Friday, May 3, 2013

They Might Be Giants: “Nanobots” (2013) CD Review



I’m always excited to hear a new album from They Might Be Giants (yes, including their children’s CDs – “Alphabet Of Nations” is now one of my favorites to see them perform live). Their new album, Nanobots, has twenty-five tracks, yet is only forty-five minutes. That means lots of very short tracks. They Might Be Giants have included short tunes before (like “Please Pass The Milk Please” and all of the other tunes in that odd medley on Apollo 18). On this new album, however, the short tracks feel mostly extraneous and not all that interesting. There are seven tracks which are less than thirty seconds each. But don’t worry – there are plenty of other songs that totally work. Standouts on this album are “Call You Mom,” “Replicant” and “Icky.”

I always enjoy hearing this group’s unusual take on the world, and their unmistakable voices. There is something playful in their delivery, in the way they approach their material, the way they approach reality. And they play with language, something I appreciate.

This band is always capable of surprises. In “Circular Karate Chop,” there is a sudden section with percussion, to which is added a spoken word bit by the sensei, with three rules: “One, outsource your feelings/Two, limit your training to be task-specific/Three, assign regret to those accountable.”

Another thing that was surprising to me is that a number of these songs have something of a 1960s pop feel at times; like, for example, “Stone Cold Coup d’Etat.” And the “ba ba ba ba” vocal bit in “Sometimes A Lonely Way,” which is a oddly sweet song. (That song’s line “Not everyone who is lost is wondering why” seems a strange twisted reference to that line from J.R.R. Tolkien, “Not all those who wander are lost,” which adorned bumper stickers for years.)

Nanobots opens with “You’re On Fire,” typical fun They Might Be Giants material, in which an important bit of information is delivered in an offhand manner – “Your head’s on fire.” And there are backing vocals repeating, “Combustible head.” But this person has bigger troubles: “Is that your car they’re towing/I’m pretty sure that’s your car.” The good news is, “You’re easy to spot in a crowd.” Sure, it’s not all that clever or original, but it’s a lot of fun.

“Nanobots,” the CD’s title track, is a more interesting tune. I love lines that celebrate the positive with the negative, like “All the old troubles will soon be at an end/And all the new ones will begin when we send the signal.” There’s an unexpected reference to the Status Quo song in these lines: “I would decorate the room, but there’s no more space/All I see are pictures of matchstick men.” This is a cool tune.

“Black Ops” is an odd song (well, it’s a They Might Be Giants Song, so…) about secret cops on holiday dropping presents from helicopter. I dig the lines, “We take the best of it/And make a mess of it.” For most part, this song is percussion and vocals, with the vocals sung almost as in a children’s song – simple, straight-forward, clear. Then about halfway through, the song kicks in and takes on a heavier tone. This has a different feel from a lot of the band’s material, and has a sudden ending.

“Call You Mom” opens with the lines “I think I’d like to call you Mom/Because you remind me of my mom.” This one has something of an old rock and roll feel, but with that strange They Might Be Giants energy about it. And of course it has some odd lyrics like, “I turned around to find that you were gone/Which was exactly like my mom/And I will go hang up my sailor suit/And lie face-down on the lawn.” This is one of my favorites.

The track with probably the brightest, most fun feel is “9 Secret Steps.”  “Nine secret steps to the key to the door that you’ll throw in the well/And let go of all your thwarted dreams and visions of success.”  There’s a short strange bit, “I can’t tell you what’s in secret step five/You will know when you’re no longer alive,” before it goes back to those bright, fun tones. “Let go of all your thwarted dreams.”

The track with the coolest sound and groove is “Replicant.” The song’s narrator addresses the replicant: “Look at me when I’m talking to you/What have you got there behind your back?” Yes, as if to a child, which is wonderful. And he’s protective of the replicant, as he would be of the original child (“Whatever you did, we’ll get through this/Go out the back and I’ll deal with the cops”). There is also a great jazzy element to this tune. I absolutely love this song, and dig it more each time I listen to it.

“Icky” is another one that feels a bit like a 1960s pop tune, particularly in its beat. Though obviously not in the lyrics, as “Icky” has lines like “You’ve got a nice pair of slacks which he takes but will only return one of them.” And then later: “Here, this is yours, I’m done with it, I’ve brought it back/Don’t know anything about some other slack/I only borrowed one slack.” This is another of this album’s truly fun tracks.

Nanobots ends with “Didn’t Kill Me,” a short song performed a cappella. “Though she didn’t kill me/She didn’t make me stronger.”

