Friday, June 6, 2014

The Monkees at Casino Ballroom, 5-22-14 Concert Review



The Monkees perform "Sweet Young Thing"

I’ve been a fan of The Monkees since I was four years old. In 1986, when the band’s popularity rose again (due in part to MTV’s celebration of the television series), I saw them perform for the first time. It was a great show, but it was without Michael Nesmith. I saw them again in 1987, and in 1998 and in 2011 – every time without Michael Nesmith. Finally, a couple of weeks ago, I was able to see them with Michael Nesmith, at the Casino Ballroom, in Hampton Beach, New Hampshire. But sadly, this time of course they were without David Jones.

As I was hoping, they did a lot of Nesmith tunes (though they didn’t play my request, “Love Is Only Sleeping”). The show started at 8:10 p.m., with some filmed interviews on screen (footage I remember as bonus material from the Criterion Collection release of Head). The band then came out and immediately launched into “Last Train To Clarksville,” Micky Dolenz on acoustic guitar, Michael Nesmith on electric guitar, and Peter Tork on electric guitar. They followed that with “Papa Gene’s Blues,” one that has long been a favorite of mine. I’d seen them perform it before, but not with Michael on lead vocals.

They did a very cool, slow version of “Sweet Young Thing,” with Peter playing banjo. They followed that with two of their biggest hits – “I’m A Believer” and “(I’m Not Your) Steppin’ Stone.” And then there was more footage on the screens, including some bloopers from the television series.

One of the best sections of the show for me was directly after that footage. Three Nesmith songs in a row: “You Told Me” (with Peter on banjo), “Sunny Girlfriend” and “You Just May Be The One.” The show could have ended right there and I would have been happy.

Another highlight was “Shades Of Gray,” with some excellent backing vocals (one of the vocalists being Micky’s sister). I also loved “For Pete’s Sake," with Michael playing keyboard. The screens behind the band showed the closing credits to the television show (as this song was used during the closing credits in the show’s second season).

It was fantastic getting to see Michael Nesmith do “The Door Into Summer,” from Pisces, Aquarius, Capricorn & Jones Ltd., my favorite Monkees album. They followed that with “Words,” a song that never fails to please me (and one from that same album). Michael Nesmith also did “Tapioca Tundra,” from The Birds, The Bees & The Monkees. They only did two songs from that album. (Someday I hope to see them perform “Auntie’s Municipal Court,” another favorite of mine.)

When I saw The Monkees in 2011, the highlight of that show was the section of songs from Head, including my all-time favorite Monkees song, “As We Go Along.” This time around they also did some selections from that album, and again it was excellent. And this time they performed “Circle Sky.” It was such a total joy to see them do that song. They also did “Porpoise Song,” “Can You Dig It,” “As We Go Along” (wonderful, wonderful, wonderful) and “Long Title: Do I Have To Do This All Over Again.”

After that, they showed the footage of Davy Jones singing “Daddy’s Song” from Head (though interestingly, it was the album version that played, not the film version of the song, and so didn’t include that slow section). The band then played a sweet rendition of “Daydream Believer” as a tribute to David Jones, with each of the three band members taking turns singing lead. The audience then sang the chorus twice. They wrapped up the set with “What Am Doing Hangin’ ‘Round?” with Peter once again on banjo.

The encores were “Listen To The Band,” with Micky introducing the band, and “Pleasant Valley Sunday.” The show ended at 10:06 p.m. It was a bit shorter than the show I saw in 2011, and didn’t include any big surprises (the 2011 show included “When Love Comes Knockin’ On Your Door,” “All Of Your Toys,” “She Hangs Out” and “Someday Man”), but it was an excellent concert.

Set List

  1. Last Train To Clarksville
  2. Papa Gene’s Blues
  3. Your Auntie Grizelda
  4. The Kind Of Girl I Could Love
  5. She
  6. Sweet Young Thing
  7. I’m A Believer
  8. (I’m Not Your) Steppin’ Stone
  9. You Told Me
  10. Sunny Girlfriend
  11. You Just May Be The One
  12. Mary, Mary
  13. The Girl I Knew Somewhere
  14. Shades Of Gray
  15. Randy Scouse Git
  16. For Pete’s Sake
  17. No Time
  18. The Door Into Summer
  19. Words
  20. Tapioca Tundra
  21. Goin’ Down
  22. Porpoise Song
  23. Can You Dig It
  24. Circle Sky
  25. As We Go Along
  26. Long Title: Do I Have To Do This All Over Again
  27. Daydream Believer
  28. What Am Doing Hangin’ ‘Round?

