Friday, March 4, 2022

Grateful Dead: “Dave’s Picks Volume 41” (2022) CD Review

Grateful Dead fans have their favorite years (mine are, in order, 1973, 1977, 1970), and even favorite tours, regarding concert tapes. A tour that is either at the top or near the top of probably everyone’s list is Spring 1977. The Dave’s Picks series of Grateful Dead concert recordings kicked off with a show from that tour. And now the latest volume contains another excellent show from that tour – May 26th at the Baltimore Civic Center. This three-disc set contains the complete show, along with one song as filler (to help complete the second show from Volume 40).

Disc 1

The first disc contains the entire first set. It’s interesting right away, for it opens with a song the band often chose to wrap up first sets, “The Music Never Stopped.” And it’s a good, clear, crisp rendition, the band having energy right out of the gate. Hey, maybe it’s just me, but the “bumper crop” line always seems out of place. No matter, for this song has me smiling and dancing and ready for a solid show. And though it’s a first set opener, the band does jam at the end, and everything sounds just right, Jerry Garcia’s guitar bright and snappy. From there, they go into “Sugaree,” and right from its start it is clear that this rendition is going to be something special. Jerry’s voice sounds great, and the whole thing has a rhythm like a wave you just want to ride on right to the edge of the world and beyond, all light and warmth and joy. And I love what Keith Godchaux does on keys. But it is Jerry’s guitar that lifts things into higher territory. The magic is certainly present here. This track had me cheering in my apartment, nearly in tears at how good it is. This is the very thing that kept us going back night after night. And it’s only the second song? Holy moly!

Bob Weir then gives us a bouncy, fun version of “Mama Tried,” a rendition that will undoubtedly bring a smile to your face. “Well, this old barn is finally starting to fill up,” Bob says at the end. And he teases the folks who weren’t there at the start of the show. Man, imagine having a ticket to this show and missing that “Sugaree”? Insane. Donna Jean Godchaux then delivers her powerful “Sunrise,” a song from Terrapin Station, one I always felt a need to listen to with the lights off when I was growing up. The band played it live only in 1977 and 1978, and this is a good version, with a pretty ending. Jerry then gets everyone dancing around again with an energetic version of “Deal,” it all flowing so smoothly. They keep the energy strong with “Passenger,” another song from Terrapin Station, and another that was played a lot in a relatively short period and then dropped. I never understood why they dropped this one. “What is a man/Deep down inside/But a raging beast/With nothing to hide.” There are a lot of relatively short songs in this first set. It is Jerry’s voice at the beginning of “Brown-Eyed Women” that lets us know this song is going to be another of the set’s highlights. And indeed, this version has all the passion, pain and power you could hope for. That’s followed by “Looks Like Rain,” which feels like the right choice. Bob and Donna’s voices blend really well here at key moments, cradling us gently. “My landscape would be empty if you were gone.” I love how Donna repeats “Brave the storm to come,” a beautiful moment. This is a seriously wonderful version of this song, in large part because of Donna’s work.

Jerry then leads the band into “Jack-A-Roe,” which has an unusual start, developing a good groove. Jerry was so good at delivering these story songs. Bob follows that with “New Minglewood Blues.” I love when he tears into this one vocally, almost growling at certain moments. Well, the band began the set with a song that normally functions as a set closer, so why not close the set with one that is normally an opener? Yup, they wrap up the first set with “Bertha.” It is not a particularly fiery version, but does have a delicious groove, and it picks up energy as it goes.

Disc 2

The second disc contains the first few songs from the second set, as well as that one-song filler from 1990. The band kicks off the second set with “Samson And Delilah.” I always love that drum work at the beginning. What a great way to get things moving, the band seeming able to push through stone walls with its drive, its energy. Jerry then mellows things out with “High Time,” featuring some sweet, pretty work on guitar before the vocals come in. Those opening lines get me every time: “You told me goodbye/How was I to know/You didn’t mean goodbye/You meant please don’t let me go.” This is an excellent rendition, with some wonderful vocal work from Jerry and Donna, with beauty and ache in the delivery. “Nothing’s for certain/It can always go wrong/Come in when it’s raining/Go on out when it’s gone.” They follow that with “Big River,” getting everyone dancing again. I love when Keith is rocking those keys.

