The first time I saw
Keller Williams in concert, he opened for RatDog, so I’ve always loosely
associated him with the Grateful Dead. And now, appropriately, he has released
a collection of Grateful Dead covers.
Titled Keys, this album is quite a bit
different from other releases by Keller Williams. It is just vocals and piano. Interestingly, all of the tracks are songs
that Jerry Garcia sang lead on. Bob Weir is not represented in these song
choices; nor are Pigpen, Phil, Brent or Vince. Keller picks mostly the slower Grateful Dead
tunes, and those seem to work best with this sort of arrangement.
The full title is Keys: A Collection Of Grateful Dead Covers
On Piano To Benefit The Rex Foundation, and as the extended
title suggests, all of the proceeds from this album will benefit the Rex
Foundation. Named after Rex Jackson, a Grateful Dead roadie and later road
manager, the Rex Foundation was established in 1983 as a non-profit charitable
organization by members of the Grateful Dead and their friends.
The title Keys is also a reference to a jam the
Grateful Dead did for a while in the early nineties when Bruce Hornsby played
with the band. “Keys” was played along with the “Drums/Space” segment of the
show. I’m not sure if “Keys” was the official title, but it’s how we all
labeled our tapes.
This collection opens
with a really interesting version of “He’s Gone.” Being done on piano rather
than guitar gives it a very different feel. Oddly, Keller sings, “A fact is a fact, and more of the same”
(instead of “A knife in the back, and
more of the same”). Keller does the vocal part at the end, but of course it’s
just him, so you lose that great interaction of the multiple parts.
“Terrapin Station” is one
of my favorite Grateful Dead tunes, and the piano really works on this one. Of
course, there isn’t as big a build leading to “Inspiration,” as there is with a full band. But the beauty of this
song is here. And he pronounces “cicadas”
correctly, something Jerry Garcia never did for some reason. Of course with no
other vocalists, Keller has to back himself on the repetition of “Terrapin!” toward the end.
Keller chooses two beautiful
songs from my favorite album, American
Beauty. The first is “Attics Of My Life,” which works really well with just
piano and vocals. It’s totally gorgeous. And it’s always been the lyrics that
really drive this one. “In the attics of
my life, full of cloudy dreams unreal/Full of tastes no tongue can know, and lights
no eyes can see.” The other is “Brokedown Palace,” another
excellent choice for this album, as it’s a sweet tune that lends itself well to
this arrangement. Keller does add a bit of a groove to his vocal performance on
lines like “Listen to the river sing
sweet songs to rock my soul.”
Also included on this
album is “Althea,” a gorgeous song with a reference to Hamlet in the lines, “You may meet the fate of Ophelia, sleeping and perchance to dream.” This one might be my favorite from this collection. Keller Williams really
nails it, his voice smooth, and the piano sounding just exactly right.
“Wharf Rat” is another of
my favorite Grateful Dead songs. On this one, I did sort of miss other
instruments, because that great build before “I’ll get up and fly away” is my favorite moment of the song, and
it’s absent from this version, as it’s impossible to do without a full band.
Still, it’s an interesting take on the song.
Keller does a piano solo
on “Bird Song” (in place of the jam), and it’s really nice. On “Row Jimmy,”
Keller does a silly thing with his voice, as if imitating other instruments,
just after the line, “Don’t you run off
no more.” It’s off-putting, actually sounding a bit like a chicken. That
silliness is out of place in a song like this. Other than that, this is a nice
version.
“Can’t Come Down” is probably the most interesting and
unusual choice on this album. It’s an early song the Grateful Dead did before
they ever recorded an album. Also, it’s more of a rock song, and it’s odd to
hear this one with just piano and vocals. The title is obviously a reference to
tripping, and Keller does add an effect to a portion of his vocal performance,
to give a trippy feel to the lines, “They
say I've begun to lose my grip/My hold on reality is starting to slip/They tell
me to get off this trip,” but it doesn’t quite work.
“Touch Of Grey,” the
collection’s concluding track, is another interesting choice, as it’s one of
the more upbeat tunes. But Keller takes it down a few notches, the results
being that the song seems more thoughtful, more directly comforting in a way.
Certainly it’s an interesting take. It is odd to hear only a single voice on “We will get by” at the end.
Track List
- He’s Gone
- Can’t Come Down
- Terrapin Station
- Attics Of My Life
- Althea
- Brokedown Palace
- Wharf Rat
- Bird Song
- Row Jimmy
- Touch Of Grey
Keys is available only as a download. It was released on February
12, 2013.
By the way, there have
been other Grateful Dead cover albums in recent years that benefited the Rex
Foundation. In 2010, a compilation titled Jerry Jams For Rex was released (featuring bands like Yonder Mountain String Band, The String
Cheese Incident and Phish), and in 2011 Jerry Jams For Rex II was released.
Then last year, Run For The Roses: Celebrating The Music Of Jerry Garcia,Robert Hunter And The Jerry Garcia Band was released in
April. All of those releases were benefits for the Rex Foundation.
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