Sunday, December 7, 2025

Sandy Rogers Band at Jeweled Universe, 12-7-25 Concert Review

Sandy Rogers
It was a lovely warm December Sunday in South Pasadena, a perfect day for a little afternoon music magic at Jeweled Universe, with the great Sandy Rogers headlining. The Acoustic Jewels music series is hosted by Mike Berman, who put out two new excellent releases this year, and who opened the show. Both Sandy Rogers and Mike Berman were backed by the same stellar group of musicians, including I See Hawks In L.A. members Paul Marshall and Victoria Jacobs on bass and drums respectively, along with Dan Janisch on electric guitar. If you haven't yet visited Jeweled Universe, it's a cool venue that is also a store selling handmade jewelry and other interesting artwork. The idea of a jeweled universe informs much of the look of the venue, with a starry sky backdrop on the stage, a giant full moon in the center, with a couple of stars hanging above the stage along with an interesting Saturn-like lit-up  ornament. Even the tables have sparkling blues positioned within otherwise black tops. And there is a warm, inviting air about the place.

Mike Berman
Mike Berman started the show at 2:36 p.m. with "It Should Be Raining Today," a song from his Where I'm From album. "And the way that I'm feeling/It should be raining today." It seems almost cruel when the weather is at odds with what is happening in your life, especially when tragedy and despair are met with a beautiful, sunny day. "This is the Sandy Rogers Band minus Sandy Rogers," Mike told the audience after that first song. He followed that with a new song, "Good Luck Story." It begins with the line, "I've had my share of hard times," but then changes, as Mike sings, "Darling, you're my good luck story now." This was the first time he performed the song in concert. "It was kind of my attempt to write a Merle Haggard song," he said about it afterward. That was followed by a different luck song, "No Luck At All," from Ghosts, the first of his two 2025 releases. This song featured a especially wonderful vocal performance from Mike. And the song's main line, "There's no luck in these stars at all," is particularly striking at that venue. Mike then chose another song from Ghosts, "In The Clear Morning," and then wrapped up the set with "Farthest Thing From The Blues," a delicious blues number that even opens with the phrase "Well, I woke up this morning." Dan delivered a great lead on electric guitar. The set finished at 2:59 p.m.

"Tingling Blue"
Ten minutes later, Sandy Rogers was ready to go. Mike Berman introduced her, and Sandy mentioned her new album, Tingling Blue. She then opened her set with that album's title track, a totally fun, energetic number that is certain to make you feel good. Dan delivered a nice lead on electric guitar, and at the end of the song, Sandy told the audience, "And if you don't know what that means, figure it out." That was followed by "One Of Those Kind," which also follows "Tingling Blue" on the album. It sounded so good, so sweet. Sandy followed that with "Fool For Love." "This is the song that got me started, 'Fool For Love,' in music," she said in introducing the song. For those who don't know, Sandy Rogers is the sister of playwright and actor Sam Shepard, and she wrote several songs for Robert Altman's film version of her brother's play Fool For Love. Interestingly, the title song she wrote for it was not included in the film, though it was later used in the film Reservoir Dogs. There was a bit of trouble with her guitar during this song today, but it was still a wonderful rendition.

"In Her Auto-Mobile"
Sandy introduced "Train Fare To Memphis" as one of the first songs she ever wrote. It's a beautiful song. "And that is not a true story," she said afterward. "I would not be that stupid." That was followed by "Lonesome Man," which featured a fantastic vocal performance. I especially loved her delivery of the line "You're gonna be crying all night." After the song, she told the audience, "That's my favorite one from the new record." That was in turn followed by another highlight, "Missouri Blue," a song from her Wonderin' album. I love the whole vibe of this song. "Who's ending this?" she playfully asked her band mates during the song's final section. Sandy then returned to her new album for "In Her Auto-Mobile" and "Wild Bill," the latter of which was written by Paul Lacques. "And we all miss that guy," Sandy said of Paul afterward. She wrapped up the first set with "Trailer Up On A Hill" from Green Moon. The set ended at 3:54 p.m.

