It took about three seconds
before I fell in love with this album. This first track, “Money Makin’ Mama,”
has a delicious classic vibe, and features some damn fun work on piano (that’s
Paul Oscher on piano). “Let’s go down to
New Orleans,” he says before the horns take over during a nice instrumental
section. Well, that is not at all a bad idea; the thought of going to New
Orleans is always attractive. This, by the way, is one of the songs that he
also included on The Deep Blues Of Paul
Oscher. It’s followed by “Blues And Trouble.” This one too has that
timeless blues sound, which I just completely love, and more wonderful work by
Paul Oscher on keys. There is also some great work on saxophone. Sure, the song
is called “Blues And Trouble,” but it sounds to me like blues and joy. Some of the
lyrics are familiar lines like “You know,
I had the blues so bad/You know, I almost lost my mind,” but others come as
wonderful surprises. Check out these lines: “She gave me a voodoo doll/Said that doll would make things right/Ward
off the evil spirits/Keep me safe all through the night/But I lay down
dreaming/And the demons begun to fight/One said ‘I got his soul’/The other said
‘I’ll take his life.’” Man, he works some great stories into these songs.
A good rhythm is established
right at the beginning of “Hide Out Baby,” a groove seemingly designed to make
you feel all right. This track also features some nice work on harmonica, as
does the following tune, “Work That Stuff.” Oh man, that harmonica sounds so
good right from the start, helping to create a great, laid back feel. There are
some interesting and enticing women populating these songs; in this one, the
woman in question can “make you really want
to blow your top.” The harmonica is really a second voice on this track,
and at one point Paul enters into a discussion with that instrument. With all
the classic sounds and vibes on this album, it’s surprising that there is
actually only one cover. It’s a cool rendition of “Rollin’ And Tumblin’,” with
Sunny Lowdown and Jeremy Dowden providing some backing vocals.
“Cool Cat,” the album’s title
track, is actually a few tracks. The first is listed as “Cool Cat Prologue,”
and it’s a story, giving the album a live feel, like he’s introducing the song
to a live audience. It’s an interesting approach, and in this prologue he introduces
some of the elements of the song. Oddly, it also includes the sounds of
children playing. Then the actual tune is on a separate track. This
instrumental tune has a really nice vibe about it, with a friendly, cheerful
sound, a positive sound, particularly in the piano. There is also a groovy
section with the bass taking lead, and then some cool work on drums. As I
mentioned, the title track is three tracks. The third one is an extended
version of the tune, and it’s the album’s final track. Here the saxophone gets
plenty of moments to shine, and the bass takes the lead twice. In the
background through much of the track we hear the kids playing again. Right at the
end, there are some vocals, Lisa Leuschner singing “Cool cat, cool cat, he’s a cool cat.” I feel the regular version
might be a bit too short, but this extended version is definitely too long.
Also, I wish we could dispense with the sound of children playing, for it actually
detracts from the fun feel of the tune.
“Mississippi Poem” is just
exactly what its title promises, a spoken word piece about Mississippi, another
of this album’s nice surprises. It is followed by a song that mentions
Mississippi in its first line, “He was
born in Mississippi, raised on a cotton farm.” “Ain’t That A Man” is a song
about James Cotton, and it has the feel of a loose blues number played out on
the porch. Russell Lee provides the vocals. Lavelle White joins Paul Oscher on vocals on “Dirty Dealin’ Mama,”
the other track that was also included on The
Deep Blues Of Paul Oscher. This is an odd number about a woman who has been
out all night, visiting various men. She tells us, “I went to see the butcher/He put my meat on the grill/I went down to
the dentist/Because I like the way he drills.” And she just goes on from there,
one serious slut, sleeping with everyone, and certainly feeling no shame about
it. “Don’t you ask me where I’m going/And
don’t you ask me where I’ve been.” Well, there is no need; she’s confessing
all. Or is she just making this all up, offended by being asked where she was
all night?
Things then get deliciously
jazzy with “On The Edge,” which begins with some wonderful drumming and
includes some delightful work on saxophone too. It’s a cool instrumental number,
but contains a false ending. Then the drums lead back into it, if only for a
brief moment. It feels like it’s not completely developed, but I wish it were
longer. This is another of the album’s surprises. That’s followed by “Poor Man
Blues,” a blues song touching on one of those perennial blues subjects, being
broke. This has something of a standard-type blues sound, though this too is an
original number. Russell Lee is on vocals on this one. “When I get my money/I like to go out and play/But I can’t do that/My
check’s already spent/If I mess with that money/Then I can’t pay my
rent/Because I’m a poor man.”
CD Track List
- Money Makin’ Woman
- Blues And Trouble
- Hide Out Baby
- Work That Stuff
- Rollin’ And Tumblin’
- Cool Cat Prologue
- Cool Cat
- Mississippi Poem
- Ain’t That A Man
- Dirty Dealin’ Mama
- On The Edge
- Poor Man Blues
- Cool Cat (Long Version)
Cool Cat was released on October 19, 2018 on Blues Fidelity
Recordings.
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