And of course there is material from interviews with Tom
Hazelmyer. He himself was a member of the band Halo Of Flies, and the
documentary includes interviews with his bandmates. Tom made the first record
in order to raise his chances of his getting the band signed to another label,
and sold the records out of the trunk of his car. Interestingly, the label name
Amphetamine Reptile came from a guy in his barracks in the marines mishearing a
line from a Motorhead song, “Love Me Like A Reptile.” Tom
talks about how Twin Tone Records helped with the manufacturing and
distribution, and about the series of compilations titled Dope, Guns ‘N’ Fucking In The Streets, one of which included the
first track by Mudhoney.
There are also interviews with other people who worked
for the label, as well as interviews with some of the artists who created the
album and poster art, including Frank Kozik and Chris Cooper. The documentary
treats us to lots of shots of the great artwork. And of course there is old concert
footage. There is also footage from a concert in 2010 to celebrate the 25th
anniversary of the label, with performances by Melvins, The Thrown Ups, God
Bullies, Hammerhead and other bands. Because really this documentary ends up
being more about the bands, the music, than it does about Tom Hazelmyer. There
are lots of great anecdotes, like the information about the five bands touring in London. One thing that struck me was how often band members mention acid,
because I don’t normally associate LSD with punk music.
Even though the film is two hours, it does feel like a
lot of stuff is just touched upon. I wanted it to go into more depth in certain
areas. And then at the end it spends a bit too much time on a montage of people
describing Tom Hazelmyer. Still, it really is an enjoyable documentary. And be
sure to watch the entire end credits sequence.
Special Features
Apart from the commentary track, the special features are
only available on the Blu-ray disc and not on the DVD. Just so you know. The
commentary track is by director Eric Robel and editor Michael Dimmitt, who play
a drinking game as they watch the movie.
The other special features include The Enthusiasts, with interviews with two videographers who shot concert
footage. We see some of that footage, including stuff from 1989. There is also
a rough cut of the original opening of the film, including footage from
Lincoln, Nebraska, and stuff about Charlie Burton. “AmRep Does Subpop” is about
some singles and the original cover art. There is an interview with Tom
Hazelmyer from 1992. There is also footage of performances by Cows, Hammerhead,
Surgery, Janitor Joe and Unsane. The special features also include the
Kickstarter promo, a poster gallery and the film’s trailer.
The Color Of Noise
was directed by Eric Robel, and was released on Blu-ray and DVD on November 24,
2015 through MVD Visual.
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