Encore

  1. Listen To The Band
  2. Pleasant Valley Sunday

Here are a few photos from the show:

"She"
"You Told Me"
"The Girl I Knew Somewhere"
"Shades Of Gray"
"Randy Scouse Git"
"For Pete's Sake"
"For Pete's Sake"
"The Door Into Summer"
"What Am I Doing Hangin' 'Round?"




Sunday, June 1, 2014

June 2014 Concert Calendar

I started this blog to let people know about all the good music that's out there. Sometimes folks become a bit negative about the state of the music industry. I understand, but there is a tremendous amount of excellent music if you just look for it. Here is a list of concerts you might be interested in for the month of June, 2014. Most of these are bands that I've reviewed, though some are some bands that I haven't yet written about, but really like. I will try to add to this calendar as much as I can throughout the month.

June 1, 2014  (Sunday)
Camper Van Beethoven  -  BottleRock Napa Valley 2014, Napa Expo, Napa, CA
The Howlin' Brothers  -  3rd And Lindsley, Nashville, TN
I See Hawks In L.A.  -  The Echo, Echo Park, CA
Mingo Fishtrap  -  Long's Park Summer Music Series, Lancaster, PA
The Monkees  - Riverside Theater, Milwaukee, WI
The Nields  -  First Churches of Northampton, Northampton, MA  -  4:00 p.m.
Ellis Paul Wilkes University, 84 West South Street, Wilkes Barre, PA  -  1:00 p.m.
Ellis Paul Wilkes University, 84 West South Street, Wilkes Barre, PA  -  7:00 p.m.

June 2, 2014  (Monday)
The Monkees  - Weesner Family Amphitheater, Minneapolis, MN

June 3, 2014  (Tuesday)
James McMurtry  -   Sportsmen's Tavern, Buffalo, NY

June 4, 2014  (Wednesday)
I See Hawks In L.A.  -   Slidebar, Fullerton, CA
James McMurtry  -   Water Street Music Hall, Rochester, NY
Mingo Fishtrap  -   Music City Roots Live From The Loveless Cafe, Nashville, TN
The Monkees  - Uptown Theater, Kansas City, MO
Bob Weir And RatDog  -  Brooklyn Bowl, Brooklyn, NY
Dar Williams  -   Great American Music Hall, San Francisco, CA

June 5, 2014  (Thursday)
James McMurtry  -   The Egg, Albany, NY
Mingo Fishtrap  -   Old Rock House, St. Louis, MO
The Monkees  - Fox Theater, St. Louis, MO
Dar Williams  -   City Winery, Napa, CA

June 6, 2014  (Friday)
Cracker  -  JJ's Cantina, Sonora, Mexico
Steve Forbert  -   Kerrville Folk Festival, Kerrville, TX
James McMurtry  -   Roots On The River Festival, Bellows Falls, VT
Mingo Fishtrap  -   Olathe Free Summer Concert Series, Olathe, KS
The Monkees  - PNC Pavilion at Riverbend Music Center, Cincinnati, OH
Bob Weir And RatDog  -   Hunter Mountain, Hunter, NY
David Wilcox  -  Ashland Coffee And Tea, Ashland, VA
Dar Williams  -   Alberta Rose Theatre, Portland, OR  -  6:00 p.m.

June 7, 2014  (Saturday)
Moot Davis  -   The Alternate Root, Boston, MA
Steve Forbert  -   Strange Brew, Austin, TX
The Howlin' Brothers  -   Grimey's Record Store, Nashville, TN  -  5:00 p.m.
Kelly's Lot  -  Affair Of The Arts, Culver City, CA  -  5:00 p.m.
James McMurtry  -   Roots On The River Festival, Bellows Falls, VT
The Monkees  - Hard Rock Live, Northfield, OH
Okapi Sun  -  Bar Pink, San Diego, CA
Patrolled By Radar  -  The Mint, Los Angeles, CA
Bob Weir And RatDog  -   Cape Cod Melody Tent, Hyannis, MA
David Wilcox  -   Harvester Performance Center, Rocky Mount, VA
Dar Williams  -   The Triple Door, Seattle, WA  -  7:00 p.m.
Dar Williams  -   The Triple Door, Seattle, WA  -  10:00 p.m.
Keller Williams  -   Mountain Music Festival, New River Gorge, WV