CD Track List

  1. You’re On Fire
  2. Nanobots
  3. Black Ops
  4. Lost My Mind
  5. Circular Karate Chop
  6. Call You Mom
  7. Tesla
  8. Sleep
  9. Stone Cold Coup d’Etat
  10. Sometimes A Lonely Way
  11. Destroy The Past
  12. 9 Secret Steps
  13. Hive Mind
  14. Decision Makers
  15. Nouns
  16. There
  17. Insect Hospital
  18. Tick
  19. Replicant
  20. The Darlings Of Lumberland
  21. Great
  22. Stuff Is Way
  23. Icky
  24. Too Tall Girl
  25. Didn’t Kill Me

Nanobots was released on March 5, 2013.

(Note: I also posted this review on Pop Culture Beast.)

Wednesday, May 1, 2013

May 2013 Concert Calendar

Here is a list of concerts you might be interested in for the month of May, 2013. Most of these are bands that I've reviewed, though some are some bands that I haven't yet written about, but really like. If you can, try to check out at least a few of these shows. I'll be getting out to a few of these myself. I will try to add to this calendar as much as I can throughout the month.

May 1, 2013 (Wednesday)
James McMurtry  -  Rhythm & Brews, Chattanooga, TN
Paul Kelly  -   The Rio Theater, Vancouver, BC

May 2, 2013 (Thursday)
Randall Bramblett  -  New Harmonies Series, Thomson, GA
Steve Forbert  -  The Met, Pawtucket, RI
James McMurtry  -  War Eagle Supper Club, Auburn, AL

Os Mutantes  -  Troubadour, West Hollywood, CA
Ellis Paul  - The Alberta Rose Theatre, 3000 NE Alberta St., Portland, OR   -  8:00 p.m.
Keller Williams  -  Ridgefield Playhouse, Ridgefield, CT

May 3, 2013  (Friday)
Randall Bramblett  -  Hoopee Jam Festival, Norristown, GA
Steve Forbert  -  The Cotuit Center For The Arts, Cotuit, MA
I See Hawks In L.A.  -  Cinema Bar, Culver City, CA
Paul Kelly  -  Palomino, Calgary, AB
James McMurtry  -  Hal & Mal's, Jackson, MS
Patrolled By Radar  -  Three Clubs, Los Angeles, CA  -  10:00 p.m.
Ellis Paul  -  Unitarian Center, 87 Fourth St. (4th & C), Ashland, OR  -  8:00 p.m. 
Kenny Roby  -  The Green Bean, Greensboro, NC
Keller Williams  -  Foeger Ballroom at Jay Peak Resort, Jay, VT

May 4, 2013  (Saturday)
Randall Bramblett  -  Hoopee Jam Festival, Norristown, GA
Steve Forbert  -  Common Ground, Dobbs Ferry, NY
The Howlin' Brothers  -  Barns of Rose Hill, Berryville, VA
Diana Jones  -  Hillbilly Haiku House Concerts, Nashville, TN
Paul Kelly  -  Brixx Bar & Grill, Edmonton, AB
Michelle Malone  -  Decatur Square, Decatur, GA
James McMurtry  -  Sticky's, Little Rock, AR
Ellis Paul  -  Cozmic, 199 West 8th, Eugene, OR  -  8:00 p.m.
Keller Williams  -  Port City Music Hall, Portland, ME

May 5, 2013  (Sunday)
Ellis Paul  -  Kids Quest Children's Museum, 4091 Factoria Mall SE, Bellevue, WA  -  11:00 a.m.
Special Family Show 
Ellis Paul  -  Concerts at Our House, Seattle, WA  -  7:00 p.m.

May 6, 2013  (Monday)

Born Ruffians  -  Troubadour, West Hollywood, CA
Cloud Cult  -  Neptune, Seattle, WA
The Howlin' Brothers  -  IOTA Club & Cafe, Arlington, VA
Paul Kelly  -  Windsor Hotel, Winnipeg, MB

May 7, 2013  (Tuesday)
Cloud Cult  -  Aladdin Theatre, Portland, OR
The Howlin' Brothers  -  Kirk Avenue Music Hall, Roanoke, VA
James McMurtry  -  Continental Club Gallery, Austin, TX

May 8, 2013  (Wednesday)
The Howlin' Brothers  -  The Pour House Music Hall, Raleigh, NC
Paul Kelly  -  High Noon Saloon, Madison, WI
James McMurtry  -  Main Street Crossing, Tomball, TX

May 9, 2013  (Thursday)
Cloud Cult  -  The Independent, San Francisco, CA
Martin Sexton  -  20th Century Theater, Cincinnati, OH
Keller Williams  -  Duling Hall, Jackson, MS
Stephane Wrembel  -  Joe's Pub, New York, NY

