Rick Shea has a regular gig at the Maui Sugar Mill Saloon
in Tarzana, performing on the third Wednesday of each month. Titled “Swingin’
Doors,” this music series also features a special guest artist performing a set.
If you live in Los Angeles and haven’t made it out to one of these shows yet, I
highly recommend making the effort, because not only is the music great, but
the venue has a relaxed vibe, there are always good choices of IPAs on tap, and
there is no cover. And if you need any more enticement, there’s a free parking
lot. Yes, I’m serious. A free parking lot in Los Angeles is rarer than a
winning lottery ticket, but there it is.
Last night just after 8:30, Rick Shea & The Losin’
End took the stage and eased into the first set with a cool, somewhat laid-back
blues number, “Sweet Little Mama,” drummer Dale Daniel using brushes on this
one. “I’m standing in the shadows/All I
ever had is gone.” Tony Gilkyson had planned to go fishing last night, so
Stephen Patt sat in on guitar, and on accordion for some songs, such as the second
song of the set, “Big Rain Is Comin’ Mama.” That was followed by a particularly
good rendition of “Shelter Valley Blues.” Sometimes both the crowd and the
musicians know when things are going just right, and such was the case with
that song last night. They started to rock with a fun rendition of “Hold On
Jake” that featured some good stuff on guitar, first by Rick and then by
Stephen. Bass player Jeff Turmes then took over lead vocal duties on “Early
Train,” a cool, slow number. “Summer’s
coming and I love someone.” That was followed by “The Starkville Blues” and
then a cover of Hank Williams’ “Honky Tonk Blues,” which was delivered as a
slow, glorious blues number, featuring some particularly nice work on guitar.
The band wrapped up the set with one of my personal favorites, “Trouble Like
This.” It’s a beautiful, captivating song, and last night Stephen delivered
some really pretty guitar work on it. “And
I’ve seen trouble like this before.” The first set ended at 9:12 p.m.
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Lisa Finnie & Friends |
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The special guest at last night’s show was Lisa Finnie
& Friends. Those Friends included John McDuffie on pedal steel, so I knew
before they even started that we were in good hands. The band also included
Dylan Thomas on electric guitar and backing vocals, John Palmer on drums, and
Art Stucco on bass. Lisa Finnie was on lead vocals and acoustic guitar. At 9:35
p.m., she said, “
Hi, everybody,” and
then went right into the first song, “The Way To Love,” with John Palmer
playing both drums and harmonica, not an easy task. And I wondered briefly what
was kept in that
Close Encounter Of The
Third Kind metal lunch box on the shelf behind him. “
This is my first full gig out since before the pandemic,” Lisa told
the crowd. You might also know Lisa Finnie from her radio program, for in
addition to being a talented singer/songwriter, she hosts “The Dylan Hours” on
88.5 FM. “So Much Better” began with just vocals and acoustic guitar, and found
the drummer again delivering some nice harmonica work, but this time without
playing drums simultaneously. Lisa Finnie then covered a Rick Shea song, “Cold
And Lonely Shadows,” delivering a really nice rendition, Dylan and John
McDuffie providing backing vocals. She followed that with “River Of Love,” a
song she had recorded for
The Sound Of My Own Tune: An Artists’ Tribute To Patty Booker, which was
released early this year. Then “In My Dreams” had a wonderful and very cool
haunting sound. After that one, she mentioned that it was about a woman who
died trying to access her lover’s house through the chimney. She followed that
with “Slow Burn.” The lines “
And I wonder
if you know how much I dream about your kiss/If I told you now, would we fall
into love’s dark abyss” stood out for me. “
This is a dancing song,” Lisa told the crowd when introducing “Till
The Cows Come Home,” indicating the three or four feet of space on the floor in
front of the stage. No one attempted it. The set also included the beautiful “Lynda
Says,” a newer (and very cool) song titled “Take Me Early,” the bluesy (and
even cooler) “Take The Low Road” (one of my personal favorites), and “Ball And
Chain.” The band’s encore was a good rendition of the Staple Singers’ “Why Am I
Treated So Bad,” featuring some wonderful harmonizing. The set ended at 10:36
p.m.
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"Goodbye Alberta"
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At 10:52, Rick Shea & The Losin’ End were back on
stage. Rick said, of Lisa Finnie’s set, “
It
was like a spell cast over the room.” He then joked, “
And we’re here to break that spell.” They opened the second set
with “Goodbye Alberta,” with Stephen on accordion. That was followed by a fun
rendition of “Blues Stop Knocking At My Door,” Stephen on electric guitar for
that one. Jeff then sang lead on “Why You Turned Out So Weird,” a great song with
kind of a funky edge. Afterward Jeff said, “
I
want to dedicate that one to JD Vance, public figure,” playing on the whole
“weird” thing that Tim Walz started a while back.
“Nelly Bly” followed, and then “Mexicali Train,”
with Stephen on accordion. I always love hearing that song, and it’s
particularly good with accordion. Stephen remained on accordion for “Juanita (Why
Are You So Mean),” that song thriving on the presence of accordion. That was
followed by another of my personal favorites, “Mariachi Hotel.” Jeff took
another turn at lead vocals on “Don’t The Moon Look Real,” from his
Five Horses, Four Riders album. Stephen
played accordion on that one too, then switched back to electric guitar for “Sweet
Bernardine.” In Rick’s introduction to that song, he mentioned being from San
Bernardino, and how that city is on the news for all the wrong reasons. There
was a nice jam at the end. The second set ended with a couple of covers, the
first being “Mathilda,” which was a hit for Cookie And His Cupcakes in 1959.
And fittingly, Rick Shea & The Losin’ End wrapped up the show with a good cover
of Neil Young’s “The Losing End (When You’re On).” The show ended at 11:50 p.m.
Set List
Set I
- Sweet Little Mama
- Big Rain Is Comin’ Mama
- Shelter Valley Blues
- Hold On Jake
- Early Train
- The Starkville Blues
- Honky Tonk Blues
- Trouble Like This
Lisa Finnie & Friends Set
- The Way To Love
- So Much Better
- Cold And Lonely Shadows
- River Of Love
- In My Dreams
- Slow Burn
- Till The Cows Come Home
- Lynda Says
- Take Me Early
- Take The Low Road
- Ball And Chain
- Why Am I Treated So Bad
Set II
- Goodbye Alberta
- Blues Stop Knocking At My Door
- Why You Turned Out So Weird
- Nelly Bly
- Mexicali Train
- Juanita (Why Are You So Mean)
- Mariachi Hotel
- Don’t The Moon Look Real
- Sweet Bernardine
- Mathilda
- The Losing End (When You’re On)
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"Big Rain Is Comin' Mama" |
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"Early Train" |
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"The Way To Love" |
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"Cold And Lonely Shadows" |
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"Cold And Lonely Shadows" |
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"Goodbye Alberta" |
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"Blues Stop Knocking At My Door" |
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"Juanita (Why Are You So Mean)"
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Maui Sugar Mill Saloon is located at 18389 Ventura Blvd.,
in Tarzana, California.
One last photo:
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