Friday, August 23, 2013

Music In Movies: CBGB (2013)



The new film about CBGB, appropriately titled CBGB, stars Alan Rickman as Hilly Kristal, the man behind the famous punk club. Rickman, as always, does a great job. But of course the main focus of the film is the music.

We are treated to music by Television, Talking Heads, Blondie, The Ramones, The Velvet Underground and Dead Boys. And Alan Rickman at one point performs a song that Hilly Kristal wrote, which is cool. (Hilly’s version plays during the closing credits, which is also a nice treat.) It must have been something to have been in that place at that time, to experience Talking Heads or Blondie in such a cool and intimate venue, and the film gives us a taste of that excitement. Though if the bathroom was even half as disgusting as depicted in the film, I'm glad I missed that bit of it.

At the beginning a title card tells us that this story is mostly true. It's up to us to know (or guess) which parts aren't, I suppose. Though at the end we are assured all the stuff about the dog was true (there's a bit too much about the dog's defecating issues, I think). I hope the stuff about Hilly running off as an infant is true.

The film splits its time between the club and the creators of Punk magazine, and in that way is a bit disjointed. The stuff about the magazine really doesn’t go anywhere. There is a lot about creating the first issue, and them interviewing Lou Reed. But then time seems to pass, and yet they’re still talking about working on the first issue. So it’s difficult to get a sense of how much time passes during the film. Plus, these guys never really interact with Hilly, so their story in a way remains separate. The sections of the film focused on the club are much more interesting and effective. Also interesting is Hilly's relations with other people in that neighborhood.

The film uses a comic book style, often putting the action into the frame of a comic book, and splashing words across the screen to indicate sounds. This, of course, seems more related to the magazine, as the creator John Holmstrom (Josh Zuckerman) was also the illustrator, and is seen drawing several times throughout the film. I don’t necessarily associate punk with comic book art, but that might just be me.

By the way, though we see Iggy Pop in the film, the end credits do include a note about how the filmmakers know that he never played at CBGB – “deal with it.” Also during the closing credits we see the actual footage of Talking Heads thanking Hilly during their 2002 induction to the rock and roll hall of fame. CBGB closed in 2006. Hilly died in 2007. CBGB was directed by Randall Miller, who also directed Bottle Shock and Marilyn Hotchkiss' Ballroom Dancing & Charm School.

One other note: I will be reviewing the film's soundtrack soon on this blog.

Thursday, August 22, 2013

Leftover Cuties at Bootleg Theater, Los Angeles 8-21-13

Recently I reviewed the new CD from Leftover Cuties, The Spark & The Fire. It is one of my favorite albums of the year so far, so I was seriously excited to get to see the band perform at their CD release show in Los Angeles. And now I'm just completely enamored of them. They put on a fantastic concert at Bootleg Theater, an intimate and perfect setting for this band.

They took the stage at 9:18 p.m., with no opening act, and kicked off the show with "Places To Go," the title track from their 2011 release. They then played "Thick And Thin," the opening track from The Spark & The Fire. Lead vocalist Shirli McAllen said they were going to play a few from the new album, and they went into "Once Again," which after a false start was wonderful. That's one of the new CD's many highlights. They followed that with "What's The Matter?" which is also from that album. Throughout their set they featured more songs from The Spark & The Fire, including "Shame," "Clarity" (probably my favorite), "One Heart" and "If Only It Could Be." And they ended the set with a really fun version of "Everyone." They also did a rendition of "You Are My Sunshine" that was actually kind of sexy, or at least sultry. The horn helps, of course.

This band is seriously impressive. I was particularly impressed by what Stuart was able to accomplish with a relatively minimal drum kit (though with a cow bell, wood block and two bells you might find at a hotel lobby added). He later demonstrated a new toy (or old toy, as it turned out), which sounded like a car horn (he then shouted "Get out of the way!"). And then Mike Bolger was able at times to play piano and horn simultaneously, as he did on "Shame," with the left hand on the keys and the right hand holding and playing the horn. Besides being great musicians, these guys were clearly having a lot of fun, and that definitely spread to the audience. They also had several guests join them, including Kate Nicholson on backing vocals for several songs.

The encore was "I've Been Waiting" and an extended rendition of "When You're Smiling."

