Albert King is known for
his smooth vocals and, of course, for his incredible guitar work. On Born Under A Bad Sign, he’s backed by
that great house band, Booker T. & The MGs, along with the Memphis Horns. Born Under A Bad Sign includes several songs
that Albert King had released as singles, such as that great famous blues
number, “Laundromat Blues.” But the rest is certainly anything but filler. Just
check out that heart-tearing rendition of “As The Years Go Passing By.”
This excellent album is
now being re-issued as part of the Stax Remasters series. This new edition
features five bonus tracks, all previously unreleased. Four are alternate takes
of songs from the album; the fifth is an untitled instrumental tune. This CD has
new liner notes by Bill Dahl, though also included are the liner notes from the
2002 re-issue, as well as the original liner notes.
Born Under A Bad Sign opens with the title track. The first version
of this song I heard when I was a kid was that by Cream (on Wheels Of Fire), and I was so
taken with the tune that I needed to hear the original. And when I heard Albert
King, that was that. I still love Cream, of course, but this version by King is
fantastic. I’ve heard it countless times, and yet it still works every time I
hear it. I really love the presence of the horns. “You know wine and women is all I crave/A big-legged woman going
to carry me to my grave/Born under a bad sign/I’ve been down since I began to
crawl.”
There is an alternate take
of “Born Under A Bad Sign” included in the bonus tracks. In this one, he reverses the order of a couple
of lines, so the rhyme doesn’t work: “I
can’t write/I can’t even read/My whole life has been one big fight.” He
changes or adds a word here and there, like in the line, “carry me straight to my grave.” “Born Under A Bad Sign” was written
by Booker T. Jones and William Bell, and was written specifically for Albert
King.
“Crosscut Saw” is such a
cool tune, mixing blues vocals with a funky soul hook. Those notes he lets hang
in the air really make me love this song. They’re so bloody delicious. The
bonus tracks include an alternate take of this tune, a longer version.
“Crosscut Saw” was written by R.G. Ford.
“Kansas City” is a song
that has always worked for me, no matter who is covering it. But Albert King’s
rendition is definitely a stand-out. He states things so simply, and in such a
straightforward manner in the vocals. So when he sings, “Well, I may take a plane/I may take a train/But if I have to walk I’m
going just the same,” you know he’s telling you the truth. (By the way, the
second time through he sings, “Well, I
might take a plane/I might take a train.”) The horns add a certain fun
element. And I love the bass line.
“Down Don’t Bother Me” is
a track written by Albert King. It opens with the line, “I’ve been down so long, you know down don’t bother me.” The subject
is typical blues stuff – a woman who doesn’t treat him right – but Albert King
totally owns it. He sings, “I bought you
a fur coat for Christmas and a diamond ring/Now you’ve got the nerve to tell me
that my love don’t mean a thing.” (Of course, the line about buying someone a fur coat for Christmas and a diamond ring was also in "Gee, Baby, Ain't I Good To You.") But
he ends the song with the more positive line, “I’m gonna take all my troubles, and cast them in the deep blue sea.”
(Though part of me wonders if he means to drown the woman.)
“The Hunter” has an
intense, driving rhythm, which fits so perfectly with his smooth vocal
delivery. And somehow when he says “love
gun,” it’s not at all silly. He makes it work. I love those high notes on
his guitar over that great groove. An alternate take is included in the bonus
tracks – where you can hear the song counted off. “The Hunter” was written by
Booker T. Jones, Carl Wells, Al Jackson Jr., Donald Dunn and Steve Cropper.
“I Almost Lost My Mind”
is wonderful, and quite a bit different from the other tunes. Check out his
vocal performance – it’s sweet and gentle, and completely moving. This is a
beautiful song, and has some very nice stuff on piano too. “I Almost Lost My
Mind” was written by Ivory Joe Hunter.
I love how “Personal
Manager” allows itself to get nice and quiet at moments. While Albert King
sings, “If you sign my contract, baby,
you know all of your worries is over for you” he’s not overselling himself.
He’s so smooth and sincere that you imagine the woman signing herself over
immediately. And once she’s done so, around the song’s two-minute mark, then
the band just plays. And man, do they play, with the guitar and the horns blending
well. And then King keeps it going with a perfect solo. An alternate take of this
song is included in the bonus tracks. "Personal Manager" was written by Albert King and David Porter.
The most surprising song
on the record is a fantastic version of “The Very Thought Of You,” written by
Ray Noble. Again, we get to see what Albert
King can do vocally. What a tremendous talent. This is a beautiful rendition.
This song has some great work on horns, particularly Andrew Love on saxophone.
This re-issue concludes
with the untitled instrumental track. This features a great simple groove with
some excellent work on guitar, and some playful, fun stuff on horns. There are
a couple of surprising (and seriously cool) moments. I totally dig this track.
CD Track List
- Born Under A Bad Sign
- Crosscut Saw
- Kansas City
- Oh, Pretty Woman
- Down Don’t Bother Me
- The Hunter
- I Almost Lost My Mind
- Personal Manager
- Laundromat Blues
- As The Years Go Passing By
- The Very Thought Of You
- Born Under A Bad Sign
- Crosscut Saw
- The Hunter
- Personal Manager
- Untitled Instrumental
This special re-issue of Born Under A Bad Sign was remastered by Joe Tarantino (the Stax Remasters Series Director is Nick Phillips). It is scheduled to be
released on April 2, 2013 through Concord Music Group.
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