"Fun For Christmas"
Fifteen minutes later the band was back on stage, and Sandy opened the second set with "Let's Ride," a song from the Fool For Love film, the song used for the title sequence. That was followed by another song written for Fool  For Love, "Why Wyoming." After that one, Sandy mentioned that the version heard in the movie was the demo, not the version she considered the better one. She then played "Turn Around," another of the highlights from the new album. I love this song. It makes me feel good every time I hear it. "Everybody doesn't have a clue/Nobody knows what to do." She reached back to a song from much earlier in her career, "No Antidote" before wrapping up the show with two more from the new album, "Fun For Christmas" and "Run Out Of West." "Fun For Christmas," as I mentioned in my review of the album, is that rarity, a Christmas song you can listen to the whole year round. And it is a perfect song for the holiday season this year. If you haven't yet heard it, I highly recommend checking it out. Sandy got the whole audience singing along. And "Run Out Of West," which closes the new album, was a great choice to end the afternoon. The show ended at 4:39 p.m.

Sandy Rogers Band Set List

Set I

  1. Tingling Blue
  2. One Of Those Kind
  3. Fool For Love
  4. Train Fare To Memphis
  5. Lonesome Man
  6. Missouri Blue
  7. In Her Auto-Mobile
  8. Wild Bill
  9. Trailer Up On A Hill
Set II
  1. Let's Ride
  2. Why Wyoming
  3. Turn Around
  4. No Antidote
  5. Fun For Christmas
  6. Run Out Of West
Here are a few more photos:

"It Should Be Raining Today"

"It Should Be Raining Today"

"No Luck At All"

"In The Clear Morning"

"One Of Those Kind"

"Lonesome Man"

"Missouri Blue"

"Fun For Christmas"

Jeweled Universe is located at 1017 Mission St. in South Pasadena, California. Tickets for the show were $20. Sandy Rogers' next show is December 16th at Unurban Coffee House in Santa Monica.

Monday, December 1, 2025

Rock The Plaza: Concert To Save The Historic Plaza Theatre In Palm Springs (2025) CD Review

The Plaza Theatre opened in Palm Springs in 1936, its first event being the film premiere of Camille, the George Cukor film starring Greta Garbo and Robert Taylor. And that was just the beginning of its storied existence. But of course no matter how much history a building has, at some point it will require renovations. On November 11, 2022, a special concert was held to raise money to fund the needed renovations for the Plaza Theatre. That concert featured Alice Cooper, Joshua Homme and Paul Rogers, among other artists. And now, renovations completed and the venue back in business (Lily Tomlin and John Waters will be there this week), an album of that concert is being released. A double album on vinyl was released as part of Black Friday Record Store Day, and the CD is coming out December 5th. The house band for the event included Spike Edney on keyboards and vocals, Brian Ray on guitar and vocals, Pete Thorn on guitar and vocals, Jon Button on bass, Matt Sorum on drums and vocals, Teddy Andreadis on keyboards and vocals, Eric Singer on drums and vocals, Sheryl Cooper on backing vocals, and Vanessa Amoros on backing vocals.

The album kicks off with Alice Cooper performing "No More Mr. Nice Guy," a song from the 1973 record Billion Dollar Babies. He delivers a good rendition, even if his vocals are a bit rough at moments. The lyrics that always stand out to me are these: "I went to church incognito/When everybody rose/The reverend Smith, he recognized me/He punched me in the nose/He said, 'No more Mr. Nice Guy.'" Alice Cooper follows that with "I'm Eighteen," from the 1971 album Love It To Death. "Well, I've got a baby's brain, I've got an old man's heart." I loved this song when I heard it growing up, but it is somehow even more powerful now, more meaningful hearing it from a different perspective, and I hope that teenagers and people in their early twenties are still getting exposed to it now, reminding them that their brains are not quite fully developed (something it seems they are unaware of). "I'm eighteen/I get confused every day." At the end of the song, he jokes, or clarifies, "Now, I was singing 'eighteen,' not 'eighty.'" It's crazy that Alice Cooper isn't all that far from eighty now. 

Alice Cooper next gives us "Under My Wheels," a song from Killer. It's interesting that he chose all early 1970s songs. This one is probably the wildest, most exciting of the songs he plays here, and it features some excellent guitar work and some good backing vocals. "Okay, this is a sing-along," he then says in introducing "School's Out." "If you don't know this song, you never went to school." Indeed. Who didn't love this song? It was the title track to Alice Cooper's 1972 record. That was the year I was born, and when I was in high school, we were still blasting it and shouting it. And he delivers a strong rendition here, with some outstanding stuff on guitar. Toward the end, the song segues into Pink Floyd's "Another Brick In The Wall, Part 2." You know, the "We don't need no education" song. On the CD case, it is listed as "Another Brick In The Wall." And then he goes back into "School's Out." There is some fantastic energy here. "Thank you," he says at the end. "Let's save this theatre."