June 8, 2014  (Sunday)
Steve Forbert  -   Mucky Duck, Houston, TX
James McMurtry  - Infinity Hall, Norfolk, CT
Bob Weir And RatDog  -   Paramount Theatre, Asbury Park, NJ

June 9, 2014 (Monday)

June 10, 2014  (Tuesday)
The Howlin' Brothers  -   The Hi-Tone Cafe, Memphis, TN
James McMurtry  - Club Cafe, Pittsburgh, PA
Bob Weir And RatDog  -   DeVos Performance Hall, Grand Rapids, MI

June 11, 2014  (Wednesday)
Antje Duvekot  -   Concerts At Our House, Seattle, WA

June 12, 2014  (Thursday)
Antje Duvekot  - Fremont Abbey, Seattle, WA
Steve Forbert  -   Don Quixote's International Music Hall, Felton, CA
Ellis Paul  Cafe Carpe, 18 South Water St, Ft. Atkinson, WI  -  7:30 p.m.
Chris Trapper  -  Club Passim, Cambridge, MA
Bob Weir And RatDog  -   Orpheum Theatre, Madison, WI
David Wilcox  -   The Kent Stage, Kent, OH

June 13, 2014  (Friday)
The Both  - The Glass House, Pomona, CA
Antje Duvekot  -   The Belfry, Sisters, OR
Steve Forbert  -   The Palms, Winters, CA
Gaelic Storm  -  Durty Nellies, Palatine, IL
Zachary Lucky  -  Moso Fest, Saskatoon, SK
James McMurtry  - Majestic Theatre, Madison, WI
Patrolled By Radar  -   Silverlake Lounge, Silverlake, CA
Ellis Paul Beaner's Central, 324 North Central Ave., Duluth, MN  -  7:00 p.m.
Chris Trapper  -  Club Passim, Cambridge, MA
Bob Weir And RatDog  -   Northrop Auditorium, Minneapolis, MN
David Wilcox  -   Club Cafe, Pittsburgh, PA

June 14, 2014  (Saturday)
The Both  -   El Rey, Los Angeles, CA
Antje Duvekot  -   The Old Church, Portland, OR
Gaelic Storm  -   Oshkosh Irish Festival, Oshkosh, WI
The Greencards  -   Wildfire Music Festival, Greensboro, NC
The Howlin' Brothers  -   Riverbend Park, Palisade, CO  -  6:00 p.m.
James McMurtry  - Riverfront Pavilion, Vincennes, IN
The Nields  -   Cook Memorial Library, Tamworth, NH  -  11:00 a.m.
Patrolled By Radar  -   Silverlake Lounge, Silverlake, CA  -  9:00 p.m.
Ellis Paul Ginkgo Coffeehouse, 721 N. Snelling Ave., St. Paul, MN  -  10:30 a.m.
Ellis Paul Ginkgo Coffeehouse, 721 N. Snelling Ave., St. Paul, MN  -  8:00 p.m.
Bob Weir And RatDog  -  Arvest Bank Theatre, Kansas City, MO 
David Wilcox  -  The Tin Angel, Philadelphia, PA 
Dar Williams  -   Old Town School Of Folk Music, Chicago, IL

June 15, 2014  (Sunday)
The Both  -   The Belly Up, Solana Beach, CA
Antje Duvekot  -   Sam Bond's Garage, Eugene, OR
The Nields  -   The Parlor Room, Northampton, MA -  3:00 p.m.
Dar Williams  -   Buttermilk Jamboree, Delton, MI  -  noon

June 16, 2014 (Monday)

June 17, 2014  (Tuesday)
Holland Greco  -  Andaz, West Hollywood, CA
James McMurtry  - George's Majestic Theatre, Fayetteville, AR

June 18, 2014  (Wednesday)
Antje Duvekot  -   Freight & Salvage, Berkeley, CA
Jimbo Mathus  -   Rhythm Room, Phoenix, AZ
(Tickets: $10/$12 at door)
James McMurtry  - Blue Door, Oklahoma City, OK
Mingo Fishtrap  -   The Hamilton, Washington, D.C.
Preservation Hall Jazz Band  -  Avondale Brewing Company, Birmingham, AL