May 10, 2013  (Friday)
Randall Bramblett  -  Georgia Theatre, Athens, GA
Paul Kelly  -  Radio Radio, Indianapolis, IN
Michelle Malone  -  Smiley's, Greenville, SC
James McMurtry  -  Threadgills, Austin, TX
Ellis Paul  -  Daniels Hall at Swallow Hill Music, 71 East Yale Ave, Denver, CO
Martin Sexton  - Riot Room, Kansas City, MO
Tea Leaf Green  -  Roxy Theatre, Hollywood, CA 
Keller Williams  -  Workplay Theatre, Birmingham, AL
Stephane Wrembel  -  Bearsville Theater, Woodstock, NY

May 11, 2013  (Saturday)
Randall Bramblett  -  Private Party, Birgmingham, AL
Cloud Cult  -  El Rey, Los Angeles, CA
Steve Forbert  -  Acoustic Cafe Music Series, Park Ridge, NJ
I See Hawks In L.A.  -  Standing Sun Winery, Buellton, CA
Paul Kelly  -  Louisville, KY
The Loomers  -  Right Turn Live, Arlington, MA
Michelle Malone  -  620 State, Bristol, TN
The Nields  -  Jam For The Dam, Conway, MA
Ellis Paul  -  Avogadro's Number, 605 South Mason Street, Fort Collins, CO  -  7:30 p.m.
Tea Leaf Green  -  Belly Up Tavern, Solana Beach, CA
Dustin Welch  -  The Red Brick Tavern, Conroe, TX
Keller Williams  -  Aiken Bluegrass Festival, Aiken, SC

May 12, 2013  (Sunday)
Catie Curtis  -  McCabe's, Santa Monica, CA
Ellis Paul  -  Steam Plant Theater, Sackett & G Street, Salida, CO  -  7:30 p.m.

May 13, 2013  (Monday)

May 14, 2013 (Tuesday)
James McMurtry  -  Continental Club Gallery, Austin, TX

May 15, 2013  (Wednesday)
I See Hawks In L.A.  -  Witzend, Venice, CA
Paul Kelly  -  Beachland Ballroom, Cleveland, OH
James McMurtry  -  Continental Club, Austin, TX
Martin Sexton  -  Saint Rocke, Hermosa Beach, CA

May 16, 2013  (Thursday)
Paul Kelly  -  The Magic Bag, Ferndale, MI
Ellis Paul  -  Club Passim, 47 Palmer St., Cambridge, MA  -  7:00 p.m.
Martin Sexton  -  The Canyon, Agoura Hills, CA
Stephane Wrembel  -  Iron Horse Music Hall, Northampton, MA 

May 17, 2013  (Friday)
Randall Bramblett  -  Eddie's Attic, Decatur, GA
Paul Kelly  -  The Drake Hotel, Toronto, ON
James McMurtry  -  Kessler Theatre, Dallas, TX
The Nields  -  Jalopy, Brooklyn, NY
Ellis Paul  -  Club Passim, 47 Palmer St., Cambridge, MA  -  7:00 p.m.
Ellis Paul  -  Club Passim, 47 Palmer St., Cambridge, MA  -  10:00 p.m.
Tom Rush  -  McCabe's, Santa Monica, CA
Martin Sexton  -  The Coach House, San Juan Capistrano, CA

Richard Thompson Electric Trio  -  John Anson Ford, Los Angeles, CA
Stephane Wrembel  -  Regatta Bar Jazz Club, Boston, MA

May 18, 2013  (Saturday)
Randall Bramblett  -  Blind Willie McTell Music Festival, Thomson, GA
Paul Kelly  -  The Drake Hotel, Toronto, ON
Michelle Malone  -  Red Light, Atlanta, GA
James McMurtry  -  Mucky Duck, Houston, TX
The Nields  -  Muses In The Vineyard, Belvidere, NJ
Ellis Paul  -  Club Passim, 47 Palmer St., Cambridge, MA  -  3:30 p.m.
Special Family Show 
Martin Sexton  -  SLO Brewing Co., San Luis Obispo, CA
Tea Leaf Green  -  The Independent, San Francisco, CA
 
May 19, 2013  (Sunday)
The Loomers  -  Portsmouth Abbey School, Portsmouth, RI
Ellis Paul  -  Towne Crier Café130 Route 22, Pawling, NY  -  7:30 p.m.

