The first disc is about the
first sets of both shows. It begins with “Jack Straw,” the first set opener
from May 7th at Cornell University. “Jack Straw” feels a bit tentative at
first, but features some nice playing by both Jerry and Bob during the jam. And
that’s when the energy kicks in. Their vocals after that jam have a wonderful
power. That’s followed by everyone’s favorite game, “Take a step back.” The disc then goes to the Penn State show for
the third song of the first set, “Peggy-O” (skipping “Alabama Getaway” and
“Greatest Story Ever Told”). And it’s immediately clear that this is a sweet
rendition, the audience responding right away. It has a mellow, cheerful vibe
that feels just exactly right, and Jerry’s vocals sound great. Bob follows that
with a good version of “Me And My Uncle” that seems to have quite a bit of pep
to it. That leads straight into “Big River,” which also has a good groove and
features Brent’s keys prominently in the mix for his lead. Following these
Country Bob slots, Jerry eases into a passionate and beautiful rendition of
“Loser.” Then, rather than give us “Far From Me,” the disc returns to the Cornell
show for “Cassidy” and “Row Jimmy,” the third and fourth songs of the first
set. I’m always happy to hear “Cassidy,” one of my favorite Grateful Dead
songs, and this is a good version, though without any kind of extended jam.
“Row Jimmy” is a really good, sweet version.
The first disc then returns to
the Penn State show for the rest of the first set. So we’re missing a total of
three songs from that set. “Lazy Lightning” and “Supplication” are songs that
Bob Weir first recorded with Kingfish during the Dead’s break. The Dead played this combination in the late 1970s and early 1980s. Those songs always
seemed a bit odd to me (not that that is a bad thing, of course). Later the
band played “Supplication” without “Lazy Lightning” (I saw them do it at Shoreline
in the 1990s). Anyway, they deliver good versions of both here, particularly
“Supplication.” Then Jerry leads the band into “Althea,” a song that was less
than a year old at that point and included on Go To Heaven. I’m always struck by the Hamlet reference in this song. I should have asked Robert Hunter
about his choice there that one time I met him. The first disc wraps up with
the pairing of “Lost Sailor” and “Saint Of Circumstance,” two more songs from
Go To Heaven. I never got to see the Dead play “Lost Sailor” (they’d stopped
playing it two years before my first show), but I did see them do “Saint”
several times. I had a Calvin And Hobbes “Saint Of Circumstance” T-shirt back
in the day (“Just a tiger in a trance”).
Bob delivers an energetic and powerful version here.
The second disc contains the
entire second set from the Penn State show. It begins with Bob Weir leading
the crowd in “Take a step back” to
help the folks in the front keep from getting squashed. And the little
accompanying jam leads directly into “China Cat Sunflower,” a tune that always
pleases the crowd, and which of course leads straight into “I Know You Rider.”
This is a fantastic version of “Rider.” Just listen to Jerry belt out the “headlight” verse. The band is cooking
now, the jam having a tremendous amount of energy. Oh yes! Bob then delivers a
powerful and cool rendition of “Feel Like A Stranger.” I especially like that
vocal jam with Bob and Brent riffing. “It’s
going to be a long, long, crazy, crazy night.” A promise we always liked to
hear. And then Jerry delivers some wonderful stuff on guitar. The jam has a
delicious groove. It gets just a bit messy toward the end, but no matter, as
“He’s Gone” emerges from it. And you can’t help but agree as Jerry sings “Nothing left to do but smile, smile, smile.”
On this one too, it is that vocal jam toward the end that stands out. I also
love the pretty work on guitar that follows that vocal section. The transition
into “The Other One” isn’t as forceful as it often was, but instead offers
little teases of the song before finally exploding. I love that moment when
Phil takes charge and leads the band into that burst. Then the jam becomes more
powerful and eventually leads to the song’s first verse. And then just look
out, for this train has no fucking brakes. There is a moment when Brent’s
playing reminds me of Tom Constanten’s earlier work. This is a seriously good
version, and it’s not long after the second verse that Bill and Mickey take
over for the “Drums” segment. I’m digging this “Drums,” as it goes through
several different sections, and this is before all the electronic sounds that
dominated a lot of the later 1980s drum solos. The “Space” that follows it is
pretty cool, and it includes some drumming, which I like. That leads into
“Wharf Rat,” with an excellent segue. Check out Jerry’s guitar work there. This
is a moving rendition of “Wharf Rat,” featuring some excellent vocals. The
second set then wraps up with a couple of Chuck Berry rock and roll tunes –
“Around And Around” and “Johnny B. Goode.” Bob whispers some of the early lines
of “Around And Around,” allowing then for more room to rise when the song
starts rocking. And of course “Johnny B. Goode” has a whole lot of energy.
The third disc contains the
entire second set from the Cornell show. They get things moving with a “Shakedown
Street” opener, always a great way to start a set. Here is another one with
a delicious vocal jam. And then the song has a wonderfully funky vibe, and is
just a lot of fun. It leads into another fun song, “Bertha,” to keep everybody
dancing. This is an energetic rendition of “Bertha,” and they maintain a high
level of energy with “Playing In The Band,” with Bob at one point changing the
line to “Playing in the barn,”
because of the venue’s barn-like qualities. As you might expect, this is where
we get some really good jamming, and the energy never lags. Toward the end,
there are little hints of where they might be going. And then Jerry leads the
guys into “Terrapin Station.” The jam to this one is absolutely wonderful, at
times sweet and beautiful, particularly Jerry’s playing. It is not the most
powerful rendition I’ve ever heard, but it is among the most beautiful, no
question. A good, rolling “Drums” follows, and settles into a really cool “Space.”
From there, “Saint Of Circumstance” emerges and begins to build into something
excellent. “I’m still walking, so I’m sure that I can dance.” Jerry then
mellows things out with a heartfelt rendition of “Black Peter,” delivering a
truly moving vocal performance, certainly a highlight of the set. Is it just
me, or does there seem to be a lot of hiss to the sound, noticeable in the
quiet moments of this song? “Black Peter” leads back into “Playing In The Band,”
with Bob once again substituting “barn”
for “band.” And then they wrap up the
second set with a rousing “Good Lovin’” to send folks out into the night
feeling good.
CD Track List
Disc 1
- Jack Straw
- Peggy-O
- Me And My Uncle >
- Big River
- Loser
- Cassidy
- Row Jimmy
- Lazy Lightning >
- Supplication
- Althea
- Lost Sailor >
- Saint Of Circumstance
Disc 2
- China Cat Sunflower >
- I Know You Rider
- Feel Like A Stranger >
- He’s Gone >
- The Other One >
- Rhythm Devils >
- Space >
- Wharf Rat >
- Around And Around >
- Johnny B. Goode
Disc 3
- Shakedown Street >
- Bertha >
- Playing In The Band >
- Terrapin Station >
- Rhythm Devils >
- Space >
- Saint Of Circumstance >
- Black Peter >
- Playing In The Band >
- Good Lovin’
Road Trips Vol. 3 No. 4: Penn State – Cornell ’80 was released on
January 25, 2019.
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