June 19, 2014  (Thursday)
Antje Duvekot  -   House Concert, Portola Valley, CA
Entrain  -   Billy Blues, Heidelberg, Germany
Juliet And The Lonesome Romeos  -  Club Passim, Cambridge, MA
Jimbo Mathus  -   The Raven, Prescott, AZ
(Free show)
James McMurtry  - Shady Grove, Austin, TX
Mingo Fishtrap  -   World Cafe Live, Philadelphia, PA

June 20, 2014  (Friday)
Entrain  -   Wachenburg Castle, Weinheim, Germany
Jimbo Mathus  -  The Echo, Los Angeles, CA
James McMurtry  - Gruene Hall, New Braunfels, TX
David Wilcox  -   The Arts Center, Earl And Rhoda Wynn Theatre, Carrboro, NC
Dar Williams  -   Tribeca Performing Arts Center, New York, NY  -  7:00 p.m.

June 21, 2014  (Saturday)
Entrain  -   The Golden Nugget, Neuhofen, Germany
James McMurtry  - Continental Club, Houston, TX
Martin Sexton  -   Stephen Talkhouse, Amagansett, NY
Dar Williams  -   Clearwater Festival, Croton On Hudson, NY  -  noon

June 22, 2014  (Sunday)
The Howlin' Brothers  - The Haunt, Ithaca, NY
Jimbo Mathus  -   SLO Brew, San Luis Obispo, CA
Martin Sexton  -   Croton Point Park, Croton-On-Hudson, NY

June 23, 2014  (Monday)
Jimbo Mathus  -   Fulton 55, Fresno, CA

June 24, 2014  (Tuesday)
Moot Davis  -   The Calico Room, Wilmington, NC

June 25, 2014  (Wednesday)
Moot Davis  -   Awendaw Green, Awendaw, SC
Jimbo Mathus  -   Hotel Utah Saloon, San Francisco, CA

June 26, 2014  (Thursday)
Entrain  -   Paard Van Troje, The Hague, Netherlands
Gaelic Storm  -   Watermark, New York, NY
Jimbo Mathus  -   The Crepe Place, Santa Cruz, CA
Okapi Sun  -   Barboza, Seattle, WA
Yonder Mountain String Band  -  Sumter Amphitheater, Papillion, NE

June 27, 2014  (Friday)
Moot Davis  -   Ashley Street Station, Valdosta, GA
Entrain  -   The Paridiso, Amsterdam, Netherlands
Gaelic Storm  -   Celtic Fling and Highland Games, Manheim, PA
Jimbo Mathus  -   Peppermill Resort Spa Casino, Reno, NV
Ellis Paul Narrows Center for the Arts, 16 Anawan St, Fall River, MA  -  8:00 p.m.
David Wilcox  -  The Camp House, Chattanooga, TN 
Yonder Mountain String Band  -   Crossroads, Kansas City, MO

June 28, 2014  (Saturday)
Moot Davis  -   Bradfordville Blues Club, Tallahassee, FL
Jimbo Mathus  -   Peppermill Resort Spa Casino, Reno, NV
Ellis Paul  -  Club Passim, Cambridge, MA -  3:30 p.m.
(Special family show)
Ellis Paul  -  Club Passim, Cambridge, MA -  7:00 p.m.
Ellis Paul  -  Club Passim, Cambridge, MA  -  10:00 p.m.
Yonder Mountain String Band  -   Simon Estes Amphitheater, Des Moines, IA

June 29, 2014  (Sunday)

June 30, 2014   (Monday)

Saturday, May 17, 2014

Holly Golightly And The Brokeoffs at The Satellite, 5-16-14 Concert Review

Holly Golightly performing "Escalator"
I’ve been digging Holly Golightly And The Brokeoffs for several years now. Sunday Run Me Over was on my list of the best CDs of 2012, and their new album, All Her Fault, is one of my favorites of the year so far. But I hadn't had a chance to see them in concert until last night, when they played at The Satellite in Silverlake.