Joshua Homme, from Queens Of The Stone Age, delivers a fun rendition of David Bowie's "Let's Dance," the title track to his 1983 record (what a good year that was for pop music, the year of Syncronicity, War, She's So Unusual, Sports, Rebel Yell, Colour By Numbers and Murmur). Joshua does a great job with the song. He certainly has the vocal chops for it. Joshua, by the way, was born in Palm Springs. He then takes things in quite a different direction, covering "Somethin' Stupid," a song recorded by Frank Sinatra. Nancy Sinatra had joined Frank on his 1967 recording of the song, and here Joshua Homme is joined by Orianthi. They give us a wonderful rendition. Matt McKenna joins the group on acoustic guitar, delivering some excellent work.

Orianthi performs a cool rendition of "These Boots Are Made For Walkin'," her voice containing all the necessary attitude. Orianthi is then joined by Brian Ray on vocals for the duet of Sonny & Cher's "I Got You Babe." It might seem an odd choice, but remember, Sonny Bono was the mayor of Palm Springs for four years. And, besides, it's a wonderful song. Who can dislike this song? The crowd is clearly digging it. That's followed by Joshua Homme covering Gerry Rafferty's "Right Down The Line," this track featuring some nice work on both keys and guitar, as well as a good, prominent bass line. That in turn is followed by "I Sat By The Ocean," a Queens Of The Stone Age song from that band's 2013 album, ...Like Clockwork. It was also released as a single. This one too includes a strong bass line, which is part of the song's appeal.

Paul Rodgers is introduced as "One of the greatest throats in all of rock and roll," which is wonderful. He starts with an excellent rendition of "Can't Get Enough," which was Bad Company's first single and the lead track on the band's self-titled debut LP. I need to revisit those Bad Company albums. I listened to this music a whole lot when I was growing up. And listening to this song now, I find it totally holds up. After the song, Paul tells the crowd, "We all love Palm Springs, and we all love this particular theatre." He follows that with a cover of Sam & Dave's "I Thank You." I especially like the second half of this rendition, when things get looser. That's followed by "Feel Like Makin' Love," a single from Bad Company's second LP, 1975's Straight Shooter (which was the first Bad Company album that I got). This is a really nice rendition, and I love his vocal work here. Plus, the song still has the power during the chorus that I recall from my childhood. "Yeah, nice singing," he tells the crowd just before the end of the song. But what is particularly impressive is Paul Rodgers' singing on this one. This track is one of the disc's highlights for me.

Then, interestingly, we get the second David Bowie cover of the album, "Rebel Rebel," here performed by Jay Nailor. He is backed by Joby Pritzker on acoustic guitar, Bernt Bodal on bass, and Eric Singer on drums. Jay delivers a good, energetic rendition. Alice Cooper then covers The Who's "My Generation," doing the stutter and all. This song still totally rocks, which, of course, you'd expect anyway in Alice Cooper's hands. This is a very cool rendition. The disc concludes with Paul Rodgers singing "All Right Now," Free's big hit, and another excellent rock song. For those who might not recall, Free was the band Paul Rodgers was in before Bad Company. This song was a staple of the Massachusetts rock radio stations I listened to while growing up, and it always hit me just the right way. I'm glad to find it still does. There is a section toward the end with vocals over a steady pounding on the drums. This is a great way to wrap up the album.

CD Track List

  1. No More Mr. Nice Guy - Alice Cooper
  2. I'm Eighteen - Alice Cooper
  3. Under My Wheels - Alice Cooper
  4. School's Out/Another Brick In The Wall, Part 2 - Alice Cooper
  5. Let's Dance - Joshua Homme
  6. Somethin' Stupid - Joshua Homme and Orianthi
  7. These Boots Are Made For Walkin' - Orianthi
  8. I Got You Babe - Orianthi and Brian Ray
  9. Right Down The Line - Joshua Homme
  10. I Sat By The Ocean - Joshua Homme
  11. Can't Get Enough - Paul Rodgers
  12. I Thank You - Paul Rodgers
  13. Feel Like Makin' Love - Paul Rodgers
  14. Rebel Rebel - Jay Nailor
  15. My Generation - Alice Cooper
  16. All Right Now - Paul Rodgers
Rock The Plaza: Concert To Save The Historic Plaza Theatre In Palm Springs was released on vinyl on November 28, 2025, and is scheduled to be released on CD on December 5, 2025 through Omnivore Recordings.