone, Gabe Davis on bass, Kevin Winard on drums, Pat Kelley on guitar, Larry Koonse on guitar, and Nolan Shaheed on coronet. The entire album is really good, but stand-out tracks for me are “I Ain’t Got Nothin’ But The Blues” (which has such a cool vibe), “Do Nothin’ Till You Hear From Me” and “Mood Indigo.” Mark Winkler joins Tom Culver on vocals on the disc’s final track, “Caravan,” which is another highlight, in part because of Kevin Winard’s work on drums. It was released on March 25, 2019. 



The DIVA Jazz Orchestra: “DIVA + The Boys” – This disc features some excellent and fresh big band music from a group composed entirely of women, led by drummer Sherrie Maricle. However, as you might have guessed from the title of this album, here they are joined by some male guest musicians. What is also interesting is that the group performs some material composed by those guests, such as “Deference To Diz,” which was written by Jay Ashby, who solos on trombone on this track, and “Piccolo Blues,” which was written by Claudio Roditi, who solos on piccolo trumpet. The group also covers material by Benny Goodman and Antonio Carlos Jobim. This is a live album. It was released on October 25, 2019.
 

Frank Kohl: “The Crossing” – My girlfriend and I listened to this CD as we started our Thanksgiving holiday, and it was perfect, putting us in a good mood as we eased into our day and got things ready in the kitchen. The music is relaxing, mellow, and wonderful. It is performed by the trio of Frank Kohl on guitar, John Stowell on guitar and Steve LaSpina on acoustic bass. Approximately half the tracks are original compositions by Frank Kohl, and half are covers, including two by Antonio Carlos Jobim. Scheduled to be released on January 10, 2020.

Rozina Pátkai: “Taladim” – This is a disc that really surprised me. Rozina Pátkai’s vocals grabbed me from the beginning of the first track, and held me. On this album, she sets some well-known poetry to music. Poems by T.S. Eliot, William Blake, Federico Garcia Lorca and Paul Verlaine are delivered in intriguing musical settings. In addition to Rozina’s wonderful vocals, this disc features some excellent work on percussion and cello. This is an engaging album you can get immersed in. It was released on November 1, 2019.

Natalie MacMaster: “Sketches” (2019) CD Review

Natalie MacMaster is a skilled fiddle player from Nova Scotia and now based in Ontario. She has been performing and recording since her teens, and has released several albums in the last three decades. Her newest, Sketches, however, is her first solo album in eight years, for she has been working with fellow fiddler and husband Donnell Leahy, releasing a couple of albums in collaboration with him, including a Christmas album in 2016. She has also recorded and performed with other artists. The musicians joining Natalie MacMaster on Sketches include Tim Edey on guitar and accordion, and Marc Rogers on bass, as well as several special guests on certain tracks.

I grew up hearing a lot of traditional Irish music, and have always had a soft spot for reels. Natalie MacMaster opens this album with “Three Reels,” featuring two you’ve likely heard before – “Father John Angus Rankin” and “The Golden Keyboard” – and one that you probably haven’t, as it is an original composition – “Mary Shannon’s Reel.” This music always makes me happy, and is a delightful way to kick off the album. Frank Evans joins Natalie on banjo on this track. Natalie MacMaster follows that with “The Golden Eagle,” which is a combination of “The Golden Eagle Hornpipe Never Was Piping So Gay” and “History With Hannah,” the latter an original tune. There is a lot of joy in this music, in its sound and in the performance. I wonder how anything can be wrong out in the world while music like this is playing. There are moments in the second part of this track that are exciting, the music sounding lively and spirited. Then “Morning Galliano,” an original composition, has a distinctly European flavor, in large part because of Tim Edey’s wonderful work on accordion, bringing us at times to a sweet outdoor café in spring. Again, there is a tremendous amount of joy in this music.

Natalie MacMaster delivers a gorgeous rendition of “Professor Blackie,” a tune written by James Scott Skinner. The guitar helps to create a beautiful and stable base, from which Natalie’s fiddle can take off and soar. At its end, this track guides us gently back down to the ground and lets go. That’s followed by “Patricia Kelso’s,” a bright and fun number that will make you want to dance, or perhaps to learn to dance. It is an original composition that takes us to some beautiful places, and features Mark Kelso on percussion and Michael McGoldrick on flute. Then that jazzy guitar of “Barndances” sets a different tone from the start, and the work on fiddle on this track will have you smiling, if not dancing. But the part I love most from this track is that fantastic guitar and bass section toward the end.

“Killiecrankie” is such a pretty tune, the fiddle work absolutely gorgeous as it begins, like dawn on a mountain, piercing a heavy mist. Then as dawn becomes day, the song takes on a different energy, as the natural world gets on with its business. Ah, but there is always a time for a dance, isn’t there? The music feels like it takes a turn from the world at large to focus on human rites and celebrations, and that joy becomes the world. You know? “Killiecrankie” is followed by another delightful and enjoyable medley of tunes titled “Fill ‘Er Up For A Set!” It begins with “Gordon Graham’s Favorite,” followed by “The Early Bird Jig” and then “Miss Anderson’s Jig.” When I think of jigs, I can’t help but think of Bruce Willis in The Last Boy Scout, when he promises to dance a jig if he survives and then of course does.

“Judy’s Dance” is a medley that begins in a light, fanciful land, then picks up its pace to once again get folks on their feet. At the end, the guitar takes over. That’s followed by “West Bay Road,” which begins with a pretty and light tune by Turlough O’Carolan, “Planxty Hewlett,” a song that sounds something of childhood, of innocence and excitement. That tune is then paired with an original composition, “Lauchie MacDougall’s,” which is great fun. “Tribute To John Allan” is a wonderful medley of several tunes, featuring Stuart Cameron on 12-string guitar and Remi Arsenault on bass.  As the musicians move from one song to another, this track takes us on a joyous journey. This track has the feel of a live performance taking place right in front of us in some glorious pub. There is a lot of energy, which builds as we get farther into the track, and if you are dancing to this, you will probably be exhausted by the end. Excellent stuff. The album then concludes with a pretty rendition of “I Can’t Make You Love Me,” written by Mike Reid and Allen Shamblin and originally recorded by Bonnie Raitt.

CD Track List
  1. Three Reels
  2. The Golden Eagle
  3. Morning Galliano
  4. Professor Blackie
  5. Patricia Kelso’s
  6. Barndances
  7. Killiecrankie
  8. Fill ‘Er Up For A Set!
  9. Judy’s Dance
  10. West Bay Road
  11. Tribute To John Allan
  12. I Can’t Make You Love Me
Sketches was released on November 1, 2019.