It was a good night of music all round. The first band was a trio called The Singles, and they definitely had an early rock and roll vibe, particularly in the lead vocal line. My friend immediately said, “Buddy Holly.” Yes. And there was a bit of early Elvis Costello thrown in too. And no, we didn’t pick those two because the lead singer of The Singles wears glasses. It’s the sound, the sound.

They were followed by Chantal Claret. I met her briefly during the first band’s set, and she seemed kind of sweet. So having never heard her music, and based solely on the minute or so I spoke with her, I was expecting something more in the folk realm. So I was quite surprised when she and her band took the stage. Well, can I call it a band? I suppose so, though the only musician on stage was a drummer. The group was Chantal, the drummer and two female backing vocalists. The rest was a recorded track, though for the life of me I couldn’t figure out who was controlling it. I didn’t see a computer anywhere on stage. But boy, they were seriously fucking fun. I was so happy during their set that I was actually laughing. I usually couldn’t care less about dance moves on stage, but these three singers had some good moves, and their joy was palpable. A very nice surprise.

And then it was time for Holly Golightly And The Brokeoffs. They started on time, which is great. Clearly I’m getting older because stuff like that is important to me now. I don’t like waiting around for a band to start. But while they were setting up, I spent a little time explaining to the girl next to me that Holly Golightly And The Brokeoffs are two people. “So there are two people in the Brokeoffs?” “There are two people total.” “So it’s Holly and two people?” “No, two people total.” “There are two people in the Brokeoffs and Holly?” “Sure.” This girl had had a bit to drink. In fact, a good portion of the audience had a good deal to drink, and so were quite vocal. The problem is that when people are drunk, they’re not at their peak with regards to mental faculties. So the stuff they were shouting was mostly beyond retarded. Again, I know I’m getting old, but seriously, folks, if you’re an idiot, keep it to yourself.

Holly and Dave responded to some of it, but let most of it pass by. To let people know they were ready, Holly said, “Here we are.” Adorable. After their first tune, Holly asked, “How is that for sound?” The sound isn’t great at this venue, at least not up front, which is where I was. The vocals are never clear enough for my taste. I’m not sure why.

Dave then introduced the next song by saying, “We’re going to do a domestic violence number for you,” and they launched into “My 45.”

I figured they’d do a lot of tracks from their new CD, All Her Fault, but they did only a couple from that album.  The first was the lead-off track, “SLC,” one of my favorites. Before they started it, Dave talked about how Holly hurt her foot. Holly added: “I kicked a door. I kicked a door really hard.” There was a bit of a false start to the song, as Holly didn’t think it sounded quite right. (Later in the set, after “Escalator,” Holly said, “I just worked out that it’s your bass drum that’s out of tune.”) The other song they did from All Her Fault is “Pistol Pete,” after talking a bit about their horse rescue efforts.

They also did a couple from No Help Coming. Dave introduced “Burn, Oh Junk Pile, Burn” by saying, “We’re going to do a song about our piece-of-shit neighbor.” And he dedicated “Get Out My House” to anyone who’s had a house guest who wouldn’t leave.

I've always enjoyed the sense of humor in their material, and it was wonderful to see how that came out too in their stage banter. There is something very relaxed about their approach to performing that I really appreciate. It helps give the show a more intimate feel, like these guys should be playing in someone's living room or on a porch or something. It was fantastic to finally see them in concert, though I do wish the show had been a bit longer. Including the encore, their set was just over an hour.

Set List
  1. Crow Jane
  2. My 45 
  3. Devil Do 
  4. SLC  
  5. When He Comes 
  6. Escalator
  7. Black Night
  8. Burn, Oh Junkpile, Burn 
  9. Get Out My House
  10. Bottom Below
  11. Pistol Pete  
  12. Time To Go 
  13. Getting High For Jesus
Encore
  1. Whoopie Ti Yi Yo >  
  2. Boat’s Up The River
Here are a few photos from the night:

The Singles
Chantal Claret
Holly Golightly
Performing "SLC"
Performing "Escalator"
Performing "Boat's Up The River"




Friday, May 16, 2014

Mingo Fishtrap: “On Time” (2014) CD Review



Mingo Fishtrap is an eight-piece band, complete with horns, based in Austin. The band’s new album, On Time, is full of positive vibes and grooves. There is a lot of music to lift you to your feet, then get them moving. The music is a mixture of soul, rock, pop, funk, and even blues (like on “Things Ain’t What They Was” and “Born Without A Heart”). The vocals are delivered with power and soul and joy.  There are lots of good grooves, and some wonderful work from each of the band members. For example, check out the cool work on piano in the instrumental section of “Silver Lining.”