May 20, 2013 (Monday)

May 21, 2013  (Tuesday)
The Howlin' Brothers  -  The Dakota Tavern, Toronto, ON
Paul Kelly  -  Club Passim, Cambridge, MA
James McMurtry  -  Continental Club Gallery, Austin, TX

May 22, 2013  (Wednesday)
I See Hawks In L.A.  -  Zentralcafe im Kunstlerhaus, Nuremberg, Germany
Paul Kelly  -  The Tin Angel, Philadelphia, PA
James McMurtry  -  Continental Club, Austin, TX
Martin Sexton  -  Waiting Room, Omaha, NE

May 23, 2013  (Thursday)
I See Hawks In L.A.  -  Happy Billard, Hamburg, Germany
Jess Klein  -  Club Passim, Cambridge, MA

May 24, 2013  (Friday)
The Howlin' Brothers  -  The Tonic Room, Chicago, IL
I See Hawks In L.A.  -    Kulturzentrum Lagerhaus, Bremen, Germany
Paul Kelly  -  Iron Horse Music Hall, Northampton, MA
Martin Sexton  -  CSPS, Cedar Rapids, IA
Tea Leaf Green  -  Bella Mente Music Festival, Clarks Grove, MN
Keller Williams  -  Summer Camp Music Festival, Chillicothe, IL
Yonder Mountain String Band  -  Summer Camp Music Festival, Chillicothe, IL

May 25, 2013  (Saturday)
Randall Bramblett  -  Rhythm On The River, West Columbia, SC
I See Hawks In L.A.  -  Cadenberge Festival, Cadenberge, Germany
Paul Kelly  -  Highline Ballroom, New York, NY
Nakia  -  The North Door, Austin, TX
Martin Sexton  -  Duck Room at Blueberry Hill, St. Louis, MO
Tea Leaf Green  -  Summer Camp Music Festival, Chillicothe, IL
Keller Williams  -  DelFest, Cumberland, MD
Yonder Mountain String Band  -  Dark Star Jubilee, Thornville, OH

May 26, 2013  (Sunday)
Randall Bramblett  -  Belews Lake Party, Stokesdale, NC
Gaelic Storm  -  Chicago Gaelic Park Irish Fest, Chicago, IL
I See Hawks In L.A.  -  Music Star, Hamburg, Germany
Paul Kelly  -  Colony Cafe, Woodstock, NY
The Loomers  -  Half Moon Sober Festival, 247 Monadonack Highway, Swanzey, NH
Martin Sexton  -  City Winery, Chicago, IL
Keller Williams  -  DelFest, Cumberland, MD
Yonder Mountain String Band  -  DelFest, Cumberland, MD

May 27, 2013  (Monday)
Paul Kelly  -  Rams Head On Stage, Annapolis, MD
 
May 28, 2013  (Tuesday)
The Howlin' Brothers  -  Crossings at the Carnegie, Zumbrota, MN
James McMurtry  -  Continental Club Gallery, Austin, TX

May 29, 2013  (Wednesday)
The Howlin' Brothers  -  Cedar Cultural Center, Minneapolis, MN
Paul Kelly  -   The Linda, Albany, NY
James McMurtry  -  Continental Club, Austin, TX

May 30, 2013  (Thursday)
Tea Leaf Green  -  Toad's Place, New Haven, CT
They Might Be Giants  -  The Vogue, Indianapolis, IN
Dustin Welch  -  The Red Dragon Listening Room, Baton Rouge, LA
Yonder Mountain String Band  -  Wakarusa, Ozark, AR

May 31, 2013  (Friday)
Randall Bramblett  -  Double Door Inn, Charlotte, NC
Gaelic Storm  -  Oshkosh Irish Festival, Oshkosh, WI
Paul Kelly  -  Club Cafe, Pittsburgh, PA
Michelle Malone  -  Red Clay Theatre, Duluth, GA
Kenny Roby  -  Southgate House, Newport, KY
Tea Leaf Green  -  The Sinclair, Cambridge, MA
They Might Be Giants  -  Turner Hall, Milwaukee, WI
Dustin Welch  -  Old Quarter Acoustic Cafe, Galveston, TX

Tuesday, April 30, 2013

Cold Satellite: “Cavalcade” (2013) CD Review


Cavalcade is the second Cold Satellite album; that is, the second album which teams up guitarist and vocalist Jeffrey Foucault and lyricist Lisa Olstein. All songs were written by the two of them, though not while in the same room. Lisa, who has won the Copper Canyon Press Hayden Carruth Award for her first book of poetry, writes the lyrics, and Jeffrey sets them to music, often swapping or eliminating verses as he sees fit. It’s an interesting way to collaborate, and as you might guess, this CD features some excellent lyrics. I love these lines from the end of “Glass Hands,” for example: “Tell me where you’ll go/When you walk out of here/I think I’m going to want to know/When the wind blows in from there.”  Many of the lyrics of Cavalcade truly are poetry. Check out these lines from “Every Boy, Every Blood”: “The clouds looked like swimmers/Dragging their arms across the sky.” Excellent, right?

