Holland And Clark performing "I Only Have Eyes For You" |
This was an interesting show,
in that the song choices were mostly covers, and in fact Holland And Clark
referred to themselves as Daddy And The Ladies for this show. Of course, a
night of covers isn’t completely out of the norm for Holland. As Murdergram,
she and her bandmates have done shows covering Misfits songs (and last night
they did a few of those tunes). Holland shared lead vocal duties with other
members of the band throughout the night. It was also, of course, an interesting
show in as much as they shared the stage with dancers. There were two poles,
one actually in the middle of the band, between Holland and the drum kit, the
other at the far end of the stage. The dancers mostly left the first pole
alone.
They opened the first set at
9:15 p.m. with a cover of “I Only Have Eyes For You,” a song that has been
recorded by many artists over the years. Perhaps the most famous recording is
that by The Flamingos in 1959. Those backing vocals always seemed weird to me.
Supposedly they’re saying “Shabop shabop,”
but it sounds like “Tabbum chabbum” to me. During this song, one of the
dancers, Malice, attempted to use the pole in the middle of the band, rubbing
her ass against it, and then against Holland for a moment. After that song,
Holland said: “Thank you for having us.
And thank you, Malice.” They then launched into “Be My Baby,” a song
recorded by The Ronettes, with that famous drum beat by Hal Blaine. From that
innocent-sounding song, the band went to the sexy “Bad Things,” with the main
line being “I want to do bad things with
you.” Oh yes!
There was a buzzing issue with
Clark’s guitar for the first several songs, so after the instrumental “Surf
Rider,” they took a very short break to switch things around, and the venue’s
sound guy played some recorded music. They came back with “Rock With You,”
following that with “Fool Around,” one of my favorites of the first set. They
also did “Spooky” by Classics IV, changing the gender to a “spooky little boy like you.” Another highlight
of the first set was “Deeper And Deeper,” a seriously good song from Deep Throat Part II. They ended the
first set with a cover of Sir Mix-A-Lot’s “Baby Got Back.” Yes, the set list
was full of surprises, as the band pulled tunes from various musical realms and
times. Sometimes when the crowd cheered, it was for the band, and sometimes it
was for a particularly acrobatic move by one of the dancers. And I might
mention there is something really weird about watching some guy throw dollar
bills in the general direction of a girl crawling around on the dance floor.
The first set ended at precisely 10 p.m.
I was surprised by how many
women were at the club, and they were just as eager as the men to throw their
cash at the dancers. Lots of couples too. I don’t think I could just toss money at a
girl. I’d want to hand it to her. And before that, I’d want to get to know her
a bit, her favorite band, her favorite movie, at least her real name. Yes,
maybe I’m from another planet, but watching the women crawl around picking up
the dollars after a dance made me feel depressed. I’m just glad I’m not paid
that way. Just imagine, at the end of a long day on set, the producers toss
dollar bills around the AD trailer and we PAs have to crawl around picking them
up. Well, I suppose it’s no more humiliating than some of the stuff I’ve had to
do.
At 10:45, Holland And Clark
started the second set with “Down In Mexico,” and followed it with an excellent
rendition of Eddie Floyd’s “Good Love, Bad Love,” with cool stuff on both keys
and guitar. The band then did that Misfits material – “Vampira” and “Hollywood
Babylon” – perfect as we head into Halloween month. It’s time to get our chills
and thrills. Isn’t this the best time of the year? Listening to these tunes
sure makes me think so. And they
followed those with Prince’s “Let’s Go Crazy.” And then they went in another
surprising direction, from Prince to Tom Waits, with a cover of “Alice,” but
with a slight alteration, making it a sort of tribute to Malice. And Malice
danced during the song.
“It’s All About You” featured
some really nice blending of vocals. And before “Addicted To Love,” Holland
said, “This is for all you lovers out
there.” “Addicted To Love” is not one of my favorite songs. I tend to get
bored halfway through the original version, but actually really enjoyed what
this group did with it. They breathed some life into that old lizard. But I was
more excited to hear the song that followed it, “100 Proof,” a Holland Greco
original. Another guy was excited too,
and kept throwing money at the band, but dollar bills don’t travel very far
through the air. Holland And Clark ended the set with another Misfits tune, “Die
Die My Darling,” followed by “After Dark.” The show ended at 11:45 p.m. (Weird
that this show seemed to be carefully timed, right? First set was from 9:15 to
10:00, and the second set was from 10:45 to 11:45, exactly.)
Set List
Set I
- I Only Have Eyes For You
- Be My Baby
- Bad Things
- Surf Rider
- Rock With You
- Fool Around
- The Rumble
- As Long As I’ve Got You
- Spooky
- Deeper And Deeper
- Baby Got Back
Set II
- Down In Mexico
- Good Love, Bad Love
- Vampira
- Hollywood Babylon
- Let’s Go Crazy
- Alice
- It’s All About You
- Glory Box
- No Diggity
- Addicted To Love
- 100 Proof
- There Is An End
- Die Die My Darling
- After Dark
The stage wasn’t all that well
lit, so most of the photos I took just didn’t work. Before the show, I asked
the sound guy about focusing some of the lights on the part of the stage where the band would be. He told me the lights
just did what they did, that there was no way to control them. I’ve never in my
life heard of stage lights that are beyond human control. How did those lights
even get up there? Perhaps they were born there. Anyway, dark or not, here are
a few photos from the night (after all, What Is Dark?):
soundcheck |
"Be My Baby" |
"Bad Things" |
"Deeper And Deeper" |
"Hollywood Babylon" |
"Let's Go Crazy" |
"Alice" (or, in this case, "Malice") |
Cheetahs Club is located at
4600 Hollywood Blvd., in Los Angeles.
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