The album kicks off with “End Of The World,” a cool tune, with elements of gospel, and delivered with the energy of a New Orleans band. There are moments when the song becomes kind of sexy, bringing things down to a more intimate feel, the vocals at those moments reminding me of Dr. John (“Would you love like it’s the end of the world”).  And of course I dig the horns. “Run like you did when we were just kids/Singing just as loud as you can/And laugh ‘til you cry.”

“Mason Jar” is a fun tune, with bright, positive sounds from the horns and lyrics about taking a nip from the “magic mason jar.” There is a kind of funky groove during the verses. This band reminds me at times of Entrain.

There is a slightly more serious, bluesy vibe to “Things Ain’t What They Was,” particularly in the guitar work. And the song tackles a typical blues subject, a woman that leaves him for another. But then things change: “She told me she was sorry/She could not live without me anymore/Said the only love she’d ever known was gone/Things ain’t what they was before.” There are moments in the song that approach Stevie Wonder, especially near the end. Dave Scher plays guitar on this track.

“Movin” is a song whose point is to raise the singer up and prove him to be in good spirits, and so the song of course is upbeat and full of joy. He sings, “I’m going to be just fine,” then adds in spoken word, “I’m going to be all right.” And it doesn’t seem to be a case of protesting too much; you get the sense by the end that the music has worked its magic, and that he is in fact fine. And you will be too, listening to this track. (This is another that reminds me a bit of Entrain.)

“Sugadoo” is a lot of fun, in the music (with the joyous bursts on horn) as well as the lyrics, with lines like “Have yourself a slice of my pie too.” Vocally, this one also approaches Stevie Wonder territory. There is then an interesting section a couple of minutes in, with backing vocalists sounding almost like a choir behind him, hitting those delicious low notes, almost like humming to provide a supportive and wonderful base. This is one of my favorite tracks.

The title track, “On Time,” is a song that is part joy, part hope. It’s a mix of pop and soul.  The vocals rise especially on the song’s chorus: “I wait my turn in line/For my chance to shine/And when that day arrives/I’ll be right on time.”

“Too Far Gone” begins with some great percussion, and then some soul vocals, getting it off to a perfect start. And in fact, there is some wonderful work on drums throughout, keeping up a funky joy. There is a wonderful energy to this tune. During one section toward the end when the horns take over and we hear a sound bite (“There’s an arrow in her chest”), the tune reminds me just a bit of some the Cherry Poppin’ Daddies’ work.

"Where Did You Come From" is a smoother love song, and yes, it has some cheesy lines, such as “Heaven must be missing an angel, because you’re right here with me.” But the saxophone saves it.

Treson Scipio joins the band on vocals for the CD's final track, "Fireproof."

CD Track List

  1. End Of The World
  2. Mason Jar
  3. Things Ain’t What They Was
  4. Movin
  5. Silver Lining
  6. Sugadoo
  7. On Time
  8. Too Far Gone
  9. Have I
  10. Where Did You Come From
  11. Born Without A Heart
  12. Fireproof

Musicians

Mingo Fishtrap is Roger Blevins, Jr. on lead vocals and guitar; Dan Bechdolt on tenor sax and baritone sax; Steve Butts on trumpet and flugelhorn, Roger Blevins, Sr. on bass; Chip Vayenas on drums, percussion and vocals; Mikel Urdy on percussion; Dane Farnsworth on organ, piano, keyboards and vocals; and Zol Waterhouse on trombone.

On Time is scheduled to be released on June 3, 2014 through Blue Corn Music and The Orchard.

