I have a compilation of hits from 1968 that features two instrumentals – Paul Mauriat’s “Love Is Blue” and Mason Williams’ “Classical Gas.” I would listen to those songs over and over, sometimes for hours. I think 1968 is one of the most interesting years for music (and for things in general). Music had a lot to say that year, so it’s interesting that two instrumentals were among the year’s best songs. And it was in 1968 that artist/author/musician Mason Williams released his first record, The Mason Williams Phonograph Record.
Before this, he’d been writing for The Smothers Brothers Comedy Hour. So of course this album is not
all that serious (although it sounds as if it is, like the work of the best
jesters). This is not a comedy album, but often makes me laugh. It’s difficult
to imagine just exactly what reaction he’d hoped the record would get. This is
a truly interesting collection of songs. All of songs are originals.
This special re-issue has new liner notes by Gene
Sculatti, as well as the original liner notes by Stan Cronyn.
The Mason Williams
Phonograph Record begins with “Overture,” touching on several of its
themes, then goes into “All The Time.” That song’s first lines, “I’m not exactly leaving you/I just won’t be
around all the time,” make me laugh. It doesn’t have a silly or comedic
sound, but rather has the sound of one of those big lavish 1960s pop numbers. I
love that Mason Williams delivers his lyrics with an earnest sweetness, which of course
makes the song funnier.
This album has a lot of odd surprises. For example, there
are a couple of incredibly short tracks. “Dylan Thomas” is a strange, very
short folk song playing on “London Bridge Is Falling Down.” “Life Song,” another short song, asks, “Isn’t life the perfect thing to pass the time away?” And then
“Wanderlove” has an unexpected percussion solo at the end.
“She’s Gone Away” is a fun kind of catchy pop rock song,
steeped in 1960s sounds, and it totally works on those terms. Every time I
listen to it, one line cracks me up - “She’s
gonna stand around in her shoes.”
This track also features some nice work on guitar.
Of course, the centerpiece of this record is that
excellent instrumental, “Classical Gas.” This song was released as a single,
and reached #2 on the Billboard Hot 100 (“Hello, I Love You” was #1 at
the time – not bad company at the top). This song has such a great feel, right
from its opening guitar part. And it has a beautiful build. I always love
listening to it, and am usually a bit bummed when it ends (which explains why I
would sometimes just listen to it over and over).
“Long Time Blues” is a catchy country blues song, with
some nice backing vocals. I really dig the piano on this track. Here is a bit
of the lyrics: “Sitting by the
window/Waiting for the dawn/Waiting for a girl/A long time gone/Long time gone
is a lonesome sound.” This is one of the album’s strongest tracks.
One of the odder tunes is “Baroque-A-Nova.” The only
lyrics to this song are “ba ba-ba ba
ba-ba.” Go ahead, sing along. You know the word. But the goofiest song on
the album is certainly “The Prince’s Panties,” with lines like “He thought life was stupid and it was for
him” and “He liked butter for its
color.” He called his many dogs “panties” for they panted, leading to
this song’s tragic ending: “And the prince
was eaten by his panties.”
The Mason Williams
Phonograph Record concludes with “Sunflower,” which begins with guitar and
whistling and actually is quite pretty. This instrumental track then changes
nearly two minutes in, though retains its beauty. This is a really wonderful
tune, one of my favorites from this album.
CD Track List
- Overture
- All The Time
- Dylan Thomas
- Wanderlove
- She’s Gone Away
- Here Am I
- Classical Gas
- Long Time Blues
- Baroque-A-Nova
- The Prince’s Panties
- Life Song
- Sunflower
This re-issue of The
Mason Williams Phonograph Record was released on June 4, 2013 through Real Gone
Music. Also released on that day by Real Gone Music was The Mason Williams Ear Show, which had also been originally
released in 1968.
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