The album opens with “Roll The
Bones,” featuring John Rangel on piano, Luis Guerra on upright bass, Kanoa
Kaluhiwa on tenor saxophone and Dave Carter on trumpet. My favorite part is
that delicious section of piano and drums and bass, that rhythm totally
working. And then the track seems to take on a new energy from that point, soon
moving into another cool section with some nice work on saxophone, while that
great rhythm continues beneath it, guiding us, moving us forward. Things then get
a little funky with “Way Down.” At first it is the horn section that takes
control, Ed Ulman on trombone and Dave Carter on trumpet, their voices soon
soaring above the busy city, the hubbub, showing us a way out, a way up. Meanwhile
the drums, the bass, and the guitar work might get you dancing. Kevin Hudson is
on bass, and Paul Fischer is on electric guitar. Then suddenly the song breaks
through to a gentler, more easygoing place, that rhythm relaxing, holding back,
making way for Ben Thomas to take over on vibraphone. But it isn’t long before
things are rocking and moving again. Then “Swingin’ On A Moonbeam” gets more
exciting and lively as it goes. This one really starts to grab me in the second
half, when that energy turns fiery and fantastic. It then relaxes again just
before the end.
“Battleship Swing” establishes
a catchy groove right away. This one has kind of an intriguing title, right? It
conjures in my mind soldiers suddenly, perhaps in the midst of war, stopping
and cutting loose on a dance floor, while the band shakes and swings, and the
boat rocks in part because of the dancers and in part because of the artillery shells
exploding all around. But the sailors and soldiers are miraculously safe, maybe
because they are in their evening dress. This one features some nice work by
Joe Doria on keys and by Ben Thomas on vibraphone. That’s followed by “Alhambra,”
which has a kind of light, sweet, playful vibe at first, then takes an
interesting turn with some wonderful work by Rahim Alhaj on Iraqi oud. I love
when music can surprise you like that. This is one of my personal favorite
tracks. Then “Firefly” features some excellent work by John Rangel on piano.
“Sarasvati” eases in, and for a
moment you feel it’s going in one direction, a mood piece, but suddenly the
track kicks in with a great force, taking on a strong beat. And that isn’t the
only surprise. We are also treated to some fantastic vocal work by Mehnaz
Hoosein. All these various parts have a wonderfully mesmerizing effect. I am
completely drawn into this track. Kevin Hudson is on electric bass, Paul Fischer
is on electric guitar, and Ben Thomas is on vibraphone. Then “The City Slithers”
creates an intriguing landscape, a city at night, odd activity unseen during
the day. What denizens emerge to create that rhythm? Something mysterious,
perhaps magical, and certainly not to be disturbed. The percussion is king from the start of “The
Firebird,” and you get the sense that things are going to get
wild, but maybe aren’t quite prepared for those glorious moments of unhinged
power this track presents. The track relaxes after those moments, rebuilding
its strength, getting ready for another attack. This is another of my personal
favorites. It is a piece that Barrett Martin Group included on the band’s
previous release, Songs Of The Firebird.
Kim Thayil (from Soundgarden) plays electric guitar on this track, and both
Hans Teuber and Curtis Macdonald are on sax. Percussion also begins “Agbadza,”,
but creating quite a different vibe from that of the previous track, establishing
a good, solid groove. We even have some steel drums on this one. And the horns
and flute lift us to another level. Craig Flory plays flute.
Once that bass comes in, I am
totally into “Sands Of Venus.” This track just gets cooler as it goes, and is a
seriously enjoyable tune. Evan Flory-Barnes is on bass, Andy Coe is on electric
guitar, Wayne Horvitz is on keys, Hans Teubler is on saxophone, Dave Carter is
on trumpet, and Lisette Garcia is on tambourine. That’s followed by “Jakarta By
Taxi.” There is an excitement about this
one, a certain sense of movement, and it features some good work by Paul
Fischer on electric guitar, as well as another delicious bass line, this time
by Kevin Hudson. Then there is something pleasant about “The Fountain,”
something that comforts me and lifts my spirits. It features more good work by
Rahim Alhaj on Iraqi oud. That’s followed by “Ichcha,” a track with an
interesting combination of sounds and vibes, with something of a progressive
feel and with Mehnaz Hoosein returning on vocals. Those vocals become powerful
before the end, an impressive performance. Another wonderful groove begins “There
Is A Galaxy In Your Heart.” Thione Diop plays bata drums on this track. Evan
Flory-Barnes delivers more great work on upright bass. There is a joy to “Play
The 4th Prime,” and as it builds, it feels like something wonderful is going to
come of it, from hard work, a sort of industrious optimism. Peter Buck (of R.E.M.)
joins the group on acoustic guitar for the album’s final track, “Blue Sunrise.”
This track also features more good work from Dave Carter on trumpet, and by Joe
Doria on piano and organ. I particularly like his lead on piano approximately
halfway through.
CD Track List
- Roll The Bones
- Way Down
- Swingin’ On A Moonbeam
- Battleship Swing
- Alhambra
- Firefly
- Sarasvati
- The City Slithers
- The Firebird
- Agbadza
- Sands Of Venus
- Jakarta By Taxi
- The Fountain
- Ichcha
- There Is A Galaxy In Your Heart
- Play The 4th Prime
- Blue Sunrise
Scattered Diamonds is scheduled to be released on August 28, 2020
pm Sunyata Records.
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