Set List
  1. Places To Go
  2. Thick And Thin
  3. Once Again
  4. What's The Matter?
  5. Everything I Got
  6. Shame
  7. Smile Big
  8. Fidelity
  9. Should've Left You
  10. Clarity
  11. One Heart
  12. Sunnyside
  13. You Are My Sunshine
  14. If Only It Could Be
  15. Everyone
Encore:
  1. I've Been Waiting
  2. When You're Smiling


(I forgot to ask Austin about the fur on his upright bass.)

Wednesday, August 21, 2013

The Road To Jajouka (2013) CD Review


The Road To Jajouka is one of the most interesting and at times beautiful discs I’ve listened to this year. It’s a collection of music by The Master Musicians of Jajouka led by Bachir Attar, with lots of additional help from some well-known musicians such as Flea, Mickey Hart and Ornette Coleman. This is music from a village in the mountains of Morocco, with the traditional sounds intact and celebrated. The music is unique to that area, and is passed down from generation to generation.

The Road To Jajouka is a benefit album to help preserve and keep the music of Jajouka alive, and will provide health care for the musicians and their families. Close your eyes, and this music (or certain tracks, anyway) will transport you.

“Hand Of Fatima” with Medeski Martin & Wood

The first moments of "Hand Of Fatima" are almost eerie – but very quickly this track attains a beauty. And then a good drum beat comes in by Billy Martin. It’s so interesting to mix a somewhat modern beat with the otherworldly traditional sounds of the Master Musicians. What is surprising is how well it works. It doesn’t feel like one form was artificially tacked on to another. And yet this (as the other tracks) was recorded in various places at different times. This track includes a spoken word section by Bachir Attar – which is from the from Jajouka, Something Good Comes To You.

Mickey Hart

I was a huge Grateful Dead fan, and got to see Mickey Hart and Planet Drum in the very early 1990s. Mickey is a drummer who seeks (and finds) inspiration from all places on this planet, from all cultures and musical genres. So it’s not all surprising to find him involved in this project. It’s natural. What’s somewhat surprising is the combination of his sound with that of DJ Logic. So this track, "Baraka," is more in the electronic realm than most of this collection’s tracks.

“Djebala Hills” features Flea

“Djebala Hills” is one of my favorites. This is so beautiful, so exotic, particularly due to the vocals by Falu. This track transports you out of your normal realm. It gets your mind working on levels it’s likely unused to. And it features Flea (from Red Hot Chili Peppers) on bass in the second, wilder section of the song. The journey this song takes is incredible and surprising. I absolutely love this music. Turn this one up and let it take over.

Falu provides some more wonderful vocals on “Sufi Hadra,” a track that also features some great percussion.

“Ghaita Blues”

“Ghaita Blues” has a great groove on bass and drums, a groove that changes and feels like it’s slinking through the city alleys at night. The traditional instruments play over this groove, creating a great juxtaposition that makes the familiar seem unfamiliar. Or perhaps the other way around. Either way, it’s an interesting atmosphere. By the way, that’s Dave Dreiwitz on bass. You probably know him from Ween.

“Jnuin” features Ornette Coleman

I first got interested in Ornette Coleman in the late 1980s when Jerry Garcia played with him (the first track I heard was “Singing In The Shower”). Right away I got his sense of playful exploration. So he’s a perfect choice for collaborator on this project. And the track he performs on, “Jnuin,” is one of my favorites. It’s wild how his saxophone blends in with the Master Musicians. His cries, his shouts of joy fit right in so beautifully, so perfectly. This is a magical track.

Howard Shore & The London Philharmonic Orchestra

On an album full of interesting and surprising combinations of musical instruments and styles, “Al’Aita,” the final track, stands out. It features Howard Shore and The London Philharmonic Orchestra playing with the Master Musicians of Jajouka. “Al’Aita” has an intense build that really got right on top of me. And then it suddenly breaks, like coming upon a clearing in a jungle, where there is a sense of beauty but also danger. The track’s quiet moments are as intense as its louder moments.

CD Track List
  1. Hand Of Fatima
  2. Baraka
  3. Djebala Hills
  4. Boujeloudia Magick
  5. Into The Rif
  6. Ghaita Blues
  7. Jnuin
  8. Sufi Hadra
  9. Al’Aita 
The Road To Jajouka is scheduled to be released on September 10, 2013 through Howe Records.


Note: I also posted this review on Pop Culture Beast.