Wednesday, May 14, 2014

Patrick Park: “Love Like Swords” (2014) CD Review



The first time I popped in Patrick Park's new disc, Love Like Swords, I was taking care of stuff in my apartment, and suddenly I was like, “Hey, am I hearing banjo?” I love that instrument, and it was used in an interesting way, and I thought, “Boy, this guy has assembled a good band for this release.” Then I took a look at the CD case, and saw right away that the majority of the instruments (including banjo) were performed by Patrick Park himself. On this release he plays electric guitar, acoustic guitar, twelve-string guitar, bass, piano, organ, viola, cello, banjo and percussion (basically everything but drums). Of course, that would all be one were not the music excellent. But on top of his talent on so many instruments, Patrick Park can write some damn good songs. Each of these songs has lines that stand out for me, like these from the title track: “But we’ll gather up our hearts/And we’ll wear our love like swords/And build our world, and build our world/I can hear your drum beating sweet and low/With the tide that pulls me in and never lets me go.” And the vocals are to the fore in these tracks, as they should be.

By the way, the liner notes unfold to a small poster of the album’s cover (while on the other side are the lyrics, something that is always appreciated).

“Deep In The Wildness,” the CD’s opening track, kind of sneaks up on you, and then suddenly comes on with a very good groove. I immediately dig this song. Patrick Park delivers a sweet and emotional vocal performance. It also helps that the song boasts some good lyrics, such as these lines: “Fast as an arrow and still as a stone/I turned from my old life/A long time ago/’Cause there’s no distance greater/Than the ones we build inside.” Those are some good lines, but I think it’s the groove that makes me really love this tune.

“I Remember” is the song that really caught my attention the first time through, with its use of banjo.  I love the mix of folk and pop elements. And Patrick Park’s vocal performance has soaring moments of beauty. This song has a great overall vibe, and is one of my favorites. This one too features some excellent lyrics, such as these lines: “And even when mountains fell around us/We were calm inside.” And he sings, “But it won’t be long now until it’s uncovered/That we are nothing without one another.”

“My Holding Hand Is Empty” is more in the folk realm, with acoustic guitar and vocals. The vocals are so sweet, so intimate. Here is a taste of the lyrics: “My holding hand is empty and my reservations few/I’ve been looking everywhere for something/I’ve been looking everywhere for you.” This one struck me the first time I put on the album, and my appreciation for it has only increased each time I’ve listened to it. This is my favorite track of the album. It is so beautiful. It has wonderful lyrics, and excellent vocals. As much as I love the vocals, it might actually be the short instrumental section that I love most.

“Dust And Mud” has a steady march on the drums (that’s Luke Adams on drums), with the electric guitar playing over it. And then Patrick’s vocals flow and rise sweetly from this. “In the time it’d take to draw all the anger from our blood/All the world would turn to dust and mud/So we rage and light the fuse just to watch it all go up/While the darkness grows wild in us.” Great lyrics, right? And this is one of the tracks that feature Jordon Katz on trumpet and flugelhorn, and his presence gives the tune a brighter, more exciting vibe. This is another track that I enjoy more and more each time I listen to the album.

One of the most interesting tracks for me is “The Envy Of Wolves,” particularly the way the percussion acts in this song, with a kind of raw energy and style, with the beauty of the vocals running smoothly over it. (Matt Mayhall is on percussion on this track.) In addition, the guitar has some jazzy elements at moments. And this is another track to feature Jordon Katz on trumpet and flugelhorn. It’s an interesting combination of sounds. “But all through the night/Though we dream in time/Of all we’ve lost along the way/I will think of those time when troubles were few/I will think of those times when I think of you.”

“Before We Are Lost” is another track that stands out for me, mainly for the vocals and lyrics. But there is also something about its rhythm that appeals to me, like a quickened pulse, with a great sense of movement. It’s a pulse you get caught up in. But again, there are some great lyrics, like this excellent line: “Aren’t you tired of waking up to someone else’s life?

The album concludes with “If There’s A Reason,” a song with a more relaxed, easy-going vibe. At first, there is almost a playful feel to its rhythm, but then with bright tones to the vocals rising to points of beauty. "Cold as a cinder and burning like the winter/Our sadness seems it's made to last/But turning in our veins in the deepest water/This present is becoming past." Jordon Katz plays trumpet and flugelhorn on this track.

CD Track List

  1. Deep In This Wilderness
  2. I Remember
  3. Love Like Swords
  4. My Holding Hand Is Empty
  5. Down In The Blackness
  6. Dust And Mud
  7. Let’s Go
  8. The Envy Of Wolves
  9. How I’ve Longed
  10. Before We Are Lost
  11. If There’s A Reason 

Love Like Swords was released on May 13, 2014 through Downward Road Recordings and Cobraside.