We then get the encore from the show the Dead played on July 19, 1990. Yes, a significant jump forward in time. It might seem an odd choice, but what it does is complete the second show from Dave’s Picks Volume 40. That volume has two shows – July 18 and July 19, 1990 – all but the encore from the second night. So now we have it. This disc is really short, only thirty-two and a half minutes, so I wonder why they didn’t toss a little more music our way. Or, perhaps even better, an interview with Jerry Garcia or another band member from around that time. That would be an interesting way to fill the available space. Anyway, the track begins with the crowd singing “Not Fade Away,” reminding us that was the song that closed the second set that night. We get approximately three minutes of that before the band starts to toy with “U.S. Blues,” and then launches into it properly. And it’s an energetic, totally fun version.

Disc 3

The third disc contains the rest of the second set and encore from May 26, 1977. This is where the real magic is. It begins with “Terrapin Station,” which of course is stellar. The song was still relatively fresh at the time, but it already clearly had reached that upper level of magic where only a few special songs dwell year-round. This song never fails to transport us, and seems to do so with ease here. Interesting how it then eases out, softly, gently, kindly. And it leads to “Estimated Prophet,” a song also included on the Terrapin LP (wow, they played nearly the entire album at this show), and soon we’re grooving to Phil Lesh’s bass line, and the song opens like a flower bursting in colors, shades of reds and purples, while that pulse continues below and inside. I love that moment where it works its way up through and then explodes into light. Oh yes. Jerry’s guitar work bubbles up in delicious bursts and pops, and soon is leading us through a swaying passageway. The jam is cool, with jazzy touches, itself leading into “Eyes Of The World.” “Estimated” and “Eyes” were often paired in the coming years, the two songs always appreciated. The delightful groove of “Eyes” never fails to lift me up. The band is really together here, moving along, Jerry’s guitar swinging and always finding – or creating – the right path, and they’re only to the second verse. Though things are moving at a good pace, they are in no hurry, letting the song move as it will, particularly as it seems to have its own momentum, its own life. And the jam at the end is wonderful, dominated by the rhythm.

The drums then deftly move everything toward Buddy Holly’s “Not Fade Away,” letting that groove settle in, the guys jamming on it for a time before going into the lyrics. And after the first verse, these guys find that fire, and gain control of it, guiding it, directing it, creating a way forward with it. This version has a pulse, a heart. The beast can prowl and dance, though failing to tame itself, while bringing those around it under its control. Its arms spinning out into darker territories, tossing fire, then pushing space between bolts, lessening its range but going out to a different land, spotting it first, then spilling itself out toward it. A wizard there is off his nut, dazzled by his own new concoction, but then it is all pulled together again, the fire continuing beneath. The “Not Fade Away” vocal jam is cool, and then “Goin’ Down The Road Feeling Bad” emerges, another delicious groove to keep the heart beating, the feet moving. The band is cooking, building in power. There is something of a strange ending, and the band jumps into “Around And Around” to wrap up the second set. Toward the end they ramp up the pace, going all out, and it’s fantastic. The encore is a powerful “Uncle John’s Band.”

CD Track List

Disc 1

  1. The Music Never Stopped
  2. Sugaree
  3. Mama Tried
  4. Sunrise
  5. Deal
  6. Passenger
  7. Brown-Eyed Women
  8. Looks Like Rain
  9. Jack-A-Roe
  10. New Minglewood Blues
  11. Bertha

Disc 2

  1. Samson And Delilah
  2. High Time
  3. Big River
  4. U.S. Blues

Disc 3

  1. Terrapin Station >
  2. Estimated Prophet >
  3. Eyes Of The World >
  4. Not Fade Away >
  5. Goin’ Down The Road Feeling Bad >
  6. Around And Around
  7. Uncle John’s Band

Dave’s Picks Volume 41 was released in January, 2022. My copy arrived on January 31st. This volume is limited to 25,000 copies. Mine is number 21,529.

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