Of course the lyrics are only half the story. Jeffrey Foucault really sells them with some excellent vocal performances, particularly on songs like “Careless Flame” and “Tangled Lullaby,” two very different songs, and thus two very different approaches to the vocals. The album has some rock songs, and some songs that are more in a folk or country vein. To my ear, the latter are generally more successful, and more interesting.

The album opens with “Elegy (In A Distant Room),” a song that comes on strong, like a burst of guitars, like a force already in full swing. And it remains steady, like that, without much in the way of nuance or variation, except for the lead guitar part playing over the buzz of the other guitar. But I dig the way his vocals rise above the fray, demonstrating a power, even a need. Especially at the end, when he repeats, “In a distant room/You are always dying.”

“Necessary Monsters” has that kind of cool easy southern rock groove, kind of like early ZZ Top, particularly in the guitar. The guitar, when it takes its lead, has a few specific things to say, and allows itself pauses between, which is nice. I also like the keys, which remain somewhat in the background. And when the song fades out, it feels like it’s moving away off into the distance rather than ending. Like the party is continuing elsewhere, and you could follow it if you so choose.

“Cavalcade,” the CD’s title track, has more of a country folk feel that I totally dig. In this one, Jeffrey Foucault sings, “Before the revolution/There was a queen/But I can’t remember her name/I have read the classics/Minus one or two.” I’m totally into this song, and even more when the lyrics surprise me: “You could light a fire to my bed/You could leave the hungry all unfed/What I meant by what I said/Is please please stay.” I absolutely love that. Isn’t that what we’re often saying, regardless of what words are coming out? Please please stay.

“Careless Flame” has a slower groove and a wonderful sadness as he sings lines like, “And all my bags were packed/My ticket was bought/We stayed up through the night/We made love then we fought.” The lyrics to this one are excellent. I’m particularly taken with these lines: “On some stranger’s tongue/Today I heard your name/And it flickered and went out/Like a careless flame.” That’s followed by a slow, gorgeous, sad instrumental section. This is one of my personal favorites. Sure, it’s a kind of cry-in-your-beer country song, but it’s the best of that – you know? Long after things are over, we’re still ending them, and so still living them.

I went to my first rock concert in 1982 when I was ten, and went to many more over the next decade. When folks wanted an encore, they didn’t just applaud. They lit their lighters. During slow songs too, audience members would flick on their lighters. When Aerosmith performed “Dream On,” or Bob Seger did “Turn The Page,” there was a field of small lights dancing above the audience like will-o’-the-wisps. It was beautiful. The first time I saw people use their cell phones in the same way, I thought I was going to be sick. The second time I felt a murderous rage rush through me, and then a heavy sadness. The first lines of “Bomblet” are “At the rock ‘n’ roll show/We hold up our phones/We thought we were taking pictures/But the phones are our candles.” It’s interesting to me that the singer includes himself, as it’s “We hold up our phones,” rather than separating himself from those that are doing it. Also interesting is that this song has a slow powerful groove, one that might have caused folks back in the day to ignite their lighters, especially during the guitar solo after the lines “And sometimes for days/All we want to do is sleep/Sometimes for days.”

“Tangled Lullaby” is a rock song with kind of a blues aspect to the vocals. This is really an excellent vocal performance, the lyrics mostly separated from the music, the band coming in hard at the end of each verse. It’s an interesting way to do it, as it forces you to focus on the lyrics, and then to move with the guitar when it comes rushing in.

CD Track List
  1. Elegy (In A Distant Room)
  2. Necessary Monsters
  3. Cavalcade
  4. Careless Flame
  5. Sleepers Wake
  6. Pearlescent
  7. Bomblet
  8. Silver Whips
  9. Glass Hands
  10. Elsewhere
  11. Tangled Lullaby
  12. Every Boy, Every Blood
Musicians on this release include Jeffrey Foucault on vocals, acoustic guitar, and electric guitar; Billy Conway on drums; Jeremy Moses Curtis on bass; David Goodrich on electric guitar and acoustic guitar; Alex McCollough on pedal steel; and Hayward Williams on vocals, electric guitar and keyboards.

Cavalcade is scheduled to be released on May 21, 2013 